Dyeing

Last updated
Dyeing Dyeing (Yarn).jpg
Dyeing
Pigments for sale at a market in Goa, India Indian pigments.jpg
Pigments for sale at a market in Goa, India
Cotton being dyed manually in contemporary India Cotton dyeing in India.jpg
Cotton being dyed manually in contemporary India
Silk dye in pan on stove. Khotan Dye in pan on stove. Khotan, Xinjiang.jpg
Silk dye in pan on stove. Khotan

Dyeing is the application of dyes or pigments on textile materials such as fibers, yarns, and fabrics with the goal of achieving color with desired color fastness. Dyeing is normally done in a special solution containing dyes and particular chemical material. Dye molecules are fixed to the fiber by absorption, diffusion, or bonding with temperature and time being key controlling factors. The bond between the dye molecule and fiber may be strong or weak, depending on the dye used. Dyeing and printing are different applications; in printing, color is applied to a localized area with desired patterns. In dyeing, it is applied to the entire textile.

Contents

The primary source of dye, historically, has been nature, with the dyes being extracted from plants or animals. Since the mid-19th century, however, humans have produced artificial dyes to achieve a broader range of colors and to render the dyes more stable for washing and general use. Different classes of dyes are used for different types of fiber and at different stages of the textile production process, from loose fibers through yarn and cloth to complete garments.

Acrylic fibers are dyed with basic dyes, while nylon and protein fibers such as wool and silk are dyed with acid dyes, and polyester yarn is dyed with dispersed dyes. Cotton is dyed with a range of dye types, including vat dyes, and modern synthetic reactive and direct dyes.

Etymology

The word 'dye' ( /ˈd/ , DIE) comes from the Middle English 'deie', and from the Old English 'dag' and 'dah'. [1] The first known use of the word 'dye' was before the 12th century. [2]

History

Dyeing in Fes, Morocco Fez Tannery.JPG
Dyeing in Fes, Morocco
Children playing amongst drying colored cloth in Bangladesh Childhood Joy.jpg
Children playing amongst drying colored cloth in Bangladesh

The earliest dyed flax fibers have been found in a prehistoric cave in the Georgia and dates back to 34,000 BC. [3] [4] More evidence of textile dyeing dates back to the Neolithic period at the large Neolithic settlement at Çatalhöyük in southern Anatolia, where traces of red dyes, possibly from ocher, an iron oxide pigment derived from clay, were found. [5] In China, dyeing with plants, barks, and insects has been traced back more than 5,000 years. [6] :11 Early evidence of dyeing comes from Sindh province in Ancient India modern day Pakistan, where a piece of cotton dyed with a vegetable dye was recovered from the archaeological site at Mohenjo-daro (3rd millennium BCE). [7] The dye used in this case was madder, which, along with other dyes such as indigo, was introduced to other regions through trade. [7] Natural insect dyes such as Cochineal and kermes and plant-based dyes such as woad, indigo and madder were important elements of the economies of Asia and Europe until the discovery of man-made synthetic dyes in the mid-19th century. The first synthetic dye was William Perkin's mauveine in 1856, derived from coal tar. Alizarin, the red dye present in madder, was the first natural pigment to be duplicated synthetically in 1869, [8] a development which led to the collapse of the market for naturally grown madder. [6] :65 The development of new, strongly colored synthetic dyes followed quickly, and by the 1870s commercial dyeing with natural dyestuffs was disappearing. An important characteristic was light-fastness - resistance to fading when exposed to sunlight using industrial techniques such as those developed by James Morton.

Methods

Dyeing can be applied at various stages within the textile manufacturing process; for example, fibers may be dyed before being spun into yarns, and yarns may be dyed before being woven into fabrics. Fabrics and sometimes finished garments themselves may also be dyed. [9] The stage at which a product is dyed varies depending on its intended end use, the cost to the manufacturer, its desired appearance, and the resources available, amongst other reasons. There are specific terms to describe these dyeing methods, such as:

Terms for different dyed materials

There are various terms used in the manufacturing and marketing industries depending on the method used to dye the substrate. For example, "stock dyed" refers to dyeing the fibers before making the yarn, "yarn dyed" refers to dyeing the yarns before producing fabrics, and "piece dyed" or "fabric dyed" refers to dyeing the yarns after they are converted into fabric. The fastness of fiber- and yarn-dyed materials is superior to that of fabrics. [16]

Objective

The primary objective of the dyeing process is to achieve uniform color application in accordance with a predetermined color matching standard or reference on the substrate, [17] which may be a fiber, yarn, or fabric, while meeting specified colour fastness requirements. Tie-dye and printing are the methods where the color is applied in a localized manner. [18]

Application

Exhaust dyeing vessel Dyeing machines.jpg
Exhaust dyeing vessel

Exhaust method

In the exhaust method, the dye is transported to the substrate by the dye liquor's motion. The dye is adsorbed onto the fibre surface and ideally diffuses into the whole of the fibre. Water consumption in exhaust application is higher than the continuous dyeing method. [18] There are three corresponding ways of dyeing with the exhaust method.

  1. Liquor circulating: loose stock, sliver, tow, yarn or fabric, is packed into canisters, wound onto cones or perforated beams and placed inside the dyeing vessel. In this way the liquor is pumped and revolves through the material which is stationary.
  2. Material circulating: Fabric winch dyeing and jiggers are the few forms in which material remains in motion and liquor stationary. In this the material moves through the stationary liquor.
  3. Liquor and material both in motion: Jet dyeing and softflow dyeing application methods where material and liquor both remain in motion.

Continuous method

In continuous method dye is transported to the substrate by passing it through the different stages but continuously. [18] The continuous method is an innovative method where many discrete dyeing stages are combined, such as applying color, fixation and, washing off of unfixed dyes. [19] [20] Types of continuous dyeing are as follows

Cold pad batch method is a semi-continuous dyeing process. [21] [22]

Waterless dyeing method

Waterless dyeing, also known as dry dyeing, is the newly developed and more sustainable dyeing method in which the dyes are applied to the substrate with the help of carbon dioxide or solutions that need less or no water compared to their counterparts. [23] [24] [25]

Selection of dyes

The selection of the appropriate dyes is most important because any given dye does not apply to every type of fiber. Dyes are classified according to many parameters, such as chemical structure, affinity, application method, desired colour fastness i.e. resistance to washing, rubbing, and light. [18] The properties may vary with different dyes. The selection of dye depends on the objective in dyeing and affinity (to which material is to be dyed). Fastness of color largely depends upon the molecular size of the dyes and the solubility. Larger molecular size serves better washing fastness results. [26]

Indigo dyes have a poor wash and rubbing fastness on denim (cotton), so they are used to produce washed-down effects on fabrics. In contrast, vat or reactive dyes are applied to cotton to achieve excellent washing fastness.

The next important criterion for selecting dyes is the assessment of hazards to human health and the environment. There are many dyes especially disperse dyes that may cause allergic reactions to some individuals, [27] and the negative impact on the environment. [28] There are national and international standards and regulations which need to comply.

Direct application

Chemical structure of Vat Green 1, a type of vat dye Vat Green 1.svg
Chemical structure of Vat Green 1, a type of vat dye

The term "direct dye application" stems from some dyestuff having to be either fermented as in the case of some natural dye or chemically reduced as in the case of synthetic vat and sulfur dyes before being applied. This renders the dye soluble so that it can be absorbed by the fiber since the insoluble dye has very little substantivity to the fiber. Direct dyes, a class of dyes largely for dyeing cotton, are water-soluble and can be applied directly to the fiber from an aqueous solution. Most other classes of synthetic dye, other than vat and surface dyes, are also applied in this way.

The term may also be applied to dyeing without the use of mordants to fix the dye once it is applied. Mordants were often required to alter the hue and intensity of natural dyes and improve color fastness. Chromium salts were until recently extensively used in dyeing wool with synthetic mordant dyes. These were used for economical high color fastness dark shades such as black and navy. Environmental concerns have now restricted their use, and they have been replaced with reactive and metal complex dyes that do not require mordant.

Yarn dyeing

Dyed wool reels (CSIRO) CSIRO ScienceImage 16 Dyed Wool Reels.jpg
Dyed wool reels (CSIRO)

There are many forms of yarn dyeing. Common forms are the package form and the hanks form. Cotton yarns are mostly dyed at package form, and acrylic or wool yarn are dyed at hank form. In the continuous filament industry, polyester or polyamide yarns are always dyed at package form, while viscose rayon yarns are partly dyed at hank form because of technology. [29]

The common dyeing process of cotton yarn with reactive dyes at package form is as follows:

  1. The raw yarn is wound on a spring tube to achieve a package suitable for dye penetration.
  2. These softened packages are loaded on a dyeing carrier's spindle one on another.
  3. The packages are pressed up to a desired height to achieve suitable density of packing.
  4. The carrier is loaded on the dyeing machine and the yarn is dyed.
  5. After dyeing, the packages are unloaded from the carrier into a trolley.
  6. Now the trolley is taken to hydro extractor where water is removed.
  7. The packages are hydro extracted to remove the maximum amount of water leaving the desired color into raw yarn.
  8. The packages are then dried to achieve the final dyed package.

After this process, the dyed yarn packages are packed and delivered.

Space dyeing

Space dyed yarn Space dyeing.jpg
Space dyed yarn

Space dyeing is a technique of localized color application that produces a unique multicolored effect. [30] [31]

History of garment dyeing

Garment dyeing is the process of dyeing fully fashioned garments subsequent to manufacturing, as opposed to the conventional method of manufacturing garments from pre-dyed fabrics.

Up until the mid-1970s the method was rarely used for commercial clothing production. It was used domestically, to overdye old, worn and faded clothes, and also by resellers of used or surplus military clothing. The first notable industrial use of the technique was made by Benetton, which garment dyed its Shetland wool knitwear.

Complex garment dyeing

In the mid-1970s the Bologna clothing designer Massimo Osti began experimenting with the garment dyeing technique. His experimentation over the next decade, led to the pioneering of not just the industrial use of traditional garment dyeing (dyeing simple cotton or wool garments) but, more importantly, the technique of “complex garment dyeing” which involved dyeing fully fashioned garments which had been constructed from multiple fabric or fiber types (e.g. a jacket made from both nylon and cotton, or linen, nylon and polyurethane coated cotton) in the same bath.

Up until its development by Osti (for his clothing brand C.P. Company), this technique had never been successfully industrially applied in any context. The complexity lay in developing both a practical and chemical understanding of how each fabric responded differently to the dye, how much it would shrink, how much color it would absorb, developing entirely new forms of quality control to verify possible defects in fabric before dyeing etc.

Beyond the industrial advantages of the technique (purchasing fabric in one color, white or natural, you may produce as many colors as you wish etc.), the artistic advantages of the technique were considerable and in many ways paved the way for the creation of the clothing style today known as Italian Sportswear. These advantages included

The disadvantages included:

Today, whilst garment dyeing is a diffusely employed as an industrial technique around the globe, predominantly in the production of vintage style cotton garments and by fast fashion suppliers, complex garment dyeing is still practiced almost exclusively in Italy, by a handful of premium brands and suppliers who remain committed to the art.

There are several terms associated with the process of dyeing:

Affinity

Affinity refers to the chemical attraction between two elements or substances, leading to their inclination to unite or combine, as observed between fiber and dyestuff. [32] :4 [33]

Bleeding

Materials that exhibit bleeding tendencies may lead to the staining of white or light-colored fabrics in contact with them while in a wet state. The phenomenon of color fading from a fabric or yarn upon immersion in water, solvent, or a comparable liquid medium, arises due to inadequate dyeing or the utilization of inferior quality dyes. [32] :16 [34]

Staining

Fabric can experience undesired color absorption, resulting in staining, when exposed to water, dry-cleaning solvent, or similar liquids containing unintended dyestuffs or coloring materials. Additionally, direct contact with other dyed materials may cause color transfer through bleeding or sublimation. [32] :150 [35]

Stripping

Stripping is a method used to partially or entirely remove color from dyed textile materials. It can also be utilized as a reprocessing technique to correct imperfect dyeing. [36]

See also

Related Research Articles

<span class="mw-page-title-main">Dye</span> Soluble chemical substance or natural material which can impart color to other materials

A dye is a colored substance that chemically bonds to the substrate to which it is being applied. This distinguishes dyes from pigments which do not chemically bind to the material they color. Dye is generally applied in an aqueous solution and may require a mordant to improve the fastness of the dye on the fiber.

<span class="mw-page-title-main">Textile</span> Various fiber-based materials

Textile is an umbrella term that includes various fiber-based materials, including fibers, yarns, filaments, threads, different fabric types, etc. At first, the word "textiles" only referred to woven fabrics. However, weaving is not the only manufacturing method, and many other methods were later developed to form textile structures based on their intended use. Knitting and non-woven are other popular types of fabric manufacturing. In the contemporary world, textiles satisfy the material needs for versatile applications, from simple daily clothing to bulletproof jackets, spacesuits, and doctor's gowns.

<span class="mw-page-title-main">Yarn</span> Long continuous length of interlocked fibres

Yarn is a long continuous length of interlocked fibres, used in sewing, crocheting, knitting, weaving, embroidery, ropemaking, and the production of textiles. Thread is a type of yarn intended for sewing by hand or machine. Modern manufactured sewing threads may be finished with wax or other lubricants to withstand the stresses involved in sewing. Embroidery threads are yarns specifically designed for needlework. Yarn can be made of a number of natural or synthetic materials, and comes in a variety of colors and thicknesses. Although yarn may be dyed different colours, most yarns are solid coloured with a uniform hue.

<span class="mw-page-title-main">Denim</span> Warp-faced textile

Denim is a sturdy cotton warp-faced textile in which the weft passes under two or more warp threads. This twill weave produces a diagonal ribbing that distinguishes it from cotton duck. Denim, as it is recognized today, was first produced in Nîmes, France.

<span class="mw-page-title-main">Tie-dye</span> Technique of resist dyeing

Tie-dye is a term used to describe a number of resist dyeing techniques and the resulting dyed products of these processes. The process of tie-dye typically consists of folding, twisting, pleating, or crumpling fabric or a garment, before binding with string or rubber bands, followed by the application of dye or dyes. The manipulations of the fabric before the application of dye are called resists, as they partially or completely prevent ('resist') the applied dye from coloring the fabric. More sophisticated tie-dye may involve additional steps, including an initial application of dye before the resist, multiple sequential dyeing and resist steps, and the use of other types of resists and discharge.

Vat dyes are a class of dyes that are classified as such because of the method by which they are applied. Vat dyeing is a process that refers to dyeing that takes place in a bucket or vat. The original vat dye is indigo, once obtained only from plants but now often produced synthetically.

The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns it into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.

<span class="mw-page-title-main">Heather (fabric)</span> Fabric made of interwoven yarns of mixed colors

In clothing, heather refers to a color effect created by mixing two or more different colored fibers or yarns. It is interwoven yarns of mixed colors, and possibly the type of fiber, producing another color. It is typically used to mix multiple shades of grey or grey with another color to produce a muted shade, but any two colors can be mixed, including bright colors. A mixed fabric color is achieved by using different colors of fiber and mixing them together. Black and white fiber mixed will combine to give grey heather fiber. Heather is blended fibers combined to create a multicolored effect. Heather effect is also known as melange effect.

<span class="mw-page-title-main">Variegated yarn</span> Yarn dyed with more than one colour

Variegated yarn is yarn dyed with more than one colour.

<span class="mw-page-title-main">Finishing (textiles)</span> Manufacturing process

In textile manufacturing, finishing refers to the processes that convert the woven or knitted cloth into a usable material and more specifically to any process performed after dyeing the yarn or fabric to improve the look, performance, or "hand" (feel) of the finish textile or clothing. The precise meaning depends on context.

<span class="mw-page-title-main">Natural dye</span> Dye extracted from plant or animal sources

Natural dyes are dyes or colorants derived from plants, invertebrates, or minerals. The majority of natural dyes are vegetable dyes from plant sources—roots, berries, bark, leaves, and wood—and other biological sources such as fungi.

<span class="mw-page-title-main">Glossary of dyeing terms</span>

Dyeing is the craft of imparting colors to textiles in loose fiber, yarn, cloth or garment form by treatment with a dye. Archaeologists have found evidence of textile dyeing with natural dyes dating back to the Neolithic period. In China, dyeing with plants, barks and insects has been traced back more than 5,000 years. Natural insect dyes such as Tyrian purple and kermes and plant-based dyes such as woad, indigo and madder were important elements of the economies of Asia and Europe until the discovery of man-made synthetic dyes in the mid-19th century. Synthetic dyes quickly superseded natural dyes for the large-scale commercial textile production enabled by the industrial revolution, but natural dyes remained in use by traditional cultures around the world.

Colour fastness is a term—used in the dyeing of textile materials—that characterizes a material's colour's resistance to fading or running. Colour fastness is the property of dyes and it is directly proportional to the binding force between photochromic dye and the fibre. The colour fastness may also be affected by processing techniques and choice of chemicals and auxiliaries.

Wet Processing Engineering is one of the major streams in Textile Engineering or Textile manufacturing which refers to the engineering of textile chemical processes and associated applied science. The other three streams in textile engineering are yarn engineering, fabric engineering, and apparel engineering. The processes of this stream are involved or carried out in an aqueous stage. Hence, it is called a wet process which usually covers pre-treatment, dyeing, printing, and finishing.

<span class="mw-page-title-main">Greige goods</span> Woven or knitted fabrics which are not yet dyed or finished.

Greige goods are loom state woven fabrics, or unprocessed knitted fabrics. Greige goods undergo many subsequent processes, for instance, dyeing, printing, bleaching, and finishing, prior to further converting to finished goods such as clothing, or other textile products. "Grey fabrics" is another term to refer to unfinished woven or knitted fabrics.

<span class="mw-page-title-main">Scouring (textiles)</span> Chemical washing process

Scouring is a preparatory treatment of certain textile materials. Scouring removes soluble and insoluble impurities found in textiles as natural, added and adventitious impurities: for example, oils, waxes, fats, vegetable matter, as well as dirt. Removing these contaminants through scouring prepares the textiles for subsequent processes such as bleaching and dyeing. Though a general term, "scouring" is most often used for wool. In cotton, it is synonymously called "boiling out", and in silk, and "boiling off.

A blend is a mixture of two or more fibers. In yarn spinning, different compositions, lengths, diameters, or colors may be combined to create a blend. Blended textiles are fabrics or yarns produced with a combination of two or more types of different fibers, or yarns to obtain desired traits and aesthetics. Blending is possible at various stages of textile manufacturing. The term, blend, refers to spun fibers or a fabric composed of such fibers. There are several synonymous terms: a combination yarn is made up of two strands of different fibers twisted together to form a ply; a mixture or mixed cloth refers to blended cloths in which different types of yarns are used in warp and weft sides.

<span class="mw-page-title-main">Textile testing</span> Process of measuring the properties and performance of textiles

Textile testing is the process of measuring the properties and performance of textile materials—textile testing includes physical and chemical testing of raw materials to finished products.

Cold pad batch (CPB) is a method of dyeing textiles, typically cellulosic fibers such as cotton, in which the textile is impregnated with dye in a cold state, rather than being heated. High dye fixation and no thermal energy are the advantages of the CPB process. CPB-dyed fabrics are less expensive, have a softer hand feel, and have a cleaner surface than exhaust dyed materials. The process may take up to 12 hours in the batching process, depending on the depth of the shade. The disadvantage is that batching is a time-consuming and lengthy process. The process was developed in 1960.

In textile processing, stripping is a color removal technique employed to partially or eliminate color from dyed textile materials. Textile dyeing industries often face challenges like uneven or flawed dyeing and the appearance of color patches on the fabric's surface during the dyeing process and subsequent textile material processing stages. Stripping is one of the reprocessing methods used to correct undesirable colors and flaws in dyed materials. The efficacy of this process relies on factors such as the dye type, fiber material, and the stripping agents utilized. Additionally, the procedure is recognized by alternative terms, namely back stripping or destructive stripping.

References

  1. "Dyeing". The Free Dictionary By Farlex. Retrieved 2012-05-25.
  2. "Dye". Merriam-Webster. Retrieved 2012-05-25.
  3. Balter, M. (2009). "Clothes Make the (Hu) Man". Science. 325 (5946): 1329. doi:10.1126/science.325_1329a. PMID   19745126.
  4. Kvavadze, E; Bar-Yosef, O; Belfer-Cohen, A; Boaretto, E; Jakeli, N; Matskevich, Z; Meshveliani, T (2009). "30,000-year-old wild flax fibers" (PDF). Science. 325 (5946): 1359. Bibcode:2009Sci...325.1359K. doi:10.1126/science.1175404. PMID   19745144. S2CID   206520793. Supporting Material
  5. Barber (1991), pp. 223-225. [ full citation needed ]
  6. 1 2 Goodwin, Jill (1982). A Dyer's Manual. Pelham. ISBN   978-0-7207-1327-5.
  7. 1 2 Bhardwaj, H.C. & Jain, K.K., "Indian Dyes and Industry During 18th-19th Century", Indian Journal of History of Science17 (11): 70-81, New Delhi: Indian National Science Academy.
  8. Hans-Samuel Bien, Josef Stawitz, Klaus Wunderlich "Anthraquinone Dyes and Intermediates" in Ullmann’s Encyclopedia of Industrial Chemistry, 2005, Weinheim: 2005. doi : 10.1002/14356007.a02 355.
  9. 1 2 3 EPA Office of Compliance Sector Notebook Project: Profile of the textile industry. Office of Compliance, Office of Enforcement and Compliance Assurance, U.S. Environmental Protection Agency. 1997. p. 32. ISBN   978-0-16-049401-7.
  10. Wingate, Isabel Barnum (1979). Fairchild's dictionary of textiles. Internet Archive. New York : Fairchild Publications. p. 571. ISBN   978-0-87005-198-2.
  11. MATHEWS, KOLANJIKOMBIL (2017). Encyclopaedic Dictionary of Textile Terms: Four Volume Set. Woodhead Publishing India PVT. Limited. p. 464. ISBN   978-93-85059-66-7.
  12. 1 2 Mahapatra, N. N. (2019-01-31). Textile Dyeing. Woodhead Publishing India PVT. Limited. p. 159. ISBN   978-93-85059-91-9.
  13. Weinhold, Virginia Beamer (1988). Interior Finish Materials for Health Care Facilities: A Reference Source for All Installations where Durable Surfaces are Needed. Thomas. p. 36. ISBN   978-0-398-05397-0.
  14. Needles, Howard L. (1981). Handbook of Textile Fibers, Dyes, and Finishes. Garland STPM Press. ISBN   978-0-8240-7046-5.
  15. Wingate, Isabel Barnum (1979). Fairchild's dictionary of textiles. Internet Archive. New York : Fairchild Publications. pp. 431, 432. ISBN   978-0-87005-198-2.
  16. Smith, Margaret (1957). Clothing Fabrics: Facts for Consumer Education. U.S. Government Printing Office. p. 20.
  17. Clark, M. (2011-10-25). Handbook of Textile and Industrial Dyeing: Principles, Processes and Types of Dyes. Elsevier. p. 3. ISBN   978-0-85709-397-4.
  18. 1 2 3 4 Clark, M. (2011-10-25). Handbook of Textile and Industrial Dyeing: Principles, Processes and Types of Dyes. Elsevier. pp. 8, 4. ISBN   978-0-85709-397-4.
  19. The U.S. Textile and Apparel Industry: A Revolution in Progress : Special Report. Congress of the U.S., Office of Technology Assessment. 1987. p. 54.
  20. 1 2 3 4 Purushothama, B. (2019-01-31). Handbook of Value Addition Processes for Fabrics. Woodhead Publishing India PVT. Limited. pp. 83, 95. ISBN   978-93-85059-92-6.
  21. Khatri, Zeeshan; Memon, Muhammad Hanif; Khatri, Awais; Tanwari, Anwaruddin (2011-11-01). "Cold Pad-Batch dyeing method for cotton fabric dyeing with reactive dyes using ultrasonic energy". Ultrasonics Sonochemistry. 18 (6): 1301–1307. Bibcode:2011UltS...18.1301K. doi:10.1016/j.ultsonch.2011.04.001. ISSN   1350-4177. PMID   21550289.
  22. Bechtold, Thomas; Pham, Tung (2019-03-18). Textile Chemistry. Walter de Gruyter GmbH & Co KG. p. 269. ISBN   978-3-11-054989-8.
  23. Nayak, Rajkishore (October 2019). Sustainable Technologies for Fashion and Textiles. Elsevier. p. 243. ISBN   978-0-08-102867-4.
  24. The Indian Textile Journal. Indian Textile Journal Limited. 2011. p. 37.
  25. Mahapatra, N. N. (2016-01-05). Textiles and Environment. Woodhead Publishing India PVT. Limited. p. 93. ISBN   978-93-80308-99-9.
  26. Chakraborty, J. N.; Chakraborty, J. N. (2015-05-05). Fundamentals and Practices in Colouration of Textiles. CRC Press. p. 23. ISBN   978-93-80308-47-0.
  27. "Textiles - Dyes and dyeing".
  28. You, Sauwai; Cheng, Stephen; Yan, Hong (2009). "The impact of textile industry on China's environment". International Journal of Fashion Design, Technology and Education. 2: 33–43. doi:10.1080/17543260903055141. S2CID   111141147.
  29. Farer Thread
  30. Choudhury, A. K. Roy (2006-01-09). Textile Preparation and Dyeing. Science Publishers. ISBN   978-1-57808-404-3.
  31. Mahapatra, N. N. (2019-01-31). Textile Dyeing. Woodhead Publishing India PVT. Limited. p. 60. ISBN   978-93-85059-91-9.
  32. 1 2 3 various (1978). Dictionary of Fiber & Textile Technology. Internet Archive. Hoechst Celanese.
  33. Aspland, J. Richard (1997). Textile Dyeing and Coloration. AATCC. p. 99. ISBN   978-0-9613350-1-4.
  34. Timar-Balazsy, Agnes; Eastop, Dinah (2012-09-10). Chemical Principles of Textile Conservation. Routledge. p. 97. ISBN   978-1-136-00033-1.
  35. Choudhury, A. K. Roy (2006-01-09). Textile Preparation and Dyeing. Science Publishers. p. 363. ISBN   978-1-57808-404-3.
  36. US4227881A,Fono, Andrew,"New process of color stripping dyed textile fabric",issued 1980-10-14