Aestheticism was an art movement in the late 19th century which valued the appearance of literature, music and the arts over their functions. According to Aestheticism, art should be produced to be beautiful, rather than to teach a lesson, create a parallel, or perform another didactic purpose, a sentiment best illustrated by the slogan "art for art's sake." Aestheticism originated in 1860s England with a radical group of artists and designers, including William Morris and Dante Gabriel Rossetti. It flourished in the 1870s and 1880s, gaining prominence and the support of notable writers such as Walter Pater and Oscar Wilde.
The Eastlake movement was a nineteenth-century architectural and household design reform movement started by British architect and writer Charles Eastlake (1836–1906). The movement is generally considered part of the late Victorian period in terms of broad antique furniture designations. In architecture the Eastlake style or Eastlake architecture is part of the Queen Anne style of Victorian architecture.
Néo-Grec was a Neoclassical Revival style of the mid-to-late 19th century that was popularized in architecture, the decorative arts, and in painting during France's Second Empire, or the reign of Napoleon III (1852–1870). The Néo-Grec vogue took as its starting point the earlier expressions of the Neoclassical style inspired by 18th-century excavations at Pompeii, which resumed in earnest in 1848, and similar excavations at Herculaneum. The style mixed elements of the Graeco-Roman, Pompeian, Adam and Egyptian Revival styles into "a richly eclectic polychrome mélange." "The style enjoyed a vogue in the United States, and had a short-lived impact on interior design in England and elsewhere."
Interior design is the art and science of enhancing the interior of a building to achieve a healthier and more aesthetically pleasing environment for the people using the space. An interior designer is someone who plans, researches, coordinates, and manages such enhancement projects. Interior design is a multifaceted profession that includes conceptual development, space planning, site inspections, programming, research, communicating with the stakeholders of a project, construction management, and execution of the design.
In Western architecture, a living room, also called a lounge room, lounge, sitting room, or drawing room, is a room for relaxing and socializing in a residential house or apartment. Such a room is sometimes called a front room when it is near the main entrance at the front of the house. In large, formal homes, a sitting room is often a small private living area adjacent to a bedroom, such as the Queens' Sitting Room and the Lincoln Sitting Room of the White House.
Polychrome is the "practice of decorating architectural elements, sculpture, etc., in a variety of colors." The term is used to refer to certain styles of architecture, pottery or sculpture in multiple colors.
Interior architecture is the design of a building or shelter from inside out, or the design of a new interior for a type of home that can be fixed. It can refer to the initial design and plan used for a building's interior, to that interior's later redesign made to accommodate a changed purpose, or to the significant revision of an original design for the adaptive reuse of the shell of the building concerned. The latter is often part of sustainable architecture practices, whereby resources are conserved by "recycling" a structure through adaptive redesign.
Edward William Godwin was a progressive English architect-designer, who began his career working in the strongly polychromatic "Ruskinian Gothic" style of mid-Victorian Britain, inspired by The Stones of Venice, then moved on to provide designs in the "Anglo-Japanese taste" of the Aesthetic movement and Whistler's circle in the 1870s. Godwin's influence can be detected in the later Arts and Crafts movement.
Morris, Marshall, Faulkner & Co. (1861–1875) was a furnishings and decorative arts manufacturer and retailer founded by the artist and designer William Morris with friends from the Pre-Raphaelites. With its successor Morris & Co. (1875–1940) the firm's medieval-inspired aesthetic and respect for hand-craftsmanship and traditional textile arts had a profound influence on the decoration of churches and houses into the early 20th century.
Charles Francis Annesley Voysey was an English architect and furniture and textile designer. Voysey's early work was as a designer of wallpapers, fabrics and furnishings in a Arts and Crafts style and he made important contribution to the Modern Style, and was recognized by the seminal The Studio magazine. He is renowned as the architect of several country houses.
The Green Room is one of three state parlors on the first floor of the White House, the home of the president of the United States. It is used for small receptions and teas. During a state dinner, guests are served cocktails in the three state parlors before the president, first lady, and a visiting head of state descend the Grand Staircase for dinner. The room is traditionally decorated in shades of green. The room is approximately 28 by 22.5 feet. It has six doors, which open into the Cross Hall, East Room, South Portico, and Blue Room.
The Lincoln Bedroom is a bedroom which is part of a guest suite in the southeast corner of the second floor of the White House in Washington, D.C. The Lincoln Sitting Room makes up the other part of the suite. The room is named for President Abraham Lincoln, who used the room as an office.
The Anglo-Japanese style developed in the United Kingdom through the Victorian period and early Edwardian period from approximately 1851 to the 1910s, when a new appreciation for Japanese design and culture influenced how designers and craftspeople made British art, especially the decorative arts and architecture of England, covering a vast array of art objects including ceramics, furniture and interior design. Important centres for design included London and Glasgow.
Eclecticism is a 19th and 20th century architectural style in which a single piece of work incorporates a mixture of elements from previous historical styles to create something that is new and original. In architecture and interior design, these elements may include structural features, furniture, decorative motives, distinct historical ornament, traditional cultural motifs or styles from other countries, with the mixture usually chosen based on its suitability to the project and overall aesthetic value.
Daniel Pabst was a German-born American cabinetmaker of the Victorian Era. He is credited with some of the most extraordinary custom interiors and hand-crafted furniture in the United States. Sometimes working in collaboration with architect Frank Furness (1839–1912), he made pieces in the Renaissance Revival, Neo-Grec, Modern Gothic, and Colonial Revival styles. Examples of his work are in the collections of the Metropolitan Museum of Art, the Philadelphia Museum of Art, the Art Institute of Chicago, and the Victoria and Albert Museum in London.
This sideboard was designed by Edward William Godwin (1833–86), who was one of the most important exponents of Victorian Japonisme or Anglo-Japanese style, the appropriation of Japanese artistic styles.
The English House is a book of design and architectural history written by German architect Hermann Muthesius and first published in German as Das englische Haus in 1904. Its three volumes provide a record of the revival of English domestic architecture during the later part of the nineteenth century. The main themes he discusses are history, form and decor.
Kimbel & Cabus was a Victorian-era furniture and decorative arts firm based in New York City. The partnership was formed in 1862 between German-born cabinetmaker Anthony Kimbel and French-born cabinetmaker Joseph Cabus (1824–1894). The company was noted for its Modern Gothic and Anglo-Japanese style furniture, which it popularized at the 1876 Centennial Exposition.
Modern Gothic, also known as Reformed Gothic, was an Aesthetic Movement style of the 1860s and 1870s in architecture, furniture and decorative arts, that was popular in Great Britain and the United States. A rebellion against the excessive ornament of Second Empire and Rococo Revival furniture, it advocated simplicity and honesty of construction, and ornament derived from nature. Unlike the Gothic Revival, it sought not to copy Gothic designs, but to adapt them abstract them, and apply them to new forms.
Dining room of the Theodore Roosevelt Sr. townhouse, New York City (1873, demolished).
Victorian style dining room, USA,
Victorian style parlor, USA, early 1900s
Room with Victorian design, early 1900s
Parlor in a New York House from the 1850s.
The parlor of the Whittemore House 1526 New Hampshire Avenue, Dupont Circle, Washington, D.C
