A needlework sampler is a piece of embroidery or cross-stitching produced as a 'specimen of achievement', demonstration or a test of skill in needlework. It often includes the alphabet, figures, motifs, decorative borders and sometimes the name of the person who embroidered it and the date. The word sampler is derived from the Latin exemplum, which means 'example'.
Hardanger embroidery or "Hardangersøm" is a form of embroidery traditionally worked with white thread on white even-weave linen or cloth, using counted thread and drawn thread work techniques. It is sometimes called whitework embroidery.
Drawn thread work is one of the earliest forms of open work embroidery, and has been worked throughout Europe. Originally it was often used for ecclesiastical items and to ornament shrouds. It is a form of counted-thread embroidery based on removing threads from the warp and/or the weft of a piece of even-weave fabric. The remaining threads are grouped or bundled together into a variety of patterns. The more elaborate styles of drawn thread work use a variety of other stitches and techniques, but the drawn thread parts are their most distinctive element. It is also grouped with whitework embroidery because it was traditionally done in white thread on white fabric and is often combined with other whitework techniques.
The Royal School of Needlework (RSN) is a hand embroidery school in the United Kingdom, founded in 1872 and based at Hampton Court Palace since 1987.
Lace is a delicate fabric made of yarn or thread in an open weblike pattern, made by machine or by hand. Generally, lace is divided into two main categories, needlelace and bobbin lace, although there are other types of lace, such as knitted or crocheted lace. Other laces such as these are considered as a category of their specific craft. Knitted lace, therefore, is an example of knitting. This article considers both needle lace and bobbin lace.
Bobbin lace is a lace textile made by braiding and twisting lengths of thread, which are wound on bobbins to manage them. As the work progresses, the weaving is held in place with pins set in a lace pillow, the placement of the pins usually determined by a pattern or pricking pinned on the pillow.
Needle lace is a type of lace created using a needle and thread to create hundreds of small stitches to form the lace itself.
Filet lace is the general word used for all the different techniques of embroidery on knotted net. It is a hand made needlework created by weaving or embroidery using a long blunt needle and a thread on a ground of knotted net lace or filet work made of square or diagonal meshes of the same sizes or of different sizes. Lacis uses the same technique but is made on a ground of leno or small canvas.
Point de France is a type of needle lace developed in the late 17th century. It is characterized by rich and symmetrical detail, and a reliance on symbols associated with King Louis XIV of France, such as suns, sunflowers, fleurs-de-lys, and crowns.
Hollie point is an English needle lace noted for its use in baby clothes, particularly in the 18th century. It is also known as Holy point, because it was originally used in liturgical laces. The Puritans were the first to make common usage of Hollie point beginning in the reign of James I.
Reticella is a needle lace dating from the 15th century and remaining popular into the first quarter of the 17th century.
Whitework embroidery is any embroidery technique in which the stitching is the same color as the foundation fabric. Styles of whitework embroidery include most drawn thread work, broderie anglaise, Hardanger embroidery, Hedebo embroidery, Mountmellick embroidery, reticella and Schwalm. Whitework embroidery is one of the techniques employed in heirloom sewing for blouses, christening gowns, baby bonnets, and other small articles.
Fashion in the period 1600–1650 in Western clothing is characterized by the disappearance of the ruff in favour of broad lace or linen collars. Waistlines rose through the period for both men and women. Other notable fashions included full, slashed sleeves and tall or broad hats with brims. For men, hose disappeared in favour of breeches.
Federico de Vinciolo or Federico Vinciolo was a sixteenth-century lace-maker and pattern designer attached to the court of Henry II of France. He was granted a monopoly on manufacturing lace ruffs in France.
Passementerie or passementarie is the art of making elaborate trimmings or edgings of applied braid, gold or silver cord, embroidery, colored silk, or beads for clothing or furnishings.
In needlework, a slip is a design representing a cutting or specimen of a plant, usually with flowers or fruit and leaves on a stem. Most often, slip refers to a plant design stitched in canvaswork (pettipoint), cut out, and applied to a woven background fabric. By extension, slip may also mean any embroidered or canvaswork motif, floral or not, mounted to fabric in this way.
Irish lace has always been an important part of the Irish needlework tradition. Both needlepoint and bobbin laces were made in Ireland before the middle of the eighteenth century, but never, apparently, on a commercial scale. It was promoted by Irish aristocrats such as Lady Arabella Denny, the famous philanthropist, who used social and political connections to support the new industry and promote the sale of Irish lace abroad. Lady Denny, working in connection with the Dublin Society, introduced lace-making into the Dublin workhouses, especially among the children there. It is thought that it was an early form of Crochet, imitating the appearance of Venetian Gros Point lace.
Greek lace is considered one of the earliest forms of all lace. Some types of Greek lace include reticella, Roman lace, cutwork, Venetian guipure, and Greek point lace
William George Paulson Townsend (1868–1941) was an English artist, designer, writer and editor.
Marthe La Perrière, born Barbot, was born c.1605 in Alençon, France, where she died on January 12, 1677. She is the inventor of the "point d'Alençon", or Alençon lace.
