Chantilly lace

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Chantilly lace
Sjaal in Chantilly kloskant, 1850-1880.jpg
Shawl in Chantilly lace - MoMu-collection, Antwerp (Detail)
Type Lace
Production method Bobbin lace
Production process Craft production
Place of origin Chantilly, France
Introduced17th century
Scarf in Chantilly lace - MoMu-collection, Antwerp (Detail) Detail van sjerp in Chantilly kloskant, 1850-1880.jpg
Scarf in Chantilly lace - MoMu-collection, Antwerp (Detail)
Mitts in Chantilly lace - MoMu-collection, Antwerp Mitaines in Chantilly kloskant, 1850-1890.jpg
Mitts in Chantilly lace - MoMu-collection, Antwerp

Chantilly lace is a handmade bobbin lace named after the city of Chantilly, [1] France, in a tradition dating from the 17th century. [2] [3] The famous silk laces were introduced in the 18th century. Chantilly lace, was also produced in the 19th century but this one was actually made not in Chantilly area but in the French Norman town Bayeux and in Geraardsbergen, now in Belgium. [4] [5] [6]

Contents

Chantilly lace is known for its fine ground, outlined pattern, [1] and abundant detail. [3] The pattern is outlined in cordonnet, a flat untwisted strand. [4] [5] [7] The best Chantilly laces were made of silk, and were generally black, [8] which made them suitable for mourning wear. White Chantilly lace was also made, both in linen and silk, [8] though most Chantilly laces were made of silk. [3] The black silk Chantilly lace became especially popular, [3] and there was a large market for it in Spain and the Americas. Chantilly and the Spanish laces (such as blonde lace) were the most popular black laces. Little white Chantilly was ever made. [6] Another notable thing about Chantilly lace is the use of a half-and-whole stitch as a fill to achieve the effect of light and shadow in the pattern, [3] [6] which was generally of flowers. The background, or réseau, was in the form of a six pointed star, [5] and was made of the same thread as the pattern, unlike the otherwise similar blonde lace. [7] The lace was produced in strips approximately four inches wide, and then joined with a stitch that left no visible seam. [3] [4]

Chantilly lace remained popular in 19th century Europe, when many fashionable women wore black or white Chantilly shawls made in Brussels or Ghent. [1]

History

In the 17th century, the Duchesse de Longueville organised the manufacture of lace at Chantilly. [2] It has been produced from then until the present day. [3] It became popular because of the duchesse's patronage and Chantilly's proximity to Paris [2] and came into fashion again during the reigns of Louis XV and Louis XVI; [7] it was a special favorite of Louis XV's last mistress, Mme du Barry, and of Marie Antoinette. [6] When the French Revolution began in 1789, demand for the lace ceased. The lace-makers were seen as protégés of the royals, and after Mme du Barry and Marie Antoinette were guillotined in 1793, the lace-makers of Chantilly were themselves killed. [2] [6] At this point production ceased. [6]

Napoleon I sponsored a revival of Chantilly lace [2] between the years 1804 and 1815. [6] At this point production was concentrated in Normandy, mainly around the Bayeux area. While it was no longer being made in Chantilly, all of the old techniques and designs were used. [6] Chantilly lace reached the height of its popularity around 1830 [7] and was revived again in the 1860s, at which point it was made at Bayeux as well as at Geraardsbergen, in what is nowadays Belgium. [6]

In 1844, a machine was patented that made Valenciennes lace and black silk Chantilly lace that was difficult to distinguish from the handmade lace. [9]

Related Research Articles

<span class="mw-page-title-main">Lace</span> Openwork fabric, patterned with open holes in the work, made by machine or by hand

Lace is a delicate fabric made of yarn or thread in an open weblike pattern, made by machine or by hand. Generally, lace is divided into two main categories, needlelace and bobbin lace, although there are other types of lace, such as knitted or crocheted lace. Other laces such as these are considered as a category of their specific craft. Knitted lace, therefore, is an example of knitting. This article considers both needle lace and bobbin lace.

<span class="mw-page-title-main">Bobbin lace</span> Handmade lace

Bobbin lace is a lace textile made by braiding and twisting lengths of thread, which are wound on bobbins to manage them. As the work progresses, the weaving is held in place with pins set in a lace pillow, the placement of the pins usually determined by a pattern or pricking pinned on the pillow.

<span class="mw-page-title-main">Tønder lace</span> Type of bobbin lace from Denmark

Tønder lace is a point-ground type of handmade bobbin lace identified with the Tønder region of Denmark since about 1850, although lace of many types has been made there since as early as 1650. The term is also used more broadly, to refer to any bobbin lace made in Denmark.

<span class="mw-page-title-main">Antwerp lace</span> Type of bobbin lace from Antwerp, Belgium

Antwerp lace is a bobbin lace distinguished by stylized flower pot motifs on a six point star ground. It originated in Antwerp, where in the 17th century an estimated 50% of the population of Antwerp was involved in lace making. Antwerp lace is also known, from its familiar repeated motif, as Pot Lace— in Dutch Pottenkant or Potten Kant. It is sometimes said that the flowers were a depiction of the Annunciation lilies; however, the flowers were not limited to lilies.

<span class="mw-page-title-main">Gimp (thread)</span> Narrow yarn of thread wrapped around a core

Gimp is a narrow ornamental trim used in sewing or embroidery. It is made of silk, wool, polyester, or cotton and is often stiffened with metallic wire or coarse cord running through it. Gimp is used as trimming for dresses, curtains, furniture, etc. Originally the term referred to a thread with a cord or wire in the center, but now is mainly used for a trimming braided or twisted from this thread. Sometimes gimp is covered in beads or spangles.

<span class="mw-page-title-main">Valenciennes lace</span> Type of bobbin lace from Valenciennes, France

Valenciennes lace is a type of bobbin lace which originated in Valenciennes, in the Nord département of France, and flourished from about 1705 to 1780. Later production moved to Belgium, in and around Ypres. The industry continued onto the 19th century on a diminished scale. By the 19th century Valenciennes lace could be made by machine.

<span class="mw-page-title-main">Mechlin lace</span> Type of Flemish bobbin lace

Mechlin lace or Point de Malines is an old bobbin lace, one of the best known Flemish laces, originally produced in Mechelen. Worn primarily during summer, it is fine, transparent, and looks best when worn over another color. Used for women's clothing, it was popular until the first decade of the 20th century. It was made in Mechelen, Antwerp, Lier and Turnhout. It was used for coiffures de nuit, garnitures de corset, ruffles and cravats.

<span class="mw-page-title-main">Brussels lace</span> Type of bobbin lace from Brussels

Brussels lace is a type of pillow lace that originated in and around Brussels. The term "Brussels lace" has been broadly used for any lace from Brussels; however, strictly interpreted, the term refers to bobbin lace, in which the pattern is made first, and the ground, or réseau added, also using bobbin lace. Brussels lace is not to be confused with Brussels point, which is a type of needle lace, though sometimes also called "Brussels lace".

<span class="mw-page-title-main">Blonde lace</span> Silken bobbin lace from France

Blonde lace is a continuous bobbin lace from France that is made of silk. The term blonde refers to the natural color of the silk thread. Originally this lace was made with the natural-colored silk, and later in black. Most blonde lace was also made in black. It was made in the 18th and 19th centuries. The pattern, which is generally of flowers, is made with a soft silk thread, thicker than the thread used for the ground. This causes a big contrast between the flowers and the ground. It uses the same stitches as Chantilly lace and Lille lace, and is similarly made in strips 5 in (13 cm) wide and invisibly joined. Blonde lace is not as good as Chantilly lace though, as the ground isn't as firm, nor is the pattern as regular.

<span class="mw-page-title-main">Bucks point lace</span> Type of bobbin lace from South East England

Bucks point is a bobbin lace from the South East of England. "Bucks" is short for Buckinghamshire, which was the main centre of production. The lace was also made in the nearby counties of Bedfordshire and Northamptonshire. Bucks point is very similar to the French Lille lace, and thus is often called English Lille. It is also similar to Mechlin lace and Chantilly lace.

<span class="mw-page-title-main">Torchon lace</span> A continuous, geometric bobbin lace

Torchon lace is a bobbin lace that was made all over Europe. It is continuous, with the pattern made at the same time as the ground. Typical basic stitches include whole stitch, half stitch, and twists, and common motifs include spiders and fans. Torchon lace was notable historically for being coarse and strong, as well as consisting of simple geometric patterns and straight lines. It did not use representational designs, for the most part.

<span class="mw-page-title-main">Binche lace</span> Type of bobbin lace from Binche, Belgium

Binche lace is a type of bobbin lace that originated in the town of Binche, Belgium. It is continuous, meaning it is made all at once, in one piece. It is generally made in strips 2 inches (5 cm) wide. Though typically it has no cordonnet outlining the design against the ground, occasional pieces are made with a very fine one, about the same thickness as the thread used in the pattern. The pattern in Binche lace is very detailed, with animal scenes and figures.

<span class="mw-page-title-main">English embroidery</span> Embroidery worked in England or by English people abroad

English embroidery includes embroidery worked in England or by English people abroad from Anglo-Saxon times to the present day. The oldest surviving English embroideries include items from the early 10th century preserved in Durham Cathedral and the 11th century Bayeux Tapestry, if it was worked in England. The professional workshops of Medieval England created rich embroidery in metal thread and silk for ecclesiastical and secular uses. This style was called Opus Anglicanum or "English work", and was famous throughout Europe.

<span class="mw-page-title-main">Battenberg lace</span> Type of American tape lace

Battenberg lace is a type of tape lace. It is of American origin, designed and first made by Sara Hadley of New York. This American lace was named either in honor of the wedding of Princess Beatrice, Queen Victoria's youngest daughter, to Prince Henry of Battenberg, or from [sic] the widowed Princess Beatrice. It is made using bobbins and needles, or just needles alone.The original Battenberg lace used just one stitich: buttonhole picot. Other stitches that were later used include flat wheel and rings or "buttons".

<span class="mw-page-title-main">Honiton lace</span> Type of bobbin lace produced in Honiton, Devon

Honiton lace is a type of bobbin lace made in Honiton, Devon, in the United Kingdom. Historical Honiton lace designs focused on scrollwork and depictions of natural objects such as flowers and leaves.

<span class="mw-page-title-main">Bedfordshire lace</span> Type of bobbin lace made in the English Midlands

Bedfordshire lace is a style of bobbin lace originating from Bedfordshire in the 19th century, and made in the English Midlands lacemaking area. It was worked as a continuous width on a bolster pillow. It is a guipure style of lace.

<span class="mw-page-title-main">Greek lace</span> Early form of lace

Greek lace is considered one of the earliest forms of all lace. Some types of Greek lace include reticella, Roman lace, cutwork, Venetian guipure, and Greek point lace

<span class="mw-page-title-main">Bayeux lace</span> Type of bobbin lace from Bayeux, France

Bayeux lace was bobbin lace that was made at Bayeux in Normandy, France.

<span class="mw-page-title-main">Mesh grounded bobbin lace</span> A continuous bobbin lace distinguished from Guipure

Mesh grounded lace is a continuous bobbin lace also known as straight lace. Continuous bobbin lace is made in one piece on a lace pillow. The threads of the ground enter motifs, then leave to join the ground again further down the process, all made in one go. This is different from part lace, where the motifs are created separately, then joined together afterwards.

<span class="mw-page-title-main">Ipswich lace</span> Bobbin lace from Ipswich, Massachusetts

Ipswich lace is a historical fashion accessory, the only known American hand-made bobbin lace to be commercially produced. Centered in the coastal town of Ipswich, Massachusetts north of Boston, a community of lacemaking arose in the 18th century. Puritan settlers to the area likely made and wore lace as early as 1634, because Sumptuary laws from the early colonial records indicate this activity. In fact, the earliest known record of the act of lacemaking in the region comes from a court case in 1654 associated with the home of Governor John Endicott. An indentured servant in the household accused the governor's son Zerubbabel with assault, which occurred while she was working at her lace cushion. Earliest known records of the commercial production indicate that lace produced by local women was used to barter for goods in the 1760s, as denoted by ledger account books belonging to local merchants. These laces were sold in the region from Boston to Maine.

References

  1. 1 2 3 "Chantilly" The Oxford English Dictionary. 2nd ed. 1989.
  2. 1 2 3 4 5 Sharp, Mary (March 2007). Point and Pillow Lace. Herron Press. p. 117. ISBN   978-1-4067-4562-7 . Retrieved 2008-05-10.
  3. 1 2 3 4 5 6 7 Raffel, Marta Cotterell (January 2003). The Laces of Ipswich: The Art and Economics of an Early American Industry, 1750-1840. UPNE. p. 151. ISBN   1-58465-163-6 . Retrieved 2008-05-13.
  4. 1 2 3 Powys, Marian (March 2002). Lace and Lace Making. Dover Publications. p. 31. ISBN   0-486-41811-1 . Retrieved 2008-05-14.
  5. 1 2 3 Sharp, Mary (March 2007). Point and Pillow Lace. Herron Press. p. 114. ISBN   978-1-4067-4562-7 . Retrieved 2008-05-14.
  6. 1 2 3 4 5 6 7 8 9 Earnshaw, Pat (February 1999). A Dictionary of Lace. Dover. p. 31. ISBN   0-486-40482-X . Retrieved 2008-05-13.
  7. 1 2 3 4 Blum, Clara M. (June 2002). Old World Lace: A Concise Illustrated Guide. Dover. p. 64. ISBN   0-486-42150-3 . Retrieved 2008-05-13.
  8. 1 2 Powys, Marian (March 2002). Lace and Lace Making. Dover Publications. p. 28. ISBN   0-486-41811-1 . Retrieved 2008-05-14.
  9. Felkin, William (1867). A History of the Machine-wrought Hosiery and Lace Manufactures. Longmans, Green and Co. p.  415 . Retrieved 2008-05-14. chantilly lace.