The lace curtain machine is a lace machine invented by John Livesey in Nottingham in 1846. It was an adaptation of John Heathcoat's bobbinet machine. It made the miles of curtaining which screened Victorian and later windows. [1]
The forerunner of the mechanical lace-making machine was the 1589 stocking frame. This is a weaving frame fitted with a bar of bearded needles that passed back and forth, to and from the operator. There was no warp. The beards were simultaneously depressed by a presser bar catching the weft and holding it back for a course, making a row of loops. After Jeremiah Strutt had modified the machine in 1759 to make it capable of ribbing, in 1764 Hammond introduced a tickler stick to transfer the loops 2 or 3 gaits sideways. In this way, mechanical lace-making was born. [2] But there was no carriage or comb, and the operations continued to be performed sequentially by the operator.
Invented by John Livesey in Nottingham in 1846, the lace curtain machine was initially seen as a form of a Leavers machine - a modification of the Circular. The Leavers mesh tends to be hexagonal, while the Curtain machine produces a straight mesh. The use of Jacquards for producing patterned lace was well established. At the 1851 Great Exhibition, curtains 5 yards (460 cm) long by 2 yards (180 cm) wide were displayed. Their extensive designs required over 12,000 Jacquard cards. The curtain lace industry prospered with the advent of the fashion for large rising sash windows. [3]
The width of the frame ultimately increased to 420 inches (11 m), and in 1928 a machine of 300 inches (7.6 m) was considered to be the smallest viable size. Its supremacy was challenged in 1900 by the popularity of Schiffli embroideries produced on the bobbinet, then in the 1950s by the Raschel [4] and the use of artificial fibres.
Viewed from the front, the frame is similar to that of a Leavers machine. However, its action is different, as it produces a square net rather than a hexagonal one. The Nottingham lace curtain machine only has one warp, and the patterning threads are carried on a spool, not on a beam. The terms to describe the actions are the same as those used for a Leavers machine: rise, fall, right, left, sley, carriage, comb etc. [5] The lace is collected at the top, unlike the Pusher machine, where it is collected at the bottom. Collection is via a take-up beam; a spiky roller beneath it called the porcupine regulated the take-up tension.
There are four groups of thread: warp, top board, bottom board and bobbin. On a 10-point, 360-inch machine there are four groups of 3,600 threads, making a total of 14,400 threads. [5] (The term 'point' refers to the number of warps per inch.)
There are three guide bars controlled by work cams. These allow a shogging movement across 2, 3 or 4 gaits. The cams cannot be stopped, but threads in the middle and back bars can be interrupted by a Jacquard mechanism. [7] Each bobbin thread has its own jack - a steel wire that can interrupt its movement and create a hole in the pattern, in effect leaving off a tie. [8]
The Jacquard machine is a device fitted to a loom that simplifies the process of manufacturing textiles with such complex patterns as brocade, damask and matelassé. The resulting ensemble of the loom and Jacquard machine is then called a Jacquard loom. The machine was patented by Joseph Marie Jacquard in 1804, based on earlier inventions by the Frenchmen Basile Bouchon (1725), Jean Baptiste Falcon (1728), and Jacques Vaucanson (1740). The machine was controlled by a "chain of cards"; a number of punched cards laced together into a continuous sequence. Multiple rows of holes were punched on each card, with one complete card corresponding to one row of the design.
A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same.
Bobbin lace is a lace textile made by braiding and twisting lengths of thread, which are wound on bobbins to manage them. As the work progresses, the weaving is held in place with pins set in a lace pillow, the placement of the pins usually determined by a pattern or pricking pinned on the pillow.
A power loom is a mechanized loom, and was one of the key developments in the industrialization of weaving during the early Industrial Revolution. The first power loom was designed and patented in 1785 by Edmund Cartwright. It was refined over the next 47 years until a design by the Howard and Bullough company made the operation completely automatic. This device was designed in 1834 by James Bullough and William Kenworthy, and was named the Lancashire loom.
Textile manufacturing or textile engineering is a major industry. It is largely based on the conversion of fibre into yarn, then yarn into fabric. These are then dyed or printed, fabricated into cloth which is then converted into useful goods such as clothing, household items, upholstery and various industrial products.
A stocking frame was a mechanical knitting machine used in the textiles industry. It was invented by William Lee of Calverton near Nottingham in 1589. Its use, known traditionally as framework knitting, was the first major stage in the mechanisation of the textile industry, and played an important part in the early history of the Industrial Revolution. It was adapted to knit cotton and to do ribbing, and by 1800 had been adapted as a lace making machine.
The spinning mule is a machine used to spin cotton and other fibres. They were used extensively from the late 18th to the early 20th century in the mills of Lancashire and elsewhere. Mules were worked in pairs by a minder, with the help of two boys: the little piecer and the big or side piecer. The carriage carried up to 1,320 spindles and could be 150 feet (46 m) long, and would move forward and back a distance of 5 feet (1.5 m) four times a minute.
A knitting machine is a device used to create knitted fabrics in a semi or fully automated fashion. There are numerous types of knitting machines, ranging from simple spool or board templates with no moving parts to highly complex mechanisms controlled by electronics. All, however, produce various types of knitted fabrics, usually either flat or tubular, and of varying degrees of complexity. Pattern stitches can be selected by hand manipulation of the needles, push-buttons and dials, mechanical punch cards, or electronic pattern reading devices and computers.
Warp knitting is defined as a loop-forming process in which the yarn is fed into the knitting zone, parallel to the fabric selvage. It forms vertical loops in one course and then moves diagonally to knit the next course. Thus the yarns zigzag from side to side along the length of the fabric. Each stitch in a course is made by many different yarns. Each stitch in one wale is made by several different yarns.
Bobbinet tulle or genuine tulle is a specific type of tulle which has been made in the United Kingdom since the invention of the bobbinet machine. John Heathcoat coined the term "bobbin net", or bobbinet as it is spelled today, to distinguish this machine-made tulle from the handmade "pillow lace", produced using a lace pillow to create bobbin lace. Machines based on his original designs are still in operation today producing fabrics in Perry Street, Chard, Somerset, UK.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, with color and patterns, which turns it into cloth. The machine used for weaving is the loom. For decoration, the process of coloring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
Textile manufacturing is one of the oldest human activities. The oldest known textiles date back to about 5000 B.C. In order to make textiles, the first requirement is a source of fibre from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving to create cloth. The machine used for weaving is the loom. Cloth is finished by what are described as wet process to become fabric. The fabric may be dyed, printed or decorated by embroidering with coloured yarns.
Bradford Industrial Museum, established 1974 in Moorside Mills, Eccleshill, Bradford, United Kingdom, specializes in relics of local industry, especially printing and textile machinery, kept in working condition for regular demonstrations to the public. There is a Horse Emporium in the old canteen block plus a shop in the mill, and entry is free of charge.
A beamer was an occupation in the cotton industry. The taper's beam is a long cylinder with flanges where 400 plus ends (threads) are wound side-by-side. Creels of bobbins with the correct thread, mounted on a beaming frame wind their contents onto the beam. The machine is watched over by a "beamer".
Lace machines took over the commercial manufacture of lace during the nineteenth century.
Mesh grounded lace is a continuous bobbin lace also known as straight lace. Continuous bobbin lace is made in one piece on a lace pillow. The threads of the ground enter motifs, then leave to join the ground again further down the process, all made in one go. This is different from part lace, where the motifs are created separately, then joined together afterwards.
The Leavers machine is a lacemaking machine that John Levers adapted from Heathcoat's Old Loughborough machine. It was made in Nottingham in 1813. The name of the machine was the Leavers machine. The original machine made net but it was discovered that the Jacquard apparatus could be adapted to it. From 1841 lace complete with pattern, net and outline could be made on the Leavers machine.
The Pusher machine was a lace making machine, based on the bobbinet, that was invented in 1812 Samuel Clark and James Mart.
The Game of Thrones Tapestry is a hand-crafted tapestry, woven by hand on a jacquard loom, with additional embroidery. The tapestry tells the entire story of the television show, Game of Thrones. It consists of seven 11-metre-long panels and one 10.5-metre panel. The eight panels depict scenes from each episode and include images of crew at work. The tapestry was commissioned by HBO and Tourism Ireland, the tourism bureau of Northern Ireland where HBO filmed much of the series.
The schiffli embroidery machine is a multi-needle, industrial embroidery machine. It was invented by Isaak Gröbli in 1863. It was used to create various types of machine embroidery and certain types of lace. It was especially used in the textile industry of eastern Switzerland and Saxony Germany, but also in the United Kingdom and the United States. Schiffli machines evolved from, and eventually replaced manually operated "hand embroidery" machines. The hand embroidery machine used double ended needles and passed the needles completely through the fabric. Each needle had a single, continuous thread. Whereas the schiffli machine used a lock stitch, the same technique used by the sewing machine. By the early twentieth century schiffli machines had standardized to ten and fifteen meters in width and used more than 600 needles.