Nottingham lace curtain machine

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Machine lace curtains 1918 Decorative textiles; an illustrated book on coverings for furniture, walls and floors, including damasks, brocades and velvets, tapestries, laces, embroideries, chintzes, cretones, drapery and (14784443302).jpg
Machine lace curtains 1918
Spooling on a Nottingham lace curtain machine 1918 The Employment of Women in Britain, 1914-1918 Q28123.jpg
Spooling on a Nottingham lace curtain machine 1918

The lace curtain machine is a lace machine invented by John Livesey in Nottingham in 1846. It was an adaptation of John Heathcoat's bobbinet machine. It made the miles of curtaining which screened Victorian and later windows. [1]

Contents

History

The forerunner of the mechanical lace-making machine was the 1589 stocking frame. This is a weaving frame fitted with a bar of bearded needles that passed back and forth, to and from the operator. There was no warp. The beards were simultaneously depressed by a presser bar catching the weft and holding it back for a course, making a row of loops. After Jeremiah Strutt had modified the machine in 1759 to make it capable of ribbing, in 1764 Hammond introduced a tickler stick to transfer the loops 2 or 3 gaits sideways. In this way, mechanical lace-making was born. [2] But there was no carriage or comb, and the operations continued to be performed sequentially by the operator.

Invented by John Livesey in Nottingham in 1846, the lace curtain machine was initially seen as a form of a Leavers machine - a modification of the Circular. The Leavers mesh tends to be hexagonal, while the Curtain machine produces a straight mesh. The use of Jacquards for producing patterned lace was well established. At the 1851 Great Exhibition, curtains 5 yards (460 cm) long by 2 yards (180 cm) wide were displayed. Their extensive designs required over 12,000 Jacquard cards. The curtain lace industry prospered with the advent of the fashion for large rising sash windows. [3]

The width of the frame ultimately increased to 420 inches (11 m), and in 1928 a machine of 300 inches (7.6 m) was considered to be the smallest viable size. Its supremacy was challenged in 1900 by the popularity of Schiffli embroideries produced on the bobbinet, then in the 1950s by the Raschel [4] and the use of artificial fibres.

Section of a lace machine as shown in 1911 Encyclopaedia Britannica. No Jacquard has been fitted. 1911 Britannica - Lace 49.jpg
Section of a lace machine as shown in 1911 Encyclopædia Britannica. No Jacquard has been fitted.

Description

Viewed from the front, the frame is similar to that of a Leavers machine. However, its action is different, as it produces a square net rather than a hexagonal one. The Nottingham lace curtain machine only has one warp, and the patterning threads are carried on a spool, not on a beam. The terms to describe the actions are the same as those used for a Leavers machine: rise, fall, right, left, sley, carriage, comb etc. [5] The lace is collected at the top, unlike the Pusher machine, where it is collected at the bottom. Collection is via a take-up beam; a spiky roller beneath it called the porcupine regulated the take-up tension.

The curtain machine

There are four groups of thread: warp, top board, bottom board and bobbin. On a 10-point, 360-inch machine there are four groups of 3,600 threads, making a total of 14,400 threads. [5] (The term 'point' refers to the number of warps per inch.)

There are three guide bars controlled by work cams. These allow a shogging movement across 2, 3 or 4 gaits. The cams cannot be stopped, but threads in the middle and back bars can be interrupted by a Jacquard mechanism. [7] Each bobbin thread has its own jack - a steel wire that can interrupt its movement and create a hole in the pattern, in effect leaving off a tie. [8]

Related Research Articles

Jacquard machine

The Jacquard machine is a device fitted to a loom that simplifies the process of manufacturing textiles with such complex patterns as brocade, damask and matelassé. The resulting ensemble of the loom and Jacquard machine is then called a Jacquard loom. The machine was invented by Joseph Marie Jacquard in 1804, based on earlier inventions by the Frenchmen Basile Bouchon (1725), Jean Baptiste Falcon (1728), and Jacques Vaucanson (1740). The machine was controlled by a "chain of cards"; a number of punched cards laced together into a continuous sequence. Multiple rows of holes were punched on each card, with one complete card corresponding to one row of the design.

Loom Device for weaving textiles

A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same.

Weaving Technology for the production of textiles

Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Other methods are knitting, crocheting, felting, and braiding or plaiting. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are inter-woven affects the characteristics of the cloth. Cloth is usually woven on a loom, a device that holds the warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms.

Bobbin lace Handmade lace

Bobbin lace is a lace textile made by braiding and twisting lengths of thread, which are wound on bobbins to manage them. As the work progresses, the weaving is held in place with pins set in a lace pillow, the placement of the pins usually determined by a pattern or pricking pinned on the pillow.

Power loom Mechanised loom powered by a line shaft

A power loom is a mechanized loom, and was one of the key developments in the industrialization of weaving during the early Industrial Revolution. The first power loom was designed in 1786 by Edmund Cartwright and first built that same year. It was refined over the next 47 years until a design by the Howard and Bullough company made the operation completely automatic. This device was designed in 1834 by James Bullough and William Kenworthy, and was named the Lancashire loom.

Textile manufacturing is a major industry. It is largely based on the conversion of fibre into yarn, then yarn into fabric. These are then dyed or printed, fabricated into cloth which is then converted into useful goods such as clothing, household items, upholstery and various industrial products.

Stocking frame Mechanical knitting machine

A stocking frame was a mechanical knitting machine used in the textiles industry. It was invented by William Lee of Calverton near Nottingham in 1589. Its use, known traditionally as framework knitting, was the first major stage in the mechanisation of the textile industry, and played an important part in the early history of the Industrial Revolution. It was adapted to knit cotton and to do ribbing, and by 1800 had been adapted as a lace making machine.

Knitting machine

A knitting machine is a device used to create knitted fabrics in a semi or fully automated fashion.

Warp knitting

Warp knitting is a family of knitting methods in which the yarn zigzags along the length of the fabric; i.e., following adjacent columns, or wales, of knitting, rather than a single row, or course. For comparison, knitting across the width of the fabric is called weft knitting.

Bobbinet Hexagonal machine-made net fabric used in lacemaking

Bobbinet tulle or genuine tulle is a specific type of tulle which has been made in the United Kingdom since the invention of the bobbinet machine. John Heathcoat coined the term "bobbin net", or bobbinet as it is spelled today, to distinguish this machine-made tulle from the handmade "pillow lace", produced using a lace pillow to create bobbin lace. Machines based on his original designs are still in operation today producing fabrics in Perry Street, Chard, Somerset, UK.

The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fibre from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.

Blonde lace

Blonde lace is a continuous bobbin lace from France that is made of silk. The term blonde refers to the natural color of the silk thread. Originally this lace was made with the natural-colored silk, and later in black. Most blonde lace was also made in black. It was made in the 18th and 19th centuries. The pattern, which is generally of flowers, is made with a soft silk thread, thicker than the thread used for the ground. This causes a big contrast between the flowers and the ground. It uses the same stitches as Chantilly lace and Lille lace, and is similarly made in strips 5 inches wide and invisibly joined. Blonde lace is not as good as Chantilly lace though, as the ground isn't as firm, nor is the pattern as regular.

Textile manufacturing is one of the oldest human activities. The oldest known textiles date back to about 5000 B.C. In order to make textiles, the first requirement is a source of fibre from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving to create cloth. The machine used for weaving is the loom. Cloth is finished by what are described as wet process to become fabric. The fabric may be dyed, printed or decorated by embroidering with coloured yarns.

Bradford Industrial Museum Industrial museum, Mill museum, Textile museum, in Eccleshill, Bradford

Bradford Industrial Museum, established 1974 in Moorside Mills, Eccleshill, Bradford, United Kingdom, specializes in relics of local industry, especially printing and textile machinery, kept in working condition for regular demonstrations to the public. There is a Horse Emporium in the old canteen block plus a shop in the mill, and entry is free of charge.

Beamer (occupation)

A beamer was an occupation in the cotton industry. The taper's beam is a long cylinder with flanges where 400 plus ends (threads) are wound side-by-side. Creels of bobbins with the correct thread, mounted on a beaming frame wind their contents onto the beam. The machine is watched over by a "beamer".

Lace machine Powered equipment for producing imitations of hand-made lace

Lace machines took over the commercial manufacture of lace during the nineteenth century.

Leavers machine Lacemaking machine invented by John Levers

The Leavers machine is a lacemaking machine that John Levers adapted from Heathcoat's Old Loughborough machine. It was made in Nottingham in 1813. The name of the machine was the Leavers machine. The original machine made net but it was discovered that the Jacquard apparatus could be adapted to it. From 1841 lace complete with pattern, net and outline could be made on the Leavers machine.

The Pusher machine was a lace making machine, based on the bobbinet, that was invented in 1812 Samuel Clark and James Mart.

<i>Game of Thrones Tapestry</i>

The Game of Thrones Tapestry is a hand-crafted tapestry, partially woven on a jacquard loom, with additional embroidery. The tapestry tells the entire story of the television show, Game of Thrones. It consists of seven 11-metre-long panels and one 10.5-metre panel. The eight panels depict scenes from each episode and include images of crew at work. The tapestry was commissioned by HBO and Tourism Ireland, the tourism bureau of Northern Ireland. where HBO filmed much of the series.

Schiffli embroidery machine Industrial embroidery machine invented in 1853

The schiffli embroidery machine is a multi-needle, industrial embroidery machine. It was invented by Isaak Gröbli in 1863. It was used to create various types of machine embroidery and certain types of lace. It was especially used in the textile industry of eastern Switzerland and Saxony Germany, but also in the United Kingdom and the United States. Schiffli machines evolved from, and eventually replaced manually operated "hand embroidery" machines. The hand embroidery machine used double ended needles and passed the needles completely through the fabric. Each needle had a single, continuous thread. Whereas the schiffli machine used a lock stitch, the same technique used by the sewing machine. By the early twentieth century schiffli machines had standardized to ten and fifteen meters in width and used more than 600 needles.

References

  1. Farrell 2007, p. 8.
  2. Earnshaw 1986, p. 21.
  3. Earnshaw 1986, pp. 174-175.
  4. Earnshaw 1986, p. 175.
  5. 1 2 3 Earnshaw 1986, p. 176.
  6. Earnshaw 1986, pp. 180, 182.
  7. Earnshaw 1986, p. 180.
  8. Earnshaw 1986, pp. 183,184.

Bibliography