Guipure lace is a type of bobbin lace. It connects the motifs with bars or plaits rather than net or mesh.
Tønder lace is a point-ground type of handmade bobbin lace identified with the Tønder region of Denmark since about 1850, although lace of many types has been made there since as early as 1650. The term is also used more broadly, to refer to any bobbin lace made in Denmark.
Point de France is a type of needle lace developed in the late 17th century. It is characterized by rich and symmetrical detail, and a reliance on symbols associated with King Louis XIV of France, such as suns, sunflowers, fleurs-de-lys, and crowns.
Antwerp lace is a bobbin lace distinguished by stylized flower pot motifs on a six point star ground. It originated in Antwerp, where in the 17th century an estimated 50% of the population of Antwerp was involved in lace making. Antwerp lace is also known, from its familiar repeated motif, as Pot Lace— in Dutch Pottenkant or Potten Kant. It is sometimes said that the flowers were a depiction of the Annunciation lilies; however, the flowers were not limited to lilies.
Gimp is a narrow ornamental trim used in sewing or embroidery. It is made of silk, wool, polyester, or cotton and is often stiffened with metallic wire or coarse cord running through it. Gimp is used as trimming for dresses, curtains, furniture, etc. Originally the term referred to a thread with a cord or wire in the center, but now is mainly used for a trimming braided or twisted from this thread. Sometimes gimp is covered in beads or spangles.
Bobbinet tulle or genuine tulle is a specific type of tulle which has been made in the United Kingdom since the invention of the bobbinet machine. John Heathcoat coined the term "bobbin net", or bobbinet as it is spelled today, to distinguish this machine-made tulle from the handmade "pillow lace", produced using a lace pillow to create bobbin lace. Machines based on his original designs are still in operation today producing fabrics in Perry Street, Chard, Somerset, UK.
Mechlin lace or Point de Malines is an old bobbin lace, one of the best known Flemish laces, originally produced in Mechelen. Worn primarily during summer, it is fine, transparent, and looks best when worn over another color. Used for women's clothing, it was popular until the first decade of the 20th century. It was made in Mechelen, Antwerp, Lier and Turnhout. It was used for coiffures de nuit, garnitures de corset, ruffles and cravats.
Blonde lace is a continuous bobbin lace from France that is made of silk. The term blonde refers to the natural color of the silk thread. Originally this lace was made with the natural-colored silk, and later in black. Most blonde lace was also made in black. It was made in the 18th and 19th centuries. The pattern, which is generally of flowers, is made with a soft silk thread, thicker than the thread used for the ground. This causes a big contrast between the flowers and the ground. It uses the same stitches as Chantilly lace and Lille lace, and is similarly made in strips 5 in (13 cm) wide and invisibly joined. Blonde lace is not as good as Chantilly lace though, as the ground is not as firm, nor is the pattern as regular.
Bucks point is a bobbin lace from the South East of England. "Bucks" is short for Buckinghamshire, which was the main centre of production. The lace was also made in the nearby counties of Bedfordshire and Northamptonshire. Bucks point is very similar to the French Lille lace, and thus is often called English Lille. It is also similar to Mechlin lace and Chantilly lace.
Torchon lace is a bobbin lace that was made all over Europe. It is continuous, with the pattern made at the same time as the ground. Typical basic stitches include whole stitch, half stitch, and twists, and common motifs include spiders and fans. Torchon lace was notable historically for being coarse and strong, as well as consisting of simple geometric patterns and straight lines. It did not use representational designs, for the most part.
Lace machines took over the commercial manufacture of lace during the nineteenth century.
Cluny lace is a bobbin lace style, worked as a continuous piece. It is a heavy plaited lace of geometric design, often with radiating thin, pointed wheatears. It is a guipure style of lace.
Part lace or sectional lace is a way of making bobbin lace. It characterises various styles, such as Honiton lace or Brussels lace.
Russian lace is a bobbin tape lace. The tape is made with bobbins at the same time as the rest of the lace, curving back on itself, and joined using a crochet hook. It was made in Russia, but similar laces made elsewhere are also called Russian lace.
Lille lace was a type of bobbin lace that was made at Lille, also known as Rijsel. It was a lightweight lace popular in the eighteenth century in both black and white. It lacked the rich designs of Valenciennes lace. Its quality declined after the French Revolution, and by 1800 it was worn only by 'the most ordinary women'. In the first half of the nineteenth century the sketch-line designs, made only of gimp, were enclosed by a cloudy fond simple, relieved only by a scattering of tiny dots. After the French Revolution of 1848, little was made commercially.
Beveren lace was bobbin lace that was made at Beveren a few miles west of Antwerp. Lille lace, as well, as Belgium laces, was made there in the nineteenth century.
The Leavers machine is a lacemaking machine that John Levers adapted from Heathcoat's Old Loughborough machine. It was made in Nottingham in 1813. The name of the machine was the Leavers machine. The original machine made net but it was discovered that the Jacquard apparatus could be adapted to it. From 1841 lace complete with pattern, net and outline could be made on the Leavers machine.
The lace curtain machine is a lace machine invented by John Livesey in Nottingham in 1846. It was an adaptation of John Heathcoat's bobbinet machine. It made the miles of curtaining which screened Victorian and later windows.
The Pusher machine was a lace making machine, based on the bobbinet, that was invented in 1812 Samuel Clark and James Mart.
Milanese bobbin lace is a textile used as a fashion accessory or a decorative trim, first becoming popular in the 17th and 18th centuries in Milan. Lacemaking was an important economic activity in Northern Italy, besides touching on social status matters as well as being a culturally significant art form. The earliest versions of the lace consisted of the tape mostly filling the space. Typical characteristics of Milanese bobbin lace are scrolls made with curving clothwork tapes and floral motifs, and sometimes also consisting of human or animal figures. Sometimes needle lace techniques were combined with the bobbin lace pieces to create the final product.
