Mechlin lace or Point de Malines is an old bobbin lace, [1] one of the best known Flemish laces, originally produced in Mechelen. [2] Worn primarily during summer, [3] it is fine, transparent, and looks best when worn over another color. [3] Used for women's clothing, it was popular until the first decade of the 20th century. [4] It was made in Mechelen, Antwerp, Lier and Turnhout. It was used for coiffures de nuit (evening hair-styling), garnitures de corset (corset trims), ruffles and cravats.
Its history goes back to the Brabant laces. Originally the term 'mechlin lace' was used for any bobbin lace from Flanders. [4] [2] [3] Mechlin lace grew in popularity throughout the late 17th century and the 18th century, and was mentioned several times. The 1657 inventory of the Maréchal de la Motte included 'a pair of Mechlin ruffles'. Jean-François Regnard, when visiting Flanders in 1681, wrote of the lace and lace-makers. When the English prohibition was removed in 1699, Mechlin lace became the grand fashion in England, and it was advertised in the London Gazette. It was very popular at this time in France and Holland as well. The earliest with a réseau (open net) ground wasn't made until 1720, [2] and at this point the term became specific to this lace with the open net. [5] In 1755 Mechlin lace went into decline in England, and by 1834 there were only eight manufacturers left. [3] Machine-made Mechlin lace started to be produced in 1819. [5] Another machine was invented in 1847 which exactly followed the hand movements a lace-maker would make. Manufacture has since died out. [3]
Mechlin lace was also very popular with the English royalty. Queen Mary II, in spite of the prohibition against imported laces, purchased two yards of knotted fringe for her Mechlin ruffles in 1694. Queen Anne purchased a sizeable amount of it— 83 yards in 1713. George I had a Mechlin cravat, and it was a favorite of Queen Charlotte and Princess Amelia. [3]
Mechlin lace is known for its rich floral patterns, [6] fine twisted-and-plaited, hexagonal ground, and its outlined designs. [4] [2] [3] It looks much like Brussels lace, however it is made all at once, [3] with the réseau or ground made at the same time as the pattern on the pillow. Also, the plait is shorter, and the mesh smaller than those of Brussels lace. [2] All Mechlin laces are outlined with a loosely spun silk cord used to define the pattern, whereas Valenciennes lace isn't. [2] Mechlin lace is also more expensive than Valenciennes lace, as it takes more time to make because of the different réseau.
Sometimes Mechlin is grounded with an ornamental réseau, instead of the usual hexagons. In the regular hexagonal réseau, the two sides parallel to the long axis of the lace are plaited three times, and the other four sides crossed. [3] The same threads pass across the whole width, and thus form both the ground and the pattern. [2]
Lace is a delicate fabric made of yarn or thread in an open weblike pattern, made by machine or by hand. Generally, lace is divided into two main categories, needlelace and bobbin lace, although there are other types of lace, such as knitted or crocheted lace. Other laces such as these are considered as a category of their specific craft. Knitted lace, therefore, is an example of knitting. This article considers both needle lace and bobbin lace.
Bobbin lace is a lace textile made by braiding and twisting lengths of thread, which are wound on bobbins to manage them. As the work progresses, the weaving is held in place with pins set in a lace pillow, the placement of the pins usually determined by a pattern or pricking pinned on the pillow.
Chantilly lace is a handmade bobbin lace named after the city of Chantilly, France, in a tradition dating from the 17th century. The famous silk laces were introduced in the 18th century. Chantilly lace, was also produced in the 19th century but this one was actually made not in Chantilly area but in the French Norman town Bayeux and in Geraardsbergen, now in Belgium.
Guipure lace is a type of bobbin lace. It connects the motifs with bars or plaits rather than net or mesh.
Tønder lace is a point-ground type of handmade bobbin lace identified with the Tønder region of Denmark since about 1850, although lace of many types has been made there since as early as 1650. The term is also used more broadly, to refer to any bobbin lace made in Denmark.
Antwerp lace is a bobbin lace distinguished by stylized flower pot motifs on a six point star ground. It originated in Antwerp, where in the 17th century an estimated 50% of the population of Antwerp was involved in lace making. Antwerp lace is also known, from its familiar repeated motif, as Pot Lace— in Dutch Pottenkant or Potten Kant. It is sometimes said that the flowers were a depiction of the Annunciation lilies; however, the flowers were not limited to lilies.
Gimp is a narrow ornamental trim used in sewing or embroidery. It is made of silk, wool, polyester, or cotton and is often stiffened with metallic wire or coarse cord running through it. Gimp is used as trimming for dresses, curtains, furniture, etc. Originally the term referred to a thread with a cord or wire in the center, but now is mainly used for a trimming braided or twisted from this thread. Sometimes gimp is covered in beads or spangles.
Valenciennes lace is a type of bobbin lace which originated in Valenciennes, in the Nord département of France, and flourished from about 1705 to 1780. Later production moved to Belgium, in and around Ypres. The industry continued onto the 19th century on a diminished scale. By the 19th century Valenciennes lace could be made by machine.
Brussels lace is a type of pillow lace that originated in and around Brussels. The term "Brussels lace" has been broadly used for any lace from Brussels; however, strictly interpreted, the term refers to bobbin lace, in which the pattern is made first, and the ground, or réseau added, also using bobbin lace. Brussels lace is not to be confused with Brussels point, which is a type of needle lace, though sometimes also called "Brussels lace".
Blonde lace is a continuous bobbin lace from France that is made of silk. The term blonde refers to the natural color of the silk thread. Originally this lace was made with the natural-colored silk, and later in black. Most blonde lace was also made in black. It was made in the 18th and 19th centuries. The pattern, which is generally of flowers, is made with a soft silk thread, thicker than the thread used for the ground. This causes a big contrast between the flowers and the ground. It uses the same stitches as Chantilly lace and Lille lace, and is similarly made in strips 5 in (13 cm) wide and invisibly joined. Blonde lace is not as good as Chantilly lace though, as the ground isn't as firm, nor is the pattern as regular.
Bucks point is a bobbin lace from the South East of England. "Bucks" is short for Buckinghamshire, which was the main centre of production. The lace was also made in the nearby counties of Bedfordshire and Northamptonshire. Bucks point is very similar to the French Lille lace, and thus is often called English Lille. It is also similar to Mechlin lace and Chantilly lace.
Torchon lace is a bobbin lace that was made all over Europe. It is continuous, with the pattern made at the same time as the ground. Torchon lace is notable for being coarse and strong, as well as its simple geometric patterns and straight lines. It does not use representational designs. Torchon lace was used by the middle classes for edging or insertion, and also to trim cotton and linen underwear, where it was ideal because of its strength and because it was inexpensive. Torchon lace was originally made from flax, but cotton is used as well, and has been for a long time. It is made in strips 1 to 2 inches wide. Torchon lace generally has a gimp outlining the pattern. The gimp was first used in Sweden, but now is used generally. Colored threads are occasionally used, but in general Torchon lace is white.
Binche lace is a type of bobbin lace that originated in the town of Binche, Belgium. It is continuous, meaning it is made all at once, in one piece. It is generally made in strips 2 inches (5 cm) wide. Though typically it has no cordonnet outlining the design against the ground, occasional pieces are made with a very fine one, about the same thickness as the thread used in the pattern. The pattern in Binche lace is very detailed, with animal scenes and figures.
Honiton lace is a type of bobbin lace made in Honiton, Devon, in the United Kingdom. Historical Honiton lace designs focused on scrollwork and depictions of natural objects such as flowers and leaves.
Bedfordshire lace is a style of bobbin lace originating from Bedfordshire in the 19th century, and made in the English Midlands lacemaking area. It was worked as a continuous width on a bolster pillow. It is a guipure style of lace.
Part lace or sectional lace is a way of making bobbin lace. It characterises various styles, such as Honiton lace or Brussels lace.
Mesh grounded lace is a continuous bobbin lace also known as straight lace. Continuous bobbin lace is made in one piece on a lace pillow. The threads of the ground enter motifs, then leave to join the ground again further down the process, all made in one go. This is different from part lace, where the motifs are created separately, then joined together afterwards.
Flanders lace was made in Flanders, which was particularly well known for its bobbin lace. The supreme epoch of Flemish lace lasted from about 1550-1750.
Bobbin lace ground is the regular small mesh filling the open spaces of continuous bobbin lace. Other names for bobbin lace ground are net or réseau. The precise course of the threads and the resultant shape of the ground are an important diagnostic feature in lace identification, as different lace styles use different grounds.
Ipswich lace is a historical fashion accessory, the only known American hand-made bobbin lace to be commercially produced. Centered in the coastal town of Ipswich, Massachusetts north of Boston, a community of lacemaking arose in the 18th century. Puritan settlers to the area likely made and wore lace as early as 1634, because Sumptuary laws from the early colonial records indicate this activity. Earliest known records of the commercial production indicate that lace produced by local women was used to barter for goods in the 1760s, as denoted by ledger account books belonging to local merchants. These laces were sold in the region from Boston to Maine.
Mechlin lace.