Bead weaving

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Bead weaving (or beadweaving) using seed beads can be done either on a loom or using one of a number of off-loom stitches.

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On-loom beadweaving

An old bead loom. 1. Roller. 2. Roller end. 3. Spacers. 4. Spacers. Apachebeadloom1903.png
An old bead loom. 1. Roller. 2. Roller end. 3. Spacers. 4. Spacers.

When weaving on a loom, the beads are locked in between the warp threads by the weft threads. The most common bead weaving technique requires two passes of the weft thread. First, an entire row of beads is strung on the weft thread. Then the beads are pressed in between the warp threads. The needle is passed back through the beads above the warp threads to lock the beads into place. Heddle looms were popular near the beginning of the 20th century. They allowed weaving of beads by raising every other thread and inserting strung beads in the shed, the space between the lowered and raised threads. There are still a few Heddle Bead Looms being manufactured today. The most difficult part of loomwork is finishing off the warp threads.

Although loomed pieces are typically rectangular, it is possible to increase and decrease to produce angular or curvy shapes. Fringe can also be added during weaving or before the piece is removed from the loom.

Bead looms vary in size and are typically made of wood or metal. Usually, a comb or spring is used to hold the warp threads a bead-width apart. Some looms have roller bars that allow the weaver to produce pieces that are longer than the loom. Most looms are meant to sit on a table, but some have floor stands or are meant to sit in the lap.

Off-loom beadweaving

An example of off-loom beadweaving from Australia. Bead Weaving, Sarawak (7246866286).jpg
An example of off-loom beadweaving from Australia.
A bracelet in progress on a bead weaving loom Bracelet in progress on a bead weaving loom 25Jan2011 arp.jpg
A bracelet in progress on a bead weaving loom

Off-loom beadweaving is a family of beadwork techniques in which seed beads are woven together into a flat fabric, a tubular rope, or a three-dimensional object such as a ball, clasp, box, or a piece of jewelry. All off-loom techniques can be accomplished using a single needle and thread (no warp threads), but some have two-needle variations. Different stitches produce pieces with distinct textures, shapes, and patterns. There are many different off-loom bead stitches, including new stitches (distinct thread paths) published only in 2015:

Spiral Bead Weaving Stitches

Related Research Articles

Beadwork Decoration technique

Beadwork is the art or craft of attaching beads to one another by stringing them with a sewing needle or beading needle and thread or thin wire, or sewing them to cloth. Beads come in a variety of materials, shapes and sizes. Beads are used to create jewelry or other articles of personal adornment; they are also used in wall hangings and sculpture and many other artworks.

Loom device for weaving textiles, generally having mechanisms to hold warp threads in tension and to create a shed or opening for filling threads to pass through

A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same.

Weaving Technology for the production of textiles

Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Other methods are knitting, crocheting, felting, and braiding or plaiting. The longitudinal threads are called the warp and the lateral threads are the weft or filling. The method in which these threads are inter-woven affects the characteristics of the cloth. Cloth is usually woven on a loom, a device that holds the warp threads in place while filling threads are woven through them. A fabric band which meets this definition of cloth can also be made using other methods, including tablet weaving, back strap loom, or other techniques without looms.

Power loom mechanised loom powered by a line shaft

A power loom is a mechanized loom, and was one of the key developments in the industrialization of weaving during the early Industrial Revolution. The first power loom was designed in 1784 by Edmund Cartwright and first built in 1785. It was refined over the next 47 years until a design by Kenworthy and Bullough made the operation completely automatic.

Warp and weft crosswise thread drawn over and under a warp to make cloth

Warp and weft are the two basic components used in weaving to turn thread or yarn into fabric. The lengthwise or longitudinal warp yarns are held stationary in tension on a frame or loom while the transverse weft is drawn through and inserted over-and-under the warp. A single thread of the weft crossing the warp is called a pick. Terms vary. Each individual warp thread in a fabric is called a warp end or end.

Balanced fabric fabric in which the warp and weft threads are of identical size and are evenly spaced, especially fabrics used for needlework

A balanced fabric is one in which the warp and the weft are of the same size. In weaving, these are generally called balanced plain weaves or just balanced weaves, while in embroidery the term even-weave is more common.

Peyote stitch off-loom bead weaving technique

The peyote stitch, also known as the gourd stitch, is an off-loom bead weaving technique. Peyote stitch may be worked with either an even or an odd number of beads per row. Both even and odd count peyote pieces can be woven as flat strips, in a flat round shape, or as a tube. Tubular peyote is used to make pouches or to decorate objects such as bottles or fan handles.

Warp knitting any knitting method in which the yarn zigzags along the length of the fabric, following adjacent columns ("wales") of knitting

Warp knitting is a family of knitting methods in which the yarn zigzags along the length of the fabric; i.e., following adjacent columns, or wales, of knitting, rather than a single row, or course. For comparison, knitting across the width of the fabric is called weft knitting.

Selvage narrow edge of a woven fabric parallel to its length

A selvage or selvedge is a "self-finished" edge of fabric, keeping it from unraveling and fraying. The term "self-finished" means that the edge does not require additional finishing work, such as hem or bias tape, to prevent fraying.

The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fibre from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.

Brick stitch off-loom bead weaving technique

Brick Stitch, also known as the Cheyenne Stitch or Comanche Stitch, is a bead weaving stitch in which individual beads are stacked horizontally in the same pattern as bricks are stacked in a wall.

Shed (weaving)

In weaving, the shed is the temporary separation between upper and lower warp yarns through which the weft is woven. The shed is created to make it easy to interlace the weft into the warp and thus create woven fabric. Most types of looms have some sort of device which separates some of the warp threads from the others. This separation is called the shed, and allows for a shuttle carrying the weft thread to move through the shed perpendicular to the warp threads. Which threads are raised and which are lowered are changed after each pass of the shuttle.

Inkle weaving is a type of warp-faced weaving where the shed is created by manually raising or lowering the warp yarns, some of which are held in place by fixed heddles on a loom known as an inkle loom. Inkle weaving was referred to in Shakespeare's Love's Labour's Lost. A table-top inkle loom was patented by Mr. Gilmore of Stockton, CA in the 1930s but inkle looms and weaving predate this by centuries. The term "Inkle" simply means "ribbon" or "tape" and refers to any warp-faced woven good made on any type of loom, from backstrap to box-looms.

Heddle wire, string, or similar component of a loom which is used to lift warp threads, making a shed for the weft thread to pass through

A heddle is an integral part of a loom. Each thread in the warp passes through a heddle, which is used to separate the warp threads for the passage of the weft. The typical heddle is made of cord or wire and is suspended on a shaft of a loom. Each heddle has an eye in the center where the warp is threaded through. As there is one heddle for each thread of the warp, there can be near a thousand heddles used for fine or wide warps. A handwoven tea-towel will generally have between 300 and 400 warp threads and thus use that many heddles.

Square stitch is an off-loom bead weaving stitch that mimics the appearance of beadwork created on a loom. Loom patterns and even cross stitch embroidery patterns may be used for square stitch pieces. Because each bead in a square stitch piece is connected by thread to each of the four beads surrounding it, this stitch is very strong.

Textile manufacturing is one of the oldest human activities. The oldest known textiles date back to about 5000 B.C. In order to make textiles, the first requirement is a source of fibre from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving to create cloth. The machine used for weaving is the loom. Cloth is finished by what are described as wet processes to become fabric. The fabric may be dyed, printed or decorated by embroidering with coloured yarns.

Reed (weaving) part of loom

A reed is part of a weaving loom, and resembles a comb. It is used to separate and space the warp threads, to guide the shuttle's motion across the loom, and to push the weft threads into place. The reed is securely held by the beater, and consists of a frame with many vertical slits. Floor looms and mechanized looms both use a beater with a reed, whereas Inkle weaving and tablet weaving do not use reeds.

Bead embroidery embroidery using beads as embellishments

Bead embroidery is a type of beadwork that uses a needle and thread to stitch beads to a surface of fabric, suede, or leather.

Right-Angle weave stitch, also known as RAW, is an off-loom bead weaving technique. Beads are stitched together with thread only making right angle turns, hence the name. The result is an almost fabric like piece of beadwork. Right-Angle weave can be woven with either one needle or two. With single needle right-angle weave, the thread path moves in a figure-eight pattern. For double needle right-angle weave, the threads cross each other along the center bead of each stitch as they head in opposite directions. RAW can be formed into flat pieces, tubes, or 3 dimensional figures. There are also variations on the basic stich like cubic right angle weave, or CRAW. Seed beads, fire polished beads and crystal beads are common choices in pieces using right-angle weave. Variations of Right Angle Weave also include PRAW. CRAW is usually worked in sets of four but in PRAW sets can be expanded to 5 +.

<i>Game of Thrones Tapestry</i> embroidered tapestry based on the Bayeux tapestry, telling the story of the HBO series Game of Thrones

The Game of Thrones Tapestry is a hand-woven tapestry which currently stands at 66 m (217 ft) long, which was opened to the public on 21 July 2017 at the Ulster Museum in Belfast, Northern Ireland. Once finished, it will be longer than its inspiration, the Bayeux Tapestry, at 77 m (253 ft). The tapestry tells the entire story of the television show, Game of Thrones. It consists of six 11 metre long panels of hand-woven fabric, and one 10.5 metre panel. The seven panels depict scenes from each episode of the aired seasons. After season 8 is aired in 2019, the tapestry is planned to grow to reflect that season's six episodes.

References

  1. Kingsley-Heath, Heather (2009). Albion Stitch: An Introduction to the New Beadwork Stitch. Useful Booklet Company. ISBN   0954367278.
  2. Wells, Carol Wilcox (2003). The Art & Elegance of Beadweaving. USA: Lark Books. pp. 54–64. ISBN   978-1-57990-533-0.
  3. Thomas, Cath; Lenz, Gerlinde (2015). Diamond Weave: A complete guide to mastering the bead world's newest stitch. CreateSpace Independent Publishing Platform. ISBN   978-1-5147-3715-6.
  4. de Miguel, Melanie (2015). Let's Hubble: A Journey into the Brand New Beadwork Stitch. SRA Books. ISBN   978-1-909116-47-4.
  5. de Miquel, Melanie. "Hubble Stitch". Beadwork, US Version of Let's Hubble. Oct/Nov 2015.
  6. de Miguel, Melanie (2016). Hubble Stitch 2: Further Adventures into Planet Hubble. SRA Books. ISBN   978-1-909116-72-6.
  7. Gerlach, Julia, ed. (2005). Best of Bead&Button magazine : peyote stitch beading projects. Waukesha, Wis.: Kalmbach Pub. pp. 46–47. ISBN   0-87116-218-0.

Further reading