Powder glass beads

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Krobo powder glass beads, bicones Pgbeads.JPG
Krobo powder glass beads, bicones

Powder glass beads are a type of necklace ornamentation. The earliest such beads were discovered during archaeological excavations at Mapungubwe in South Africa, and dated to between 970-1000 CE. Manufacturing of the powder glass beads is now concentrated in West Africa, particularly in the Ghana area. The origins of beadmaking in Ghana are unknown, but the great majority of powder glass beads produced today is made by Ashanti and Krobo craftsmen and women. Krobo bead making has been documented to date from as early as the 1920s but despite limited archaeological evidence, it is believed that Ghanaian powder glass bead making dates further back. Bead making in Ghana was first documented by John Barbot in 1746. [1] Beads still play important roles in Krobo society, be it in rituals of birth, coming of age, marriage, or death.

Contents

Polishing of Ghanaian glass beads. Cedi bead factory, Odumase Krobo, Ghana Polishing of Ghanaian glass beads.JPG
Polishing of Ghanaian glass beads. Cedi bead factory, Odumase Krobo, Ghana
Templates ready for the oven Making of traditional Ghanaian glassbeads. the templates with powdered glass ready for the oven.JPG
Templates ready for the oven

Powder glass beads are made from finely ground glass, the main source being broken and unusable bottles and a great variety of other scrap glasses. Special glasses such as old cobalt medicine bottles, cold cream jars, and many other types of glasses from plates, ashtrays, window panes - to name only a few - are occasionally bought new, just for the purpose. Pulverized or merely fragmented, and made into beads, these glasses yield particularly bright colours and shiny surfaces. Modern ceramic colourants, finely ground broken beads, or shards of different coloured glasses from various sources can be added to create a great variety of styles, designs and decorative patterns in many different colours. In addition, glass bead fragments of varying sizes, which have traditionally been used for the manufacture as well as for the decoration of specific types of beads, can now be found in interesting new combinations, and during the past few years in particular, bead makers have taken this tradition yet another step forward by using entire, i.e. whole small beads for making their colourful bead creations.

Types of beads

Krobo beads

Krobo bead (fused glass fragments) Pgbeads2.JPG
Krobo bead (fused glass fragments)

Krobo powder glass beads are made in vertical molds fashioned out of a special, locally dug clay. Most molds have a number of depressions, designed to hold one bead each, and each of these depressions, in turn, has a small central depression to hold the stem of a cassava leaf. The mold is filled with finely ground glass that can be built up in layers in order to form sequences and patterns of different shapes and colours. The technique could be described as being somewhat similar to creating a sand "painting" or to filling a bottle with different-coloured sands and is called the "vertical-mold dry powder glass technique". When cassava leaf stems are used, these will burn away during firing and leave the bead perforation. Certain powder glass bead variants, however, receive their perforations after firing, by piercing the still hot and pliable glass with a hand-made, pointed metal tool. Firing takes place in clay kilns until the glass fuses.

There are three distinct styles of modern Krobo powder glass beads:

Krobo "Writing" beads Pgbeads3.JPG
Krobo "Writing" beads

Fused glass fragment beads which are being made by fusing together fairly large bottle glass or glass bead fragments. These beads are translucent or semi-translucent and receive their perforations, as well as their final shapes, after firing.

Beads composed of two halves (usually bicones, occasionally spheres) that are being created from pulverized glass. The two halves are being joined together in a second, short firing process.

The "Mue ne Angma" or "Writing Beads", conventional powder glass beads made from finely ground glass, with glass slurry decorations that are being "written" on and fused in a second firing.

Akoso beads

Akoso beads Pgbeads6.JPG
Akoso beads

Older Ghanaian dry core powder glass beads, dating from the 1950s, are the Akoso beads, which were also manufactured by the Krobo. The most common colour of Akoso beads is yellow. There are also green, and rarely blue or black specimens. The glass surface is often worn away at the ends and around the beads' equator, exposing a grey core. The most prevalent decorations, preformed from strips of hot glass, were applied in patterns of criss-crossed loops, longitudinal stripes and circles. Glass from crushed Venetian beads was used for making the glass powder, and the decorative patterns were made of glass derived from Venetian beads, or from small whole Venetian beads such as so-called green heart and white-heart beads.

Meteyi beads

Ashanti, Meteyi beads Pgbeads7.JPG
Ashanti, Meteyi beads

Meteyi beads were made by the Ashanti people of Ghana. Longitudinal seams that can often be observed on these beads give evidence that they were made in horizontal molds. Meteyi beads are often ellipsoid in cross section and they have a rough surface on the side which touched the bottom of the mold during firing. They can be opaque yellow, and more rarely, green, blue or white, with stripe decorations in combinations of blue, yellow, white or red. Manufacture ceased during the 1940s.

Ateyun beads

Yoruba, Ateyun beads Pgbeads4.JPG
Yoruba, Ateyun beads

Another West African people known to produce powder glass beads are the Yoruba from Nigeria. Beads from their production differ technically from typical Ghanaian powder glass beads in that they are not made in molds and in the wet-core technique. Finely crushed glass is moistened with water and shaped by hand. The perforations are made before the beads are fired, using a pointed tool. So-called Ateyun beads were made in different shapes but always in red, to imitate real Mediterranean coral. Genuine coral was rare, but very much sought after and highly valued by the Yoruba people. Yoruba bead makers made their own imitations at more affordable prices.

Keta awuazi beads

Yoruba, Keta awuazi beads Pgbeads5.JPG
Yoruba, Keta awuazi beads

Apart from red beads imitating coral, blue beads were also highly valued. Keta awuazi beads, originating from Nigeria or possibly Togo, were made in horizontal molds and mold marks are often evident along their sides. Keta awuazi beads are cylindrical in shape. Manufacture ceased during the 1940s. Krobo bead makers produced similar blue powder glass beads, using glass derived from cold cream jars to achieve the blue colouration.

Kiffa beads

Mauritanian Kiffa beads Pgbeads8.JPG
Mauritanian Kiffa beads

Mauritanian Kiffa beads are also manufactured through the wet core technique. Glass, which is finely crushed to a powder, is mixed with a binder such as saliva or gum arabic diluted in water. Decorations are made from the glass slurry i.e. crushed glass mixed with a binder, and applied with a pointed tool, usually a steel needle. The beads are formed by hand and not placed in molds. The firing takes place in small containers, often sardine cans, in open fires.

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Glass Transparent non-crystalline solid material

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Glassblowing Technique for forming glass

Glassblowing is a glassforming technique that involves inflating molten glass into a bubble with the aid of a blowpipe. A person who blows glass is called a glassblower, glassmith, or gaffer. A lampworker manipulates glass with the use of a torch on a smaller scale, such as in producing precision laboratory glassware out of borosilicate glass.

Shot glass Small tumbler

A shot glass is a glass originally designed to hold or measure spirits or liquor, which is either imbibed straight from the glass or poured into a cocktail. An alcoholic beverage served in a shot glass and typically consumed quickly, in one gulp, may also be known as a "shooter".

Lampworking

Lampworking is a type of glasswork in which a torch or lamp is used to melt the glass. Once in a molten state, the glass is formed by blowing and shaping with tools and hand movements. It is also known as flameworking or torchworking, as the modern practice no longer uses oil-fueled lamps. Although lack of a precise definition for lampworking makes it difficult to determine when this technique was first developed, the earliest verifiable lampworked glass is probably a collection of beads thought to date to the fifth century BC. Lampworking became widely practiced in Murano, Italy in the 14th century. As early as the 17th century, itinerant glassworkers demonstrated lampworking to the public. In the mid-19th century lampwork technique was extended to the production of paperweights, primarily in France, where it became a popular art form, still collected today. Lampworking differs from glassblowing in that glassblowing uses a furnace as the primary heat source, although torches are also used.

Kiffa beads

Kiffa beads are rare powder glass beads. They are named after the Mauritanian city of Kiffa, where French ethnologist R.Mauny documented them first in 1949.

Glass bead making

Glass bead making is among the oldest human arts, with the oldest known beads dating over 3,000 years. Glass beads have been dated back to at least Roman times. Perhaps the earliest glass-like beads were Egyptian faience beads, a form of clay bead with a self-forming vitreous coating. Glass beads are significant in archaeology because the presence of glass beads often indicate that there was trade and that the bead making technology was being spread. In addition, the composition of the glass beads could be analyzed and help archaeologists understand the sources of the beads.

Chevron bead

Chevron beads are special glass beads; the first specimens of this type were created by glass bead makers in Venice and Murano, Italy, toward the end of the 14th century. They may also be referred to as rosetta, or star beads. The term rosetta first appeared in the inventory of the Barovier Glass works in Murano, in 1496, in context with beads as well as with other glass objects.

Egyptian faience Type of Ancient Egyptian sintered-quartz ceramic

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Anglo-Saxon glass

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A glossary of terms used in glass art

History of glass

The history of glass-making dates back to at least 3,600 years ago in Mesopotamia, however some claim they may have been producing copies of glass objects from Egypt. Other archaeological evidence suggests that the first true glass was made in coastal north Syria, Mesopotamia or Egypt. The earliest known glass objects, of the mid 2,000 BC, were beads, perhaps initially created as the accidental by-products of metal-working (slags) or during the production of faience, a pre-glass vitreous material made by a process similar to glazing. Glass products remained a luxury until the disasters that overtook the late Bronze Age civilizations seemingly brought glass-making to a halt.

Early American molded glass refers to glass functional and decorative objects, such as bottles and dishware, that were manufactured in the United States in the 19th century. The objects were produced by blowing molten glass into a mold, thereby causing the glass to assume the shape and pattern design of the mold. When a plunger rather than blowing is used, as became usual later, the glass is technically called pressed glass. Common blown molded tableware items bearing designs include salt dishes, sugar bowls, creamers, celery stands, decanters, and drinking glasses.

Due to various differences in cultural histories and environmental resources, West African nations developed glass traditions distinct from Egypt, North Africa and the rest of the world. The presence of glass in Sub-Saharan Africa mostly consists of the importation of glass beads shipped primarily from the Middle East and Indian as early as 200-300AD; later, from Portugal, the Netherlands, and Venice.

Evidence for early glassmaking in the United States has been found of glassmaking at the English settlement on Jamestown Island, Virginia. While some glass window panes were made there after 1608, most of the windows had been shipped from England.

Krobo people

The Krobo people are an ethnic group in Ghana. They are grouped as part of Ga-Adangbe ethnolinguistic group and they are also the largest group of the seven Dangme ethnic groups of Southeastern Ghana. The Krobo are a farming people who occupy Accra Plains, Akuapem Mountains and the Afram Basin.

Enamelled glass Glass which has been decorated with vitreous enamel

Enamelled glass or painted glass is glass which has been decorated with vitreous enamel and then fired to fuse the glasses. It can produce brilliant and long-lasting colours, and be translucent or opaque. Unlike most methods of decorating glass, it allows painting using several colours, and along with glass engraving, has historically been the main technique used to create the full range of image types on glass.

References

  1. Barbot, J (1746). "A Voyage to New Calabar". Collection of Voyages and Travels, Linot and Osborn (6 Vols.): 455–467.

Barbot, J (1746). "A Voyage to New Calabar". Collection of Voyages and Travels, Linot and Osborn (6 Vols.): 455–467.