Aggry beads (also spelled aggri beads or aggrey beads) are a type of decorated glass bead from Ghana, used by West Africans as ornaments in necklaces, bracelets and other jewelry. [1]
Aggry beads are also called Koli, Cori, Kor, Segi, Accori, or Ekeur. [2] they were also referred to by the indigenous people by several other names like Buta, or Kor-pa as it was called in the Fante (or Fanti) dialect of Ghana. [3]
They are often used for medicinal purposes, as it is believed that they have spiritual significance. [1] They are a significant aspect of modern pre and postnatal care, as they are highly valued for protection against illness and misfortune. [4]
Various other uses and connotations include but are not limited to; representing wealth, marital status, health, representing social and political standing. [4]
Beads were used for exchange and as a means of payment during trade in Africa. Europeans first collected aggry beads from the West Coast of Africa in the fifteenth century. [1] These beads have been found in the residences and sites of enslaved Africans and African Americans in the United States south. While it is known that they come primarily from west and central Africa, but it is difficult to be more specific because of the separation of families and ethnic groups by those who enslaved them, causing various traditions to be lost or actually combined with other traditions to form a new practice. [4]
Their origin is obscure. Depending on different sources, beads labelled such may be made from glass, coral, or stone, and were typically blue. [2] [5] It is possible that the original Aggry beads came from the Phoenicians, who used it as a means of trading along the coasts of Europa, Asia and Africa. [6]
One of their origin stories from the Yoruba people is that these sacred beads grew out of the ground or that they were pieces of coral along the coast. This recount exists within the context of the worship of Olokun , the god of wealth and the primordial ocean Okun. Further tied together is the link between the ocean and fertility by Yoruba beliefs that Olokun makes all of the yoruba women fertile with his spirit in the water. [7] Another link can be found between the use of these beads and the idea of fertility. In Badagry, Kori is the name of a goddess who wanted children so much that she conferred with Ifa and because of this, she became fertile enough to have a city of her own children. Today, Yoruba women (specifically Koris devotees) wear Kori beads as a representations of fertility. The beads serve as signs indicating her love for children. [7]
Sometimes millefiori beads are called "Aggrey", but this may be incorrect.
Beadwork is the art or craft of attaching beads to one another by stringing them onto a thread or thin wire with a sewing or beading needle or sewing them to cloth. Beads are produced in a diverse range of materials, shapes, and sizes, and vary by the kind of art produced. Most often, beadwork is a form of personal adornment, but it also commonly makes up other artworks.
A bead is a small, decorative object that is formed in a variety of shapes and sizes of a material such as stone, bone, shell, glass, plastic, wood, or pearl and with a small hole for threading or stringing. Beads range in size from under 1 millimeter (0.039 in) to over 1 centimeter (0.39 in) in diameter.
Olokun is an orisha spirit in Yoruba religion. Olokun is believed to be the parent of Aje, the orisha of great wealth and of the bottom of the ocean. Olokun is revered as the ruler of all bodies of water and for the authority over other water deities. Olokun is highly praised for their ability to give great wealth, health, and prosperity to their followers. Communities in both West Africa and the African diaspora view Olokun variously as female, male, or androgynous.
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African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes. These textiles hold cultural significance and also have significance as historical documents of African design.
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