Satin stitch

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Satin stitch in silk. Detail of an altar frontal, France or Italy, 1730-40, Los Angeles County Museum of Art, M.2009.76. Altar frontal with silk and metallic-thread embroidery 1730-1740 detail 3.png
Satin stitch in silk. Detail of an altar frontal, France or Italy, 1730–40, Los Angeles County Museum of Art, M.2009.76.

In sewing and embroidery, a satin stitch or damask stitch is a series of flat stitches that are used to completely cover a section of the background fabric. [1] Narrow rows of satin stitch can be executed on a standard sewing machine using a zigzag stitch or a special satin stitch foot.

Contents

In order to maintain a smooth edge, shapes can be outlined with back, split or chain stitch before the entire shape including the outline is covered with satin stitch. In traditional practice, satin stitch is employed to fill an area without the presence of an outline, resulting in smooth shapes and even lines created by the stitching. [2]

Machine-made satin stitch is often used to outline and attach appliques to the ground fabric. [3]

Geography

The satin stitch is a common form of needlework traditions worldwide; it is notable in North Africa, South America, Western Asia, Southeast Asia, Indian Subcontinent, [4] and the Middle East. [5] Satin stitch is also characteristic of Chinese embroidery. [5]

Roundels in Peking knot and satin stitch, Qing dynasty, China. Four Roundels LACMA M.53.1.17a-d (4 of 4).jpg
Roundels in Peking knot and satin stitch, Qing dynasty, China.

China

Satin stitch is one of the two main types of Chinese embroidery stitches along with the Pekin knots. [6] It is the most frequently used form of stitches in Chinese embroidery. [4] From the ancient times to the Tang dynasty, the chain stitches were typically used in embroidery. [7] However other forms of embroidery techniques existed including satin stitches which dates as early as the Han dynasty. [8] [9]

The use of satin stitches became more frequent in the late Tang dynasty to the early Song dynasty. [7] During the Tang dynasty, figural imagery, which was partially influenced by the growth of Buddhist imagery, first appeared; this contributed to the decline of chain stitches as satin stitches could provide better render scenes of Buddhist donor figures. [10] Satin stitches then became the popular embroidery technique later on. [7]

Indian Subcontinent

Satin stitch used in Kashmir is a variation of the Chinese Satin stitch which originated from China. [11]

Variants

Variants of the satin stitch include:

Thread

Satin stitch is frequently made with embroidery thread, which has less twist than standard sewing thread. This gives a more uniform effect, with the individual threads' filaments merging.

While good sewing threads produce acceptable satin stitch, low quality threads usually do not sit straight, and produce an uneven result. The colour of each thread usually does not matter.

See also

Notes

  1. Reader's Digest Complete Guide to Needlework. The Reader's Digest Association, Inc. (March 1992). ISBN   0-89577-059-8, p. 48
  2. "How to Work Satin Stitch in Hand Embroidery". The Spruce Crafts. Retrieved 6 February 2024.
  3. Complete Guide to Needlework, p. 196-197
  4. 1 2 Leslie, Catherine Amoroso (2007). Needlework through history : an encyclopedia. Westport, Conn.: Greenwood Press. pp. 188–189. ISBN   978-0-313-34247-9. OCLC   231411503.
  5. 1 2 Tagwerker, Edeltraud (2009). Siho and Naga--Lao textiles : reflecting a people's tradition and change. Frankfurt am Main: Peter Lang. pp. 121–122. ISBN   978-3-653-01871-4. OCLC   812915249.
  6. Perkins, Dorothy (2013). Encyclopedia of China : History and Culture. Hoboken: Taylor and Francis. p. 143. ISBN   978-1-135-93562-7. OCLC   869091722.
  7. 1 2 3 Feng, Zhao (2001-01-01). "Weaving, Dyeing and Embroidery of Liao Dynasty Silk from the White Pagoda". Chinese Archaeology. 1 (1). doi:10.1515/char.2001.1.1.81. ISSN   2160-5068. S2CID   116592344.
  8. Davison, Gary Marvin (1998). Culture and customs of Taiwan. Barbara E. Reed. Westport, Conn.: Greenwood Press. p. 157. ISBN   978-0-313-03214-1. OCLC   49797139.
  9. Langford, Heather (2009). The textiles of the Han Dynasty & their relationship with society (Thesis thesis).
  10. Silberstein, Rachel (2020). A fashionable century : textile artistry and commerce in the late Qing. Seattle. p. 122. ISBN   978-0-295-74719-4. OCLC   1121420666.{{cite book}}: CS1 maint: location missing publisher (link)
  11. Brij Bhushan, Jamila (1990). Indian Embroidery. India. Ministry of Information and Broadcasting. Publications Division. Publications Division, Ministry of Information and Broadcasting, Government of India. ISBN   9788123022895.
  12. Maitra, K. K. (2007). Encyclopaedic Dictionary of Clothing and Textiles. Mittal Publishing. p. 44. ISBN   9788183242059.
  13. Duss, Martena; Sissi Holleis (2011). Sweat Shop Paris: Lessons in Couture from the Sewing Cafe. Andrews McMeel Publishing. p. 158. ISBN   9781449408404.
  14. Christie, Grace (Mrs. Archibald H.): Embroidery and Tapestry Weaving, London, John Hogg, 1912, Chapter V.
  15. Complete Guide to Needlework, p. 49

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