Henri Émile Benoît Matisse was a French artist, known for both his use of colour and his fluid and original draughtsmanship. He was a draughtsman, printmaker, and sculptor, but is known primarily as a painter. Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual arts throughout the opening decades of the twentieth century, responsible for significant developments in painting and sculpture.
Duncan James Corrowr Grant was a British painter and designer of textiles, pottery, theatre sets and costumes. He was a member of the Bloomsbury Group.
Raoul Dufy was a French Fauvist painter. He developed a colorful, decorative style that became fashionable for designs of ceramics and textile as well as decorative schemes for public buildings. He is noted for scenes of open-air social events. He was also a draftsman, printmaker, book illustrator, scenic designer, a designer of furniture and a planner of public spaces.
Fiber art refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility.
Morris, Marshall, Faulkner & Co. (1861–1875) was a furnishings and decorative arts manufacturer and retailer founded by the artist and designer William Morris with friends from the Pre-Raphaelites. With its successor Morris & Co. (1875–1940) the firm's medieval-inspired aesthetic and respect for hand-craftsmanship and traditional textile arts had a profound influence on the decoration of churches and houses into the early 20th century.
Marguerite Zorach was an American Fauvist painter, textile artist, and graphic designer, and was an early exponent of modernism in America. She won the 1920 Logan Medal of the Arts.
Frances Macdonald MacNair was a Scottish artist whose design work was a prominent feature of the Modern Style during the 1890s.
The Embroiderers' Guild is the UK's leading educational charity promoting embroidery.
John Henry Dearle was a British textile and stained-glass designer trained by the artist and craftsman William Morris who was much influenced by the Pre-Raphaelite Brotherhood. Dearle designed many of the later wallpapers and textiles released by Morris & Co., and contributed background and foliage patterns to tapestry designs featuring figures by Edward Burne-Jones and others. Beginning in his teens as a shop assistant and then design apprentice, Dearle rose to become Morris & Co.'s chief designer by 1890, creating designs for tapestries, embroidery, wallpapers, woven and printed textiles, stained glass, and carpets. Following Morris's death in 1896, Dearle was appointed Art Director of the firm, and became its principal stained glass designer on the death of Burne-Jones in 1898.
In needlework, a slip is a design representing a cutting or specimen of a plant, usually with flowers or fruit and leaves on a stem. Most often, slip refers to a plant design stitched in canvaswork (pettipoint), cut out, and applied to a woven background fabric. By extension, slip may also mean any embroidered or canvaswork motif, floral or not, mounted to fabric in this way.
Valerie Campbell-Harding was an experimental textile art designer and author of 24 books.
The Hat and Fragrance Textile Gallery is an exhibit space at Shelburne Museum in Shelburne, Vermont which houses quilts, hatboxes, and various other textiles. The name "Hat and Fragrance" refers both to Electra Havemeyer Webb's collection of hatboxes and to the fragrant, herbal sachets used to preserve textiles. In 1954, Shelburne Museum was the first museum to exhibit quilts as works of art; prior to this exhibition quilts were only shown as accessories in historic houses.
Helen Kathleen Ramsay Whyte MBE (1909–1996) was a Scottish embroiderer and teacher of textile arts.
Needlework Development Scheme (NDS) was a collaborative program between industry and art education, that was to encourage and initiate a new standard for British embroidery design in both hand and machine work. The organisation was primarily responsible for developing collections of foreign and British embroidery, that could be loaned to training colleges, Women's Institutes, and schools.
Kaitak, Kajtak, or Kaitag may refer to the following topics associated with a region in Dagestan, Russia:
The 62 Group of Textile Artists is an international group of professional textile artists founded in the United Kingdom in 1962. The group is a Constituted Artists Co-operative, focussed on exhibiting the work of its members in the UK and overseas. Membership of the group is achieved through a selection process. The 62 Group requires members to submit work to a selection panel of their peers for every exhibition "If members fail to submit, or are rejected for three successive exhibitions, then membership is forfeited...a policy which ensures that the group consistently produces exciting work." The increased profile of textile art and its evolution in the latter part of the 20th century "has to a great extent been dictated by members of the 62 Group."
Alice Hart was a British philanthropist, artist, and businesswoman.
Constance Mildred Howard, later Constance Parker, was an English textile artist and embroiderer who had a profound impact on the development and teaching of those subjects in Britain. The Constance Howard Gallery, part of Goldsmiths, University of London, is named in her honour.
William Morris (1834-1898), a founder of the British Arts and Crafts movement, sought to restore the prestige and methods of hand-made crafts, including textiles, in opposition to the 19th century tendency toward factory-produced textiles. With this goal in mind, he created his own workshop and designed dozens of patterns for hand-produced woven and printed cloth, upholstery, and other textiles.
Lilian Margery Dring was a British artist known for her paintings, poster designs and textile designs. needlework and embroidery work.
