Leon Conrad (born 15 September 1965) is a British polymath: writer, story structure consultant, educator, and specialist in historic needlework techniques known particularly for historically-styled blackwork embroidery designs.
Conrad was born in London. He grew up in Putney, attended Willington School for a year before moving to Alexandria, Egypt where he first attended El Nasr Girls' College and then Victoria College, Alexandria. He moved back to the UK in 1983, studying piano privately with Sidney Harrison and then at the City Literary Institute with Kenneth van Barthold gaining his LRAM teaching certificate before entering Trinity Laban Conservatoire of Music and Dance in 1986, graduating with Honours in 1989.
He trained in the Estill Voice Training method with Jo Estill, in Vocal Profile Analysis with Christina Shewell, [1] through the British Voice Association; and in voice with Janice Chapman. He studied physical theatre with Desmond Jones, theatre improvisation with Keith Johnstone, and mask theatre with Steve Jarand.
As a historic needlework practitioner, he was apprenticed to master embroiderer and specialist in Blackwork embroidery, Jack Robinson. Conrad went on to gain an MA degree in the History of Design and Material Culture of the Renaissance (V&A/RCA, 2005). His thesis was on the history of English 16th and 17th century woven and embroidered textile bookbindings. [2]
As a storyteller, Conrad has been studying the little-known Jewish oral storytelling tradition with Drust’syla Shonaleigh Cumbers since 2015.
Conrad worked as Musical Director in charge of school workshops for Opera Brava (1988–1990), [3] as Lecturer in Musical Theatre at the Maurice Lane Academy of Performing Arts and at Crawley College. He set up the UK’s first specialist voice consultancy, The Conrad Voice Consultancy, (1990), which became The Academy of Oratory (2012–).
As a specialist in historic needlework, Conrad has demonstrated, taught, and published needlework charts and kits inspired by historic techniques in the UK, Europe, and the USA. He founded his design company, Leon Conrad Designs in 1998. He has exhibited widely both as an individual artist and with The New Elizabethans Embroidery Group which he founded in 1997. [4]
Conrad was invited to be Poet-in-Residence at the First Edinburgh Food Festival (2006) [5] and invited back to be Poet-in-Residence at the Pleasance Theatre for the Edinburgh Fringe (2007).
As a tutor, Conrad is inspired by classical Liberal Arts education and specialises in tutoring gifted and twice exceptional students. [6]
Since 2010, Conrad’s research has focused on the application of George Spencer-Brown’s work to the analysis and mapping of story structure. [7]
He has participated in over 20 exhibitions and has taught at embroidery seminars in the UK and the United States. He is married to Tanya Conrad.
Cross-stitch is a form of sewing and a popular form of counted-thread embroidery in which X-shaped stitches in a tiled, raster-like pattern are used to form a picture. The stitcher counts the threads on a piece of evenweave fabric in each direction so that the stitches are of uniform size and appearance. This form of cross-stitch is also called counted cross-stitch in order to distinguish it from other forms of cross-stitch. Sometimes cross-stitch is done on designs printed on the fabric ; the stitcher simply stitches over the printed pattern. Cross-stitch is often executed on easily countable fabric called aida cloth, whose weave creates a plainly visible grid of squares with holes for the needle at each corner.
Embroidery is the art of decorating fabric or other materials using a needle to stitch thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on hats, clothing, blankets, and handbags. Embroidery is available in a wide variety of thread or yarn colour. It is often used to personalize gifts or clothing items.
A needlework sampler is a piece of embroidery or cross-stitching produced as a 'specimen of achievement', demonstration or a test of skill in needlework. It often includes the alphabet, figures, motifs, decorative borders and sometimes the name of the person who embroidered it and the date. The word sampler is derived from the Latin exemplum, which means 'example'.
Blackwork, sometimes historically termed Spanish blackwork, is a form of embroidery generally worked in black thread, although other colours are also used on occasion, as in scarletwork, where the embroidery is worked in red thread. Originating in Tudor period England, blackwork typically, though not always, takes the form of a counted-thread embroidery, where the warp and weft yarns of a fabric are counted for the length of each stitch, producing uniform-length stitches and a precise pattern on an even-weave fabric. Blackwork may also take the form of free-stitch embroidery, where the yarns of a fabric are not counted while sewing.
The Royal School of Needlework (RSN) is a hand embroidery school in the United Kingdom, founded in 1872 and based at Hampton Court Palace since 1987.
The Overlord Embroidery, echoing the Bayeux Tapestry created 900 years before to commemorate the reverse invasion of England from Normandy, is a narrative embroidery that depicts the story of the D-Day Landings of 6 June 1944 and the subsequent Battle of Normandy. The story is told across 34 hand stitched panels running in total to 83 metres in length. The embroidery was created between 1968 and 1974, and is now on permanent display at The D-Day Story, Southsea, Portsmouth.
Needlepoint is a type of canvas work, a form of embroidery in which yarn is stitched through a stiff open weave canvas. Traditionally needlepoint designs completely cover the canvas. Although needlepoint may be worked in a variety of stitches, many needlepoint designs use only a simple tent stitch and rely upon color changes in the yarn to construct the pattern. Needlepoint is the oldest form of canvas work.
Fiber art refers to fine art whose material consists of natural or synthetic fiber and other components, such as fabric or yarn. It focuses on the materials and on the manual labor on the part of the artist as part of the works' significance, and prioritizes aesthetic value over utility.
Armenian needlelace is a pure form of needle lace made using only a needle, thread and pair of scissors.
Mary "May" Morris was an English artisan, embroidery designer, jeweller, socialist, and editor. She was the younger daughter of the Pre-Raphaelite artist and designer William Morris and his wife and artists' model, Jane Morris.
Whitework embroidery is any embroidery technique in which the stitch and the foundation fabric are of same color. Styles of whitework embroidery include most drawn thread work, broderie anglaise, Hardanger embroidery, Hedebo embroidery, Mountmellick embroidery, reticella and Schwalm. Whitework embroidery is one of the techniques employed in heirloom sewing for blouses, christening gowns, baby bonnets, and other small articles.
Erica Wilson was an English-born American embroidery designer based in New York, known particularly for needlepoint. She also designed wallcoverings and greeting cards. Her designs were published by Vogue and the Metropolitan Museum of Art, among others. Wilson earned the nicknames "Julia Child of embroidery" and "America's first lady of stitchery" for her work.
Helen McCarthy is the British author of such anime reference books as 500 Manga Heroes and Villains, Anime!, The Anime Movie Guide and Hayao Miyazaki: Master of Japanese Animation. She is the co-author of The Erotic Anime Movie Guide and the exhaustive The Anime Encyclopedia with Jonathan Clements. She also designs needlework and textile art.
Mountmellick embroidery or Mountmellick work is a floral whitework embroidery originating in the town of Mountmellick in County Laois, Ireland, in the early nineteenth century.
In needlework, a slip is a design representing a cutting or specimen of a plant, usually with flowers or fruit and leaves on a stem. Most often, slip refers to a plant design stitched in canvaswork (pettipoint), cut out, and applied to a woven background fabric. By extension, slip may also mean any embroidered or canvaswork motif, floral or not, mounted to fabric in this way.
English embroidery includes embroidery worked in England or by English people abroad from Anglo-Saxon times to the present day. The oldest surviving English embroideries include items from the early 10th century preserved in Durham Cathedral and the 11th century Bayeux Tapestry, if it was worked in England. The professional workshops of Medieval England created rich embroidery in metal thread and silk for ecclesiastical and secular uses. This style was called Opus Anglicanum or "English work", and was famous throughout Europe.
The Oxburgh Hangings are needlework bed hangings that are held in Oxburgh Hall in Norfolk, England, made by Mary, Queen of Scots and Bess of Hardwick, during the period of Mary's captivity in England.
The Deerfield Society of Blue and White Needlework was founded in Deerfield, Massachusetts, in 1896 by Margaret C. Whiting and Ellen Miller. They formed the society in 1896 as a way to help residents boost the town's economy by reviving American needlework from the 1700s. It was inspired by the crewel embroidery of 18th-century women who had lived in the Deerfield, Massachusetts, area. Members of the Blue and White Society initially used the patterns and stitches from these earlier works, but because these new embroideries were not meant to replicate the earlier works, the embroidery soon deviated from the original versions with new patterns and stitches, and even the use of linen, rather than wool, thread. The society disbanded in 1926 for several reasons. Ellen Miller was in declining health; the trained stitchers were getting old and could not continue; Margaret C. Whiting's sight was fading; and, the design and quality of commercially produced items was increasing.
Bed hangings or bed curtains are fabric panels that surround a bed; they were used from medieval times through to the 19th century. Bed hangings provided privacy when the master or great bed was in a public room, such as the parlor. They also kept warmth in, and were a way of showing one's wealth. When bedrooms became more common in the mid-1700s, the use of bed hangings diminished.
Winsome Douglas (1919-2016) was a British embroiderer and teacher active in the United Kingdom in the 1950s and 1960s. She was born in Hartlepool in County Durham in 1919, and died at the age of 97 on 28 December 2016 in Hartlepool.