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The Quaker Tapestry consists of 77 panels illustrating the history of Quakerism from the 17th century to the present day. The idea of Quaker Anne Wynn-Wilson, the tapestry has a permanent home at the Friends Meeting House at Kendal, Cumbria, England.
The design was heavily influenced by the Bayeux Tapestry, and includes similar design choices, including three horizontal divisions within panels, embroidered outlines for faces and hands, and solid infilling of clothing, which is embroidered in the Bayeux technique. The tapestry is worked in crewel embroidery using woollen yarns on a handwoven woollen background. In addition to using four historic and well-known stitches (split stitch, stem stitch, chain stitch and Peking knot), Wynn-Wilson invented a new corded stitch, known as Quaker stitch, to allow for tight curves on the lettering.
Each panel measures 25 inches (64 cm) wide by 21 inches (53 cm) tall.
4,000 men, women and children from 15 countries worked on the panels between 1981 and 1989.
Panels have been toured in traveling exhibitions including a North American tour in 1993/1994. An exhibition of 39 panels in Ely Cathedral in 2012 attracted 11,273 visitors during its 27-day stay.
Although the content of all 77 panels is widely published, only around 40 are on display at any one time, and close observers have noted that 23 have never been seen in public. This has led to some speculation in avant garde embroidery circles that the content may actually be transgressive in nature. [1]
In October 2021, the museum was one of 142 sites across England to receive part of a £35-million injection into the government's Culture Recovery Fund. [2]
Embroidery is the craft of decorating fabric or other materials using a needle to apply thread or yarn. Embroidery may also incorporate other materials such as pearls, beads, quills, and sequins. In modern days, embroidery is usually seen on caps, hats, coats, overlays, blankets, dress shirts, denim, dresses, stockings, scarfs, and golf shirts. Embroidery is available in a wide variety of thread or yarn colour. It is often used to personalize gifts or clothing items.
The Bayeux Tapestry is an embroidered cloth nearly 70 metres long and 50 centimetres tall that depicts the events leading up to the Norman Conquest of England in 1066, led by William, Duke of Normandy challenging Harold II, King of England, and culminating in the Battle of Hastings. It is thought to date to the 11th century, within a few years of the battle. It tells the story from the point of view of the conquering Normans but is now widely accepted to have been made in England.
Tapestry is a form of textile art, traditionally woven by hand on a loom. Normally it is used to create images rather than patterns. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall, or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. Most weavers use a natural warp thread, such as wool, linen or cotton. The weft threads are usually wool or cotton but may include silk, gold, silver, or other alternatives.
The Overlord Embroidery, echoing the Bayeux Tapestry created 900 years before to commemorate the reverse invasion of England from Normandy, is a narrative embroidery that depicts the story of the D-Day Landings of 6 June 1944 and the subsequent Battle of Normandy. The story is told across 34 hand stitched panels running in total to 83 metres in length. The embroidery was created between 1968 and 1974, and is now on permanent display at The D-Day Story, Southsea, Portsmouth.
Crewel embroidery, or crewelwork, is a type of surface embroidery using wool. A wide variety of different embroidery stitches are used to follow a design outline applied to the fabric. The technique is at least a thousand years old.
The Hastings Embroidery was commissioned by Group Captain Ralph Ward and made by the Royal School of Needlework in 1965 to celebrate the 900th anniversary of the Battle of Hastings the following year.
A shawl is a simple item of clothing, loosely worn over the shoulders, upper body and arms, and sometimes also over the head. It is usually a rectangular or square piece of cloth, which is often folded to make a triangle, but can also be triangular in shape. Other shapes include oblong shawls. It is associated with the inhabitants of the northern Indian subcontinent—particularly Kashmir and Punjab—and Central Asia, but can be found in many other parts of the world.
Backstitch or back stitch and its variants stem stitch, outline stitch and split stitch are a class of embroidery and sewing stitches in which individual stitches are made backward to the general direction of sewing. In embroidery, these stitches form lines and are most often used to outline shapes and to add fine detail to an embroidered picture. It is also used to embroider lettering. In hand sewing, it is a utility stitch which strongly and permanently attaches two pieces of fabric. The small stitches done back-and-forth makes the back stitch the strongest stitch among the basic stitches. Hence it can be used to sew strong seams by hand, without a sewing machine.
Surface embroidery is any form of embroidery in which the pattern is worked by the use of decorative stitches and laid threads on top of the foundation fabric or canvas rather than through the fabric; it is contrasted with canvas work.
The New World Tapestry was for a time the largest stitched embroidery in the world. It depicts English colonisation in North America, Guyanas, and Bermuda between the years 1583 and 1642, when the English Civil War began.
In embroidery, couching and laid work are techniques in which yarn or other materials are laid across the surface of the ground fabric and fastened in place with small stitches of the same or a different yarn.
English embroidery includes embroidery worked in England or by English people abroad from Anglo-Saxon times to the present day. The oldest surviving English embroideries include items from the early 10th century preserved in Durham Cathedral and the 11th century Bayeux Tapestry, if it was worked in England. The professional workshops of Medieval England created rich embroidery in metal thread and silk for ecclesiastical and secular uses. This style was called Opus Anglicanum or "English work", and was famous throughout Europe.
The Battle of Prestonpans Tapestry 1745, or simply the Prestonpans Tapestry, is a large embroidery created in 2010 in Prestonpans, East Lothian, Scotland. It depicts the events before, during and after the Battle of Prestonpans on 21 September 1745, when Bonnie Prince Charlie's Jacobite forces triumphed over the Hanoverian Army led by Sir John Cope. The design, size and style were inspired by the Bayeux Tapestry.
The Bayeux Tapestry tituli are Medieval Latin captions that are embroidered on the Bayeux Tapestry and describe scenes portrayed on the tapestry. These depict events leading up to the Norman conquest of England concerning William, Duke of Normandy, and Harold, Earl of Wessex, later King of England, and culminating in the Battle of Hastings.
Magna Carta (An Embroidery) is a 2015 work by English installation artist Cornelia Parker. The artwork is an embroidered representation of the complete text and images of an online encyclopedia article for Magna Carta, as it appeared in English Wikipedia on 15 June 2014, the 799th anniversary of the document.
The Scottish Diaspora Tapestry is a large embroidery, 153 metres (502 ft) in length, crafted from 305 panels that were embroidered in 34 countries. It was the second major tapestry project to have originated from the Prestoungrange Arts Festival in Prestonpans, East Lothian, Scotland. Work on the panels began in 2012. A version of the tapestry was exhibited across Scotland in 2014 for the Homecoming. The tapestry was displayed in locations around Western Europe the following year. November 2015 was the first time that all 305 panels were shown together. In 2016 and 2017 the tapestry toured across Australia and Canada and returned to Edinburgh to go on display in May 2017.
The Game of Thrones Tapestry is a hand-crafted tapestry, woven by hand on a jacquard loom, with additional embroidery. The tapestry tells the entire story of the television show, Game of Thrones. It consists of seven 11-metre-long panels and one 10.5-metre panel. The eight panels depict scenes from each episode and include images of crew at work. The tapestry was commissioned by HBO and Tourism Ireland, the tourism bureau of Northern Ireland where HBO filmed much of the series.
Elizabeth Wardle (1834–1902) was an English embroiderer. In 1857 she married the silk dyer Thomas Wardle, a distant cousin. Thomas was later knighted for his services to the silk industry.
Audrey Walker was an accomplished textile artist, embroiderer and teacher, who was active from the 1970s and 1990s in United Kingdom. Walker became known for developing an innovative style of embroidery based on fine threads applied by machine and by hand, to create striking figurative wall-hung works of art. Walker described her work as evolving from fairly fluid ideas, and the process as being akin to drawing with fabrics.
Kendal Friends Meeting House is a Friends meeting house of the Religious Society of Friends (Quakers) in Kendal, Cumbria, in north-western England.