Francis I was King of France from 1515 until his death in 1547. He was the son of Charles, Count of Angoulême, and Louise of Savoy. He succeeded his first cousin once removed and father-in-law Louis XII, who died without a legitimate son.
Henry II was King of France from 1547 until his death in 1559. The second son of Francis I and Duchess Claude of Brittany, he became Dauphin of France upon the death of his elder brother Francis in 1536.
Tapestry is a form of textile art, traditionally woven by hand on a loom. Normally it is used to create images rather than patterns. Tapestry is relatively fragile, and difficult to make, so most historical pieces are intended to hang vertically on a wall, or sometimes horizontally over a piece of furniture such as a table or bed. Some periods made smaller pieces, often long and narrow and used as borders for other textiles. Most weavers use a natural warp thread, such as wool, linen, or cotton. The weft threads are usually wool or cotton but may include silk, gold, silver, or other alternatives.
The Battle of Pavia, fought on the morning of 24 February 1525, was the decisive engagement of the Italian War of 1521–1526 between the Kingdom of France and the Habsburg Empire of Charles V, Holy Roman Emperor as well as ruler of Spain, Austria, the Low Countries, and the Two Sicilies.
The Duchy of Milan was a state in Northern Italy, created in 1395 by Gian Galeazzo Visconti, then the lord of Milan, and a member of the important Visconti family, which had been ruling the city since 1277.
Bernard van Orley, also called Barend or Barent van Orley, Bernaert van Orley or Barend van Brussel, was a versatile Flemish artist and representative of Dutch and Flemish Renaissance painting, who was equally active as a designer of tapestries and, at the end of his life, stained glass. Although he never visited Italy, he belongs to the group of Italianizing Flemish painters called the Romanists, who were influenced by Italian Renaissance painting, in his case especially by Raphael.
The Italian War of 1521–1526, sometimes known as the Four Years' War, was a part of the Italian Wars. The war pitted Francis I of France and the Republic of Venice against the Holy Roman Emperor Charles V, Henry VIII of England, and the Papal States. It arose from animosity over the election of Charles as Emperor in 1519–1520 and from Pope Leo X's need to ally with Charles against Martin Luther.
Ercole II d'Este was Duke of Ferrara, Modena and Reggio from 1534 to 1559. He was the eldest son of Alfonso I d'Este and Lucrezia Borgia.
Jean-Baptiste Oudry was a French Rococo painter, engraver, and tapestry designer. He is particularly well known for his naturalistic pictures of animals and his hunt pieces depicting game. His son, Jacques-Charles Oudry, was also a painter.
The Italian campaign of 1524–1525 was the final significant action of the Italian War of 1521–1526 launched by the French into Northern Italy. Led by Francis I of France, the French attempted to dislodge the Habsburgs from Italy in an attempt to control Italy for themselves. After the French invaded Lombardy, the campaign would then primarily consist of the French attempt to capture the city of Milan. However, after Francis's defeat at the Siege of Pavia, the French were driven out of Italy and Francis was taken prisoner.
The Château d'Écouen is an historic château in the commune of Écouen, some 20 km north of Paris, France, and a notable example of French Renaissance architecture. Since 1975, it has housed the collections of the Musée national de la Renaissance.
A cartouche is an oval or oblong design with a slightly convex surface, typically edged with ornamental scrollwork. It is used to hold a painted or low-relief design. Since the early 16th century, the cartouche is a scrolling frame device, derived originally from Italian cartuccia. Such cartouches are characteristically stretched, pierced and scrolling.
The Valois Tapestries are a series of eight large tapestries depicting festivities or "magnificences" held by Catherine de' Medici's Royal Courts in the second half of the 16th century. The tapestries were primarily modeled on drawings by Antoine Caron, but to Caron's distant views of large panoramas crowded with figures much larger portraits of leading persons at the French court have been added in the foreground, usually to the side, as well as elaborate borders.
Thomas Patrick Campbell is the director and CEO of the Fine Arts Museums of San Francisco, overseeing the de Young and Legion of Honor museums. He served as the director and CEO of the Metropolitan Museum of Art between 2009 and 2017. On 30 June 2017, Campbell stepped down as director and CEO of the Metropolitan Museum of Art under pressure and accepted the Getty Foundation's Rothschild Fellowship for research and study at both the J. Paul Getty Museum in Los Angeles and at Waddesdon Manor, in the UK.
Brussels tapestry workshops produced tapestry from at least the 15th century, but the city's early production in the Late Gothic International style was eclipsed by the more prominent tapestry-weaving workshops based in Arras and Tournai. In 1477 Brussels, capital of the duchy of Brabant, was inherited by the house of Habsburg; and in the same year Arras, the prominent center of tapestry-weaving in the Low Countries, was sacked and its tapestry manufacture never recovered, and Tournai and Brussels seem to have increased in importance.
The Franses Tapestry Archive and Library in London is devoted to the study of European tapestries and figurative textiles. It is the world’s largest academic research resource on the subject.
The Rearing Horse and Mounted Warrior or Budapest horse is a bronze sculpture attributed to Leonardo da Vinci. Depicting Francis I of France on a destrier horse, it is estimated to have been cast from a clay or wax model in the first half of the 16th century. The sculpture is in the permanent exhibit of the Budapest Museum of Fine Arts.
The Spanish royal collection of art was almost entirely built up by the monarchs of the Habsburg family who ruled Spain from 1516 to 1700, and then the Bourbons. They included a number of kings with a serious interest in the arts, who were patrons of a series of major artists: Charles V and Philip II were patrons of Titian, Philip IV appointed Velázquez as court painter, and Goya had a similar role at the court of Charles IV.
The Dermoyen family included a number of prominent weavers and dealers of Brussels tapestry in the 1500s.
