Satin

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this refers to satin fabric made cloth. 1884 reception dress, silk satin and brocade with chenille fringe 08.jpg
this refers to satin fabric made cloth.
Originally, satin was made using silk, which is a long, continuous thread pulled from a silkworms cocoon. Modern satin can also be made from polyester and rayon, both of which can be manufactured to form long filaments. There are several different kinds of satin weaves:. 4 harness satin weave. Satin bedding.jpg
Originally, satin was made using silk, which is a long, continuous thread pulled from a silkworms cocoon. Modern satin can also be made from polyester and rayon, both of which can be manufactured to form long filaments. There are several different kinds of satin weaves:. 4 harness satin weave.

Satin weave. The warp yarns are shown running top to bottom, weft running sideways folding at each side. In this case, each warp thread floats over 16 weft threads, then passes under one weft thread, then floats for 16 more threads. Satin weave in silk 90.jpg
Satin weave. The warp yarns are shown running top to bottom, weft running sideways folding at each side. In this case, each warp thread floats over 16 weft threads, then passes under one weft thread, then floats for 16 more threads.
Purple satin fabric Satin bedding.jpg
Purple satin fabric

A satin weave is a type of fabric weave that produces a characteristically glossy, smooth or lustrous material, typically with a glossy top surface and a dull back; it is not durable, as it tends to snag. It is one of three fundamental types of textile weaves alongside plain weave and twill weave.

Contents

The satin weave is characterised by four or more fill or weft yarns floating over a warp yarn, and four warp yarns floating over a single weft yarn. Floats are missed interfacings, for example where the warp yarn lies on top of the weft in a warp-faced satin. These floats explain the high lustre and even sheen, as unlike in other weaves, light is not scattered as much when hitting the fibres, resulting in a stronger reflection. Satin is usually a warp-faced weaving technique in which warp yarns are "floated" over weft yarns, although there are also weft-faced satins. [1] If a fabric is formed with a satin weave using filament fibres such as silk, polyester or nylon, the corresponding fabric is termed a 'satin', although some definitions insist that a satin fabric is only made from silk. [2] If the yarns used are short-staple yarns such as cotton, the fabric formed is considered a sateen.

Many variations can be made of the basic satin weave, including a granite weave and a check weave.

Satin is commonly used in clothing, for items such as lingerie, nightgowns, blouses, and evening gowns, but is also used for boxer shorts, shirts and neckties. It is also used in the production of pointe shoes for ballet. Other uses include interior furnishing fabrics, upholstery, and bed sheets.

History

Satin robe. English, c. 1765 Robe a la Francaise c. 1765.jpg
Satin robe. English, c.1765

China

Satin was originally made solely of silk, which, for much of history, was produced and found mainly in China. [3] In ancient[ clarify ] China, various forms of satin fabrics existed, which came under several names, such as duan (), zhusi (紵丝), ling (), jin (), wusi (五丝) and basi (八丝). [4] Chinese satin, in its original form, was supposed to be a five- or six-end warp satin. [4] The six-end warp satin weave was mostly likely a derivative of the six-end warp twill weave during the Tang and Northern Song dynasty periods. [4]

Europe

Silk satin was introduced to Europe during the 12th century.[ citation needed ] As an imported fabric, it was considerably expensive, and was worn only by the upper classes.

Etymology

The word "satin" derives its origin from the Chinese port city of Quanzhou (泉州), [4] which was known as Zayton in Europe and Arab countries during the Yuan dynasty (13th–14th century). [5] During that period, Quanzhou was visited by Arab merchants and by Europeans. [5] [6] The Arabs referred to silk satin imported from Quanzhou as zaituni. [5] During the latter part of the Middle Ages, Quanzhou was a major shipping port of silk, using the Maritime Silk Road to reach Europe. It was mostly used in the Arab world.

Types of satin weave

Satin-weave fabrics are more flexible, with better draping characteristics than plain weaves. In a satin weave, the fill yarn passes over multiple warp yarns before interlacing under one warp yarn. Common satin weaves are: [7]

Types of satin

Uses for satin

Because of the different ways the weave is employed, satin has a range of functions from interior décor to fashion.

Related Research Articles

<span class="mw-page-title-main">Weaving</span> Technology for the production of textiles

Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Other methods are knitting, crocheting, felting, and braiding or plaiting. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are interwoven affects the characteristics of the cloth. Cloth is usually woven on a loom, a device that holds the warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms.

<span class="mw-page-title-main">Velvet</span> Type of pile fabric

Velvet is a type of woven fabric with a dense, even pile that gives it a distinctive soft feel. Historically, velvet was typically made from silk. Modern velvet can be made from silk, linen, cotton, wool, synthetic fibers, silk-cotton blends, or synthetic-natural fiber blends.

<span class="mw-page-title-main">Woven fabric</span> Textiles formed by weaving

Woven fabric is any textile formed by weaving. Woven fabrics are often created on a loom, and made of many threads woven on a warp and a weft. Technically, a woven fabric is any fabric made by interlacing two or more threads at right angles to one another. Woven fabrics can be made of natural fibers, synthetic fibers, or a mixture of both, such as cotton and polyester.

<span class="mw-page-title-main">Poplin</span> Strong, plain-weave fabric with a fine cross-rib

Poplin, also called tabinet, is a fine wool, cotton or silk fabric with crosswise ribs that typically give a corded surface. Nowadays, the name refers to a strong material in a plain weave of any fiber or blend.

<span class="mw-page-title-main">Twill</span> Woven fabric textile weave

Twill is a type of textile weave with a pattern of parallel, diagonal ribs. It is one of three fundamental types of weave, along with plain weave and satin. It is made by passing the weft thread over one or more warp threads then under two or more warp threads and so on, with a "step", or offset, between rows to create the characteristic diagonal pattern. Because of this structure, twill generally drapes well.

Ikat is a dyeing technique from Southeast Asia used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. In Southeast Asia, where it is the most widespread, ikat weaving traditions can be divided into two general groups of related traditions. The first is found among Daic-speaking peoples. The second, larger group is found among the Austronesian peoples and spread via the Austronesian expansion to as far as Madagascar. It is most prominently associated with the textile traditions of Indonesia in modern times, from where the term ikat originates. Similar unrelated dyeing and weaving techniques that developed independently are also present in other regions of the world, including India, Central Asia, Japan, Africa, and the Americas.

<span class="mw-page-title-main">Warp and weft</span> Two constituent threads of woven cloth

In the manufacture of cloth, warp and weft are the two basic components in weaving to transform thread and yarn into textile fabrics. The vertical warp yarns are held stationary in tension on a loom (frame) while the horizontal weft is drawn through the warp thread. In the terminology of weaving, each warp thread is called a warp end ; a pick is a single weft thread that crosses the warp thread.

<span class="mw-page-title-main">Damask</span> Reversible figured woven fabric

Damask is a woven, reversible patterned fabric. Damasks are woven by periodically reversing the action of the warp and weft threads. The pattern is most commonly created with a warp-faced satin weave and the ground with a weft-faced or sateen weave. Yarns used to create damasks include silk, wool, linen, cotton, and synthetic fibers, but damask is best shown in cotton and linen. Over time, damask has become a broader term for woven fabrics with a reversible pattern, not just silks.

<span class="mw-page-title-main">Double cloth</span> Woven textile type

Double cloth or double weave is a kind of woven textile in which two or more sets of warps and one or more sets of weft or filling yarns are interconnected to form a two-layered cloth. The movement of threads between the layers allows complex patterns and surface textures to be created.

<span class="mw-page-title-main">Crêpe (textile)</span> Any of various fabrics with twisted threads, often crinkled surface

Crêpe, also spelled crepe or crape, is a silk, wool, or synthetic fiber fabric with a distinctively crisp and crimped appearance. The term "crape" typically refers to a form of the fabric associated specifically with mourning. Crêpe was also historically called "crespe" or "crisp".

<span class="mw-page-title-main">Sateen</span> Fabric

Sateen is a fabric made using a satin weave structure but with spun yarn instead of filament yarn. It is a cotton or other non-silk fabric that has the characteristics of silk satin but is less expensive.

<span class="mw-page-title-main">Plain weave</span> Method of weaving cloth in which each warp and weft thread crosses over/under every other thread

Plain weave is the most basic of three fundamental types of textile weaves. It is strong and hard-wearing, and is used for fashion and furnishing fabrics. Fabrics with a plain weave are generally strong, durable, and have a smooth surface. They are often used for a variety of applications, including clothing, home textiles, and industrial fabrics.

<span class="mw-page-title-main">Silk in the Indian subcontinent</span>

In India, about 97% of the raw mulberry silk is produced in the Indian states of Karnataka, Andhra Pradesh, Tamil Nadu and West Bengal. Mysore and North Bangalore, the upcoming site of a US$20 million "Silk City", contribute to a majority of silk production. Another emerging silk producer is Tamil Nadu in the place in where mulberry cultivation is concentrated in Salem, Erode and Dharmapuri districts. Hyderabad, Andhra Pradesh and Gobichettipalayam, Tamil Nadu were the first locations to have automated silk reeling units.

The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, with color and patterns, which turns it into cloth. The machine used for weaving is the loom. For decoration, the process of coloring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.

Antique satin, also called satin-back shantung, is any five- or eight-harness (shaft) satin weave that uses slubbed or unevenly spun yarns in the weft (filling). It is reversible in that one side is satin and the other is shantung. It is used for simulating 17th and 18th century silks, and clothing such as blouses, lingerie and evening wear.

<span class="mw-page-title-main">Shot silk</span> Fabric woven such that it produces an iridescent appearance

Shot silk is a fabric which is made up of silk woven from warp and weft yarns of two or more colours producing an iridescent appearance. A "shot" is a single throw of the bobbin that carries the weft thread through the warp, and shot silk colours can be described as "[warp colour] shot with [weft colour]." The weaving technique can also be applied to other fibres, such as cotton, linen, and synthetics.

<span class="mw-page-title-main">Samite</span> Silk fabric

Samite was a luxurious and heavy silk fabric worn in the Middle Ages, of a twill-type weave, often including gold or silver thread. The word was derived from Old French samit, from medieval Latin samitum, examitum deriving from the Byzantine Greek ἑξάμιτον hexamiton "six threads", usually interpreted as indicating the use of six yarns in the warp. Samite is still used in ecclesiastical robes, vestments, ornamental fabrics, and interior decoration.

<span class="mw-page-title-main">Moire (fabric)</span> Fabric with a wavy appearance

Moire, less often moiré, is a textile with a wavy (watered) appearance produced mainly from silk, but also wool, cotton and rayon. The watered appearance is usually created by the finishing technique called calendering. Moiré effects are also achieved by certain weaves, such as varying the tension in the warp and weft of the weave. Silk treated in this way is sometimes called watered silk.

<span class="mw-page-title-main">Pick glass</span> A magnifying glass helpful in counting thread count

A pick glass also known as a piece glass is a magnifying glass helpful in counting thread count. It is used to determine the number of yarns in warp and weft in woven fabrics and courses and wales in knitted fabrics. Compact constructions of fabrics may have a higher thread count. That is also called "cloth count."

<span class="mw-page-title-main">Brocatelle</span> Silk-rich fabric with heavy brocade designs

Brocatelle is a silk-rich fabric with heavy brocade designs. The material is characterized by satin effects standing out in relief in the warp against a flat ground. It is produced with jacquard weave by using silk, rayon, cotton, or many synthetic yarns.

References

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  2. Chambers Twentieth Century Dictionary, 1977.
  3. Oxford dictionary of word origins. Julia Cresswell, Oxford University Press (Second ed.). New York. 2010. p. 381. ISBN   978-0-19-954793-7. OCLC   663824301.{{cite book}}: CS1 maint: location missing publisher (link) CS1 maint: others (link)
  4. 1 2 3 4 Bao, Mingxin (1986). "Early history of Satin". en.cnki.com.cn. Retrieved 21 April 2021.
  5. 1 2 3 Tellier, Luc-Normand (2009) (2009). Urban world history: an economic and geographical perspective. Presses de l'Université du Québec. p. 221. ISBN   978-2-7605-1588-8 . Retrieved 28 November 2010.{{cite book}}: CS1 maint: numeric names: authors list (link)
  6. James E Glevin. The Modern Middle East: A History. Oxford University Press. p. 21.
  7. "Woven fabric style guide". ACP Composites. Archived from the original on 3 July 2016.
  8. Young, Deborah (2015). Swatch Reference Guide to Fashion Fabrics. Bloomsbury Publishing. p. 117. ISBN   978-1628926569 . Retrieved 25 August 2015.
  9. Rowe, T. (2009). Interior Textiles: Design and Developments. Elsevier. p. 69. ISBN   978-1845696870 . Retrieved 25 August 2015.
  10. Cumming, Valerie; Cunnington, C.W.; Cunnington, P.E. (2010). The dictionary of fashion history. Oxford: Berg. p. 231. ISBN   978-1847887382.
  11. Shaeffer 2003, p. 123.
  12. 1 2 Shaeffer 2003, p. 124.
  13. 1 2 3 Lewandowski, Elizabeth J. (2011). The complete costume dictionary. Lanham, Md.: Scarecrow Press, Inc. p. 309. ISBN   9780810877856.
  14. Maitra, K.K. (2007). Encyclopaedic dictionary of clothing and textiles. New Delhi: Mittal Publications. p. 185. ISBN   9788183242059.
  15. Shaeffer 2003, p. 128.
  16. Shaeffer 2008, p. 238.
  17. Shaeffer 2003, p. 282.
  18. Jericho (25 January 2024). "Satin Ribbon and Others: A Guide to Ribbon Types and Uses". LikhaDito. Retrieved 26 January 2024.

Bibliography