A temple is an adjustable stretcher used on a loom to maintain the width and improve the edges of the woven fabric.
A temple is an adjustable stretcher used on a loom to maintain the width and improve the edges of the woven fabric.
During the process of weaving, fabrics can decrease in width (draw in) due to the interlacement of the weft material. Temples prevent this decrease by keeping fabrics at a fixed width, thus requiring more weft to enter the weave with each pass of the shuttle. Fabric produced without draw-in has a smoother selvage, weft can be packed in more evenly, and warp threads are less likely to break from excessive friction in the reed. [1] [2] [3]
There are two main types of temples: metal and wood. Both types have a shaft, whose length can be adjusted, and sharp prongs at each end to attach to the fabric. Wooden temples tend to be lighter and have straight, fine teeth. The teeth on metal temples are angled and are wider at the base than the teeth on wooden temples. Metal temples are often recommended for rugs because the size and angle of the teeth are better for gripping the thick edges. [4]
To use a temple, the length is first adjusted so that it matches the total width (or spread) of warp threads in the reed. The prongs are then inserted into the fabric, on each side, at the very edges of the cloth. The temple must be moved frequently to keep it close to the fell of the fabric, where the weaving is taking place. [2]
A loom is a device used to weave cloth and tapestry. The basic purpose of any loom is to hold the warp threads under tension to facilitate the interweaving of the weft threads. The precise shape of the loom and its mechanics may vary, but the basic function is the same.
Weaving is a method of textile production in which two distinct sets of yarns or threads are interlaced at right angles to form a fabric or cloth. Other methods are knitting, crocheting, felting, and braiding or plaiting. The longitudinal threads are called the warp and the lateral threads are the weft, woof, or filling. The method in which these threads are interwoven affects the characteristics of the cloth. Cloth is usually woven on a loom, a device that holds the warp threads in place while filling threads are woven through them. A fabric band that meets this definition of cloth can also be made using other methods, including tablet weaving, back strap loom, or other techniques that can be done without looms.
Woven fabric is any textile formed by weaving. Woven fabrics are often created on a loom, and made of many threads woven on a warp and a weft. Technically, a woven fabric is any fabric made by interlacing two or more threads at right angles to one another. Woven fabrics can be made of natural fibers, synthetic fibers, or a mixture of both, such as cotton and polyester. Woven fabrics are used for clothing, garments, decorations, furniture, carpets and other uses.
A power loom is a mechanized loom, and was one of the key developments in the industrialization of weaving during the early Industrial Revolution. The first power loom was designed and patented in 1785 by Edmund Cartwright. It was refined over the next 47 years until a design by the Howard and Bullough company made the operation completely automatic. This device was designed in 1834 by James Bullough and William Kenworthy, and was named the Lancashire loom.
Ikat is a dyeing technique from Indonesia used to pattern textiles that employs resist dyeing on the yarns prior to dyeing and weaving the fabric. The term is also used to refer to related and unrelated traditions in other cultures. In Southeast Asia, where it is the most widespread, ikat weaving traditions can be divided into two general clades. The first is found among Daic-speaking peoples. The second, larger group is found among the Austronesian peoples and spread via the Austronesian expansion. Similar dyeing and weaving techniques that developed independently are also present in other regions of the world, including India, Central Asia, Japan, Africa, and the Americas.
Darning is a sewing technique for repairing holes or worn areas in fabric or knitting using needle and thread alone. It is often done by hand, but using a sewing machine is also possible. Hand darning employs the darning stitch, a simple running stitch in which the thread is "woven" in rows along the grain of the fabric, with the stitcher reversing direction at the end of each row, and then filling in the framework thus created, as if weaving. Darning is a traditional method for repairing fabric damage or holes that do not run along a seam, and where patching is impractical or would create discomfort for the wearer, such as on the heel of a sock.
Pile weave is a form of textile created by weaving. This type of fabric is characterized by a pile—a looped or tufted surface that extends above the initial foundation, or 'ground' weave. The pile is formed by supplemental yarn running in the direction of the length of the fabric or the width of the fabric. Pile weaves include velvet and corduroy fabrics and machine-woven Berber carpets.
Plain weave is the most basic of three fundamental types of textile weaves. It is strong and hard-wearing, and is used for fashion and furnishing fabrics. Fabrics with a plain weave are generally strong, durable, and have a smooth surface. They are often used for a variety of applications, including clothing, home textiles, and industrial fabrics.
A selvage or selvedge is a "self-finished" edge of a piece of fabric which keeps it from unraveling and fraying. The term "self-finished" means that the edge does not require additional finishing work, such as hem or bias tape, to prevent fraying.
Silk In India, about 97% of the raw mulberry silk is produced in the Indian states of Karnataka, Andhra Pradesh, Tamil Nadu and West Bengal. Mysore and North Bangalore, the upcoming site of a US$20 million "Silk City", contribute to a majority of silk production. Another emerging silk producer is Tamil Nadu in the place in where mulberry cultivation is concentrated in Salem, Erode and Dharmapuri districts. Hyderabad, Andhra Pradesh and Gobichettipalayam, Tamil Nadu were the first locations to have automated silk reeling units.
The manufacture of textiles is one of the oldest of human technologies. To make textiles, the first requirement is a source of fiber from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving, which turns yarn into cloth. The machine used for weaving is the loom. For decoration, the process of colouring yarn or the finished material is dyeing. For more information of the various steps, see textile manufacturing.
In weaving, the shed is the temporary separation between upper and lower warp yarns through which the weft is woven. The shed is created to make it easy to interlace the weft into the warp and thus create woven fabric. Most types of looms have some sort of device which separates some of the warp threads from the others. This separation is called the shed, and allows for a shuttle carrying the weft thread to move through the shed perpendicular to the warp threads. Which threads are raised and which are lowered are changed after each pass of the shuttle.
Band weaving refers to the hand production of narrow woven fabric. This fabric may be called tape, band, inkle, strap, belt, back strap, trim, and more. It can be accomplished on a variety of types of looms, including inkle, band, tape, backstrap, and rigid heddle looms. Hole and slot heddles are also designed to weave bands. Depending on which loom is used, the material could be warp-faced or a balanced weave.
A knotted-pile carpet is a carpet containing raised surfaces, or piles, from the cut off ends of knots woven between the warp and weft. The Ghiordes/Turkish knot and the Senneh/Persian knot, typical of Anatolian carpets and Persian carpets, are the two primary knots. A flat or tapestry woven carpet, without pile, is a kilim. A pile carpet is influenced by width and number of warp and weft, pile height, knots used, and knot density.
A heddle is an integral part of a loom. Each thread in the warp passes through a heddle, which is used to separate the warp threads for the passage of the weft. The typical heddle is made of cord or wire and is suspended on a shaft of a loom. Each heddle has an eye in the center where the warp is threaded through. As there is one heddle for each thread of the warp, there can be near a thousand heddles used for fine or wide warps. A handwoven tea-towel will generally have between 300 and 400 warp threads and thus use that many heddles.
Textile manufacturing is one of the oldest human activities. The oldest known textiles date back to about 5000 B.C. In order to make textiles, the first requirement is a source of fibre from which a yarn can be made, primarily by spinning. The yarn is processed by knitting or weaving to create cloth. The machine used for weaving is the loom. Cloth is finished by what are described as wet process to become fabric. The fabric may be dyed, printed or decorated by embroidering with coloured yarns.
A reed is part of a weaving loom, and resembles a comb or a frame with many vertical slits. It is used to separate and space the warp threads, to guide the shuttle's motion across the loom, and to push the weft threads into place. In most floor looms with, the reed is securely held by the beater. Floor looms and mechanized looms both use a beater with a reed, whereas Inkle weaving and tablet weaving do not use reeds.
Soumak is a tapestry technique of weaving sturdy, decorative fabrics used for carpets, rugs, domestic bags and bedding, with soumak fabrics used for bedding known as soumak mafrash.
Carpets and rugs have been handmade in Sweden for centuries, taking on many different forms and functions over the course of time. Rugs woven in the traditional Oriental manner, especially in the Ottoman Empire and points east, were originally brought to Sweden over trade routes as early as the early Middle Ages. In the centuries that followed, Swedish rug-makers often infused their works with themes and motifs traditionally found in Oriental rugs. Eventually, Swedish rug-makers would begin to use Oriental rug-making techniques, but themes and motifs more consistent with the artistic and cultural heritage of Sweden. By the early modern periods, rugs had long been an important avenue of art – especially folk art – in Swedish culture. By the beginning of the twentieth century, the craft was seen as being an important artistic and cultural practice throughout Sweden, and designers began to make rugs that had a broad international appeal. Swedish rugs from the mid-twentieth century remain among the most desirable and sought after in the rug world.
The Khalili Collection of Swedish Textiles is a private collection of textile art assembled by the British-Iranian scholar, collector and philanthropist Nasser D. Khalili. The collection was built up over a period of 25 years and contains 100 works. It is one of eight collections assembled, conserved, published and exhibited by Khalili, each of which is considered among the most important in its field. In 2008 it was described as "the only extensive collection of Swedish flatweaves outside the country". The collection consists mostly of textile panels, cushion and bed covers from the Scania region of southern Sweden, dating in the main from a hundred-year period between the mid-18th and mid-19th centuries. The majority of the pieces in the collection were made for wedding ceremonies in the region. While they played a part in the ceremonies, they were also a reflection of the artistry and skill of the weaver. Their designs often consist of symbolic illustrations of fertility and long life. Khalili writes that he created the collection because of the tendency of art historians and the public to undervalue art whose creators are anonymous.
| Weaves |  | |
|---|---|---|
| Components | ||
| Tools and techniques | ||
| Types of looms | ||
| Weavers |
| |
| Employment practices | ||
| Mills | ||
 | This textile arts article is a stub. You can help Wikipedia by expanding it. |