Gaudiya Nritya

Last updated

Gaudiya Nritya
Instrument(s)Anaddha, Ghana, Susir and Tata [1]
Origin Gauda kingdom(ancient bengal), now Bangladesh
Performance of Gaudiya Nritya by Mahua Mukherjee GuruMahua.jpg
Performance of Gaudiya Nritya by Mahua Mukherjee

Gaudiya Nritya (Bengali : Gaur̤īẏa Nṛtya or Gour̤īyo Nrityo) is a dance tradition. [2] [3] [4] This dance expressed religious stories [5] through songs written [6] and composed to the ragas & talas [7] of Gaudiya music by ancient poets, especially Vaishnavism. [8] Gaudiya Nritya performances have also expressed ideas of other traditions related to the Hindu deities Shiva [8] and Ganesha, as well as Shakta concepts. [9] It was reconstructed by Mahua Mukherjee in the 1980s and a research scholarship has since been awarded for it by the Indian Ministry of Culture.

Contents

Etymology

On 21 September 1994, The name Gaudiya Nritya was adopted on the advice of Indologist Bratindra Nath Mukhopadhyay. [10] Reasons for this designation include: in ancient times – the reign of Shashanka and the Pala and Sena eras – the whole of Bengal was referred to as Gauda and the presence of the Gaudiya style in bengali music and literature. Also, in the fifteenth century, Sangeet Shastrakar Maheswara Mohapatra of Odisha mentions seven types of dance styles in Abhinaya Chandrika including Gaudiya dance. [11]

History

The theoretical foundations of Gaurika dance can be found in the ancient Sanskrit text Natyashastra; [12] Its existence in ancient times is attested by dance poses in sculptures of the Gaudiya style temple and archaeological sites associated with Hinduism, Buddhism and Jainism and it is mentioned by ancient poets of Bengal. [13] After colonial rule, it underwent revival, reconstruction and expansion in the 1980s.

It has been reconstructed by Mahua Mukherjee, a Bengali researcher and dancer. A research scholarship was awarded by the Ministry of Culture for this dance-based research. [14] Rabindra Bharati University and University of Oklahoma have recognized it as a classical dance form. [15] [16] [17] [18]

Related Research Articles

<span class="mw-page-title-main">West Bengal</span> State in Eastern India

West Bengal is a state in the eastern portion of India. It is situated along the Bay of Bengal, along with a population of over 91 million inhabitants within an area of 88,752 km2 (34,267 sq mi) as of 2011. The population estimate as of 2023 is 102,552,787. West Bengal is the fourth-most populous and thirteenth-largest state by area in India, as well as the eighth-most populous country subdivision of the world. As a part of the Bengal region of the Indian subcontinent, it borders Bangladesh in the east, and Nepal and Bhutan in the north. It also borders the Indian states of Jharkhand, Odisha, Bihar, Sikkim and Assam. The state capital is Kolkata, the third-largest metropolis, and seventh largest city by population in India. West Bengal includes the Darjeeling Himalayan hill region, the Ganges delta, the Rarh region, the coastal Sundarbans and the Bay of Bengal. The state's main ethnic group are the Bengalis, with the Bengali Hindus forming the demographic majority.

<span class="mw-page-title-main">Rabindra Bharati University</span> Public university in Kolkata, India

Rabindra Bharati University is a public research university in Kolkata, India. It was founded on May 8, 1962, under the Rabindra Bharati Act of the Government of West Bengal in 1961, to mark the birth centenary of the poet Rabindranath Tagore. It is located at the Tagore family home, Jorasanko Thakur Bari. The university offers undergraduate and postgraduate programmes in Performing Arts and Visual Arts under the Faculty of Fine Arts, Humanities, Social Sciences and other subjects under the Faculty of Arts.

<i>Khol</i> Indian terracotta two-sided drum

The khol is a terracotta two-sided drum used in northern and eastern India for accompaniment with devotional music (bhakti). It is also known as a mridanga, not to be confused with mridangam. It originates from the Indian states of Odisha, West Bengal, Assam and Manipur. The drum is played with palms and fingers of both hands.

<span class="mw-page-title-main">Indian classical dance</span> Performance arts rooted in Hindu musical theatre

Indian classical dance, or Shastriya Nritya, is an umbrella term for different regionally-specific Indian classical dance traditions, rooted in predominantly Hindu musical theatre performance, the theory and practice of which can be traced to the Sanskrit text Natya Shastra. The number of Indian classical dance styles ranges from six to eight to twelve, or more, depending on the source and scholar; the main organisation for Indian arts preservation, the Sangeet Natak Academy recognizes eight: Bharatanatyam, Kathak, Kuchipudi, Odissi, Kathakali, Sattriya, Manipuri and Mohiniyattam. Additionally, the Indian Ministry of Culture includes Chhau in its list, recognising nine total styles. Scholars such as Drid Williams add Chhau, Yakshagana and Bhagavata Mela to the list. Each dance tradition originates and comes from a different state and/or region of India; for example, Bharatanatyam is from Tamil Nadu in the south of India, Odissi is from the east coast state of Odisha, and Manipuri is from the northeastern state of Manipur. The music associated with these different dance performances consists many compositions in Hindi, Malayalam, Meitei (Manipuri), Sanskrit, Tamil, Odia, Telugu, Assamese, and many other Indian-Subcontinent languages; they represent a unity of core ideas and a diversity of styles, costumes, and expression.

<span class="mw-page-title-main">Music of West Bengal</span> Overview of musical genres in Indian state of West Bengal

The music of West Bengal includes multiple indigenous musical genres such as Baul, Ramprasadi, Bishnupuri Classical, Kirtan, Shyama Sangeet, Rabindra Sangeet, Nazrul Geeti, Dwijendrageeti, Prabhat Samgiita, Agamani-Vijaya, Patua Sangeet, Gambhira, Bhatiali, Bhawaiya, Bengali Rock.

<span class="mw-page-title-main">Bengali Brahmin</span> Hindu caste originating from the Bengal region of the Indian subcontinent

Bengali Brahmins are the community of Hindu Brahmins, who traditionally reside in the Bengal region of the Indian subcontinent, currently comprising the Indian state of West Bengal and the country of Bangladesh.

Mukherjee, also Mukerjee, Mookerjea, Mookerjee, Mukerji, Mukherji, Mukhujje or Mookherjee, is a Bengali Hindu Kulin Brahmin surname originating from the Bengal region of the Indian subcontinent. The traditional Bengali version is Mukhopaddhae, which is sometimes written Mukhopadhyay.

<span class="mw-page-title-main">East India</span> Group of Eastern Indian states

Eastern India is a region of India consisting of the Indian states of Bihar, Jharkhand, Odisha and West Bengal and also the union territory of the Andaman and Nicobar Islands.

<span class="mw-page-title-main">Culture of West Bengal</span> Overview of the culture of West Bengal (India)

The culture of West Bengal is an Indian culture which has its roots in Bengali literature, music, fine arts, drama and cinema. Different geographic regions of West Bengal have subtle as well as more pronounced variations between each other, with Darjeeling Himalayan hill region and Duars showing particularly different socio-cultural aspects.

<span class="mw-page-title-main">Bengali theatre</span>

Bengali theatre primarily refers to theatre performed in the Bengali language. Bengali theatre is produced mainly in West Bengal, and in Bangladesh. The term may also refer to some Hindi theatres which are accepted by the Bengali people.

<span class="mw-page-title-main">Krishna Mohan Banerjee</span> Bengali scholar

Krishna Mohan Banerjee was a 19th-century Indian thinker who attempted to rethink Hindu philosophy, religion and ethics in response to the stimulus of Christian ideas. He himself became a Christian, and was the first president of the Bengal Christian Association, which was administered and financed by Indians. He was a prominent member of Henry Louis Vivian Derozio's (1808–1831) Young Bengal group, educationist, linguist and Christian missionary.

<span class="mw-page-title-main">Suniti Kumar Chatterji</span> Indian linguist (1890–1977)

Suniti Kumar Chatterji was an Indian linguist, educationist and litterateur. He was a recipient of the second-highest Indian civilian honour of Padma Vibhushan.

<span class="mw-page-title-main">Culture of Bengal</span> Overview of the Bengali culture

The culture of Bengal defines the cultural heritage of the Bengali people native to eastern regions of the Indian subcontinent, mainly what is today Bangladesh and the Indian states of West Bengal and Tripura, where they form the dominant ethnolinguistic group and the Bengali language is the official and primary language. Bengal has a recorded history of 1,400 years. After the partition, Bangladeshi culture became distinct from the mainstream Bengali culture, thus their culture evolved differently, still there are many commonalities in Bangladeshi culture & West Bengali culture which connects them both together as Bengali culture.

Banerjee, also known as Bandyopadhyay, is a Bengali Kulin Brahmin surname originating from the Bengal region of the Indian subcontinent. The surname belongs to the Rarhi clan of Bengali Brahmin caste.

<span class="mw-page-title-main">Manabendra Mukhopadhyay</span> Indian vocalist known for vocal music

Manabendra Mukhopadhyay was an Indian singer and music composer in Bengali films. Coming to limelight in the early 1950s Manabendra was an innovative and stylish singer who had a strong foundation in Indian classical music. With his distinctive voice, Manabendra was an instant hit with the audience. demonstrating great talent also as a composer, using the lyrics and melody of a song with good effect. At that time Bengali modern song world had the presence of some outstanding performers like Dhananjay Bhattacharya, Manna Dey, Satinath Mukherjee, Akhilbandhu Ghosh, Hemanta Mukhopadhyay to name a few.

<span class="mw-page-title-main">Mahua Mukherjee</span> Indian choreographer

Mahua Mukherjee[Note] is an exponent of the Indian classical dance form Gaudiya Nritya. She is a researcher and teacher at Rabindra Bharati University and Dean of the faculty of fine arts as of January 2014. Along with her husband Amitava Mukherjee, she has been reviving the dance style through her career from 1980s. She has also given performances and lectures as visiting professor like at the University of Oklahoma, USA. She has learned the dance from Bratindranath, Sashi Mahato, Narottam Sanyal, Gambhir Singh Mudha, Mukund Das Bhattacharya and other practitioners of the Chhau, Nachni, Kushan and Kirtaniya traditions.

Bratindra Nath Mukherjee was an Indian historian, numismatist, epigraphist and iconographist, known for his scholarship in central Asian languages such as Sogdian. He was a Carmichael Professor of Ancient Indian History and Culture at Calcutta University and is reported to have deciphered many ancient scripts. He was the author of 50 books and over 700 articles on ancient history, numismatics and epigraphy. The Government of India awarded him the fourth highest civilian honour of the Padma Shri in 1992.

<span class="mw-page-title-main">Arts of West Bengal</span> Cultural heritage of West Bengal

The Indian state West Bengal has a rich cultural heritage. Due to the reign of many different rulers in the past, arts and crafts in West Bengal underwent many changes giving an artistic diversity today in the forms of traditional handicrafts, terracotta, painting and carving, dances and music.

<span class="mw-page-title-main">Mani Bardhan</span>

Mani Bardhan was an Indian Bengali musician, dancer and choreographer specializing in Indian classical dance styles like Bharatnatyam, Kathakali, Odissi and Kathak.

References

  1. Mukherjee 2000, p. 95.
  2. Roma Chatterji (2005). Folklore and the Construction of National Tradition Archived February 12, 2018, at the Wayback Machine . Indian Folklife19 (Folklore Abroad: On the Diffusion and Revision of Sociocultural Categories): 9. Accessed January 2014. "a classical dance tradition that has vanished from the urban areas".
  3. "West Bengal Tourism: Dance". Department of Tourism, Government of West Bengal. 2011. Archived from the original on October 21, 2013. Retrieved January 11, 2014.
  4. Bharatram, Kumudha (April 9, 2011). "Dance of the ancients". The Hindu. Retrieved November 15, 2013.
  5. Mukherjee 2000, p. 179.
  6. Mukherjee 2000, pp. 199–201.
  7. Mukherjee 2000, p. 201.
  8. 1 2 Mukherjee 2000, p. 185.
  9. Mukherjee 2000, p. 181.
  10. Mukherjee 2000, p. 1.
  11. Mukherjee 2000, pp. 1–2.
  12. Mukherjee 2000, pp. 144–145.
  13. Mukherjee 2000, pp. 5–40.
  14. "Scholarship to Young Artistes, 2005". Ministry of Culture. Government of India. Archived from the original on October 21, 2013.
  15. "Feet forgotten and found". www.telegraphindia.com. Retrieved January 25, 2022.
  16. Utpal Kumar Banerjee (2006). Indian performing arts: a mosaic. New Delhi: Harman Publishing House. ISBN   9788186622759. p. 79: "re-creating Gaudiya Nritya as one of the acceptable classical styles will need a formal framework".
  17. Leela Venkataraman (2006). Negotiating the Extremes: dance. India International Centre Quarterly, 33 (1): 93-102. (subscription required) "one may have reservations about the classical dance repertoire visualised by [Mukherjee]".
  18. Roma Chatterji (2005). p. 9: "Mukherjee tries to reconstitute a Bengali aesthetic within the perspective of pan-Indian civilisation".

Bibliography

Commons-logo.svg Media related to Gaudiya Nritya at Wikimedia Commons