Pichhwai, literally meaning 'that which hangs from the back' from the Sanskrit words "Pichh" means back and "wais" means hanging, are large devotional Hindu painted pictures, normally on cloth, which portray Krishna. They are mainly made to hang in Hindu temples of the Pushtimarg devotional tradition, especially the Shrinathji Temple in Nathdwara, Rajasthan, built around 1672. They are hung behind the idol of Shrinathji, a local form of Krishna and the centre of Pushtimarg worship, to depict his leelas. Aurangabad was another area associated with them. The purpose of pichhwais, other than artistic appeal, is to narrate tales of Krishna to the illiterate. Temples have sets with different images, which are changed according to the calendar of festivals celebrating the deity.
Rajsamand is a city, located in Rajsamand Mewar district of Rajasthan, India. The city is named for Rajsamand Lake, an artificial lake created in the 17th century by Rana Raj Singh Rajsamand Udaipur of Mewar. It is the administrative headquarters of Rajsamand District.
Shrinathji is a form of Krishna, manifested as a seven-year-old child. The principal shrine of Shrinathji is the Shrinathji Temple in the temple city of Nathdwara, 48 kilometres north-east of Udaipur city in Rajasthan, India. Shrinathji is the central presiding deity of the Vaishnava sect known as Pushtimarg or the Vallabha Sampradaya, established by Vallabhacharya. Shrinathji is worshipped mainly by the followers of Bhakti Yoga and the Vaishnavas in Gujarat and Rajasthan, and Bhatias amongst others.
The Puṣṭimārga, also known as Pushtimarg or Vallabha Sampradāya, is a sect within the Vaishnavism tradition of Hinduism. It was established in the early 16th century by Vallabha (1479–1530) and further developed by his descendants, particularly Viṭṭhalanātha. Followers of the Puṣṭimārga worship Kr̥ṣṇa and engage in devotional practices centered around the youthful Kr̥ṣṇa as depicted in the Bhāgavata Purāṇa, and the pastimes at Govardhan Hill.
Udaipur is a city in the north-western Indian state of Rajasthan, about 415 km (258 mi) south of the state capital Jaipur. It serves as the administrative headquarters of Udaipur district. It is the historic capital of the kingdom of Mewar in the former Rajputana Agency. It was founded in 1559 by Udai Singh II of the Sisodia clan of Rajputs, when he shifted his capital from the city of Chittorgarh to Udaipur after Chittorgarh was besieged by Akbar. It remained as the capital city till 1818 when Mewar became a British princely state, and thereafter the Mewar province became a part of Rajasthan when India gained independence in 1947. It is also known as the City of Lakes, as it is surrounded by five major artificial lakes.
Shuddadvaita is the "purely non-dual" philosophy propounded by the Hindu philosopher Vallabha, the founder of Puṣṭimārga, a Vaishnava tradition focused on the worship of the deity Krishna. Vallabhacharya's pure form (nondualist) philosophy is different from Advaita.
Bhanwar lal Girdhari lal Sharma, better known as B. G. Sharma, was a painter from Rajasthan, India. He is famous for his miniature devotional paintings and his rejuvenation and popularization of classic Rajasthan art, including the Mughal, Kishangarh, and Kangra styles. He is also well known for experimenting and mixing modern with traditional styles and producing some exemplary pieces of art.
City Palace, Udaipur is a palace complex situated in the city of Udaipur in the Indian state of Rajasthan. It was built over a period of nearly 400 years, with contributions from several rulers of the Mewar dynasty. Its construction began in 1553, started by Maharana Udai Singh II of the Sisodia Rajput family as he shifted his capital from the erstwhile Chittor to the newfound city of Udaipur. The palace is located on the east bank of Lake Pichola and has several palaces built within its complex.
Jagdish Temple is a large Hindu temple in the middle of Udaipur in Rajasthan, just outside the royal palace. It has been in continuous worship since 1651. A big tourist attraction, the temple was originally called the temple of Jagannath Rai but is now called Jagdish-ji. It is a major monument in Udaipur.
Narottam Narayan Sharma was an Indian artist from Nathdwara. He is especially famous for his images of Krishna, which were popular throughout North India and were even more influential than the works of Raja Ravi Varma.
Nathdwara Painting refers to a painting tradition and school of art that emerged in Nathdwara, a city in Rajsamand district in the Western state of Rajasthan in India. Inspired by the Thanjavur Painting, Nathdwara paintings are of different sub-styles of which Pichhwai paintings are the most popular. The word Pichwai derives from the Sanskrit words pich meaning back and wais meaning hanging. These paintings are cloth paintings hung behind the image of the Hindu god Shrinathji.
The Shrinathji Temple is a Hindu temple dedicated to Shrinathji located in Nathdwara. It is considered an important pilgrimage centre by Vaishnavas.
Haveli Sangeet is a form of Hindustani classical music sung in havelis. The essential component is dhrupad. It originated in Govardhan,Mathura in Braj, northern India. It takes the form of devotional songs sung daily to Krishna by the Pushtimarg sect.
Maharana Raj Singh I, was the Maharana of Mewar Kingdom and eldest son of Maharana Jagat Singh I. He fought against Mughal Empire and annexed many Mughal territories He participated in Rajput-Mughal War (1679–1707) and defeated the Mughals.
Pundit Devarshi Ramanath Shastri was a Sanskrit poet, scholar and commentator on Pushtimarg and Shuddhadvaita Vedanta, the philosophical school of pure non-dualism propounded by Shri Vallabhacharya (1479-1531). He was born in 1878 in Jaipur, Rajasthan in a renowned Vellanadu Brahmin family of Sanskrit scholars belonging to the Taittariya branch of Krishna Yajurveda, who migrated from Andhra Pradesh to North India in the 15th century AD and to Jaipur in the 18th century with his famous ancestor Kavikalanidhi Devarshi Shrikrishna Bhatt having been invited by Sawai Jai Singh II. His father’s name was Shri Dwarakanath Bhatt and mother’s name was Shrimati Janaki Devi. His only son was Devarshi Brajnath Shastri (1901-1954), who was also a scholar of Shuddhadvaita. He was the elder brother of epoch-making Sanskrit poet and scholar Bhatt Mathuranath Shastri. He wrote extensively in Hindi, Sanskrit and Brajbhasha languages.
Baithak or Bethak, lit. 'seat', is a site considered sacred by the followers of the Pushtimarg tradition of Vaishnava Hinduism in India for performing devotional rituals. These sites are associated with Vallabhacharya, the founder of Pushtimarg and his descendants. They mark public events in their lives. Some of them are restricted or foreboding. These sites are spread across India and are chiefly concentrated in Braj region in Uttar Pradesh and in western state of Gujarat. Total 142 Baithaks are considered sacred; 84 of Vallabhacharya, 28 of his son Viththalanath Gusainji and 30 of his seven grandsons.
Rajaram Sharma is an Indian artist of Pichhwai and Indian miniature paintings.
Dwarkadhish Ji is a Hindu Temple, situated on the southern bank of the Rajsamand lake in Kankroli. The temple commands a very fine view of the lake. This temple is built by Maharana Raj Singh of Mewar temple is dedicated to Dwarkadhish Ji, one of the seven swaroops of Pushtimarg of Vallabhacharya.
The GarhPalace, Jhalawar, was a royal residence and former administrative headquarters of the rulers of the Jhalawar State in Jhalawar, Rajasthan, India.
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