Radha, also called Radhika, is a Hindu goddess and the chief consort of the god Krishna. She is the goddess of love, tenderness, compassion, and devotion. In scriptures, Radha is mentioned as the avatar of Lakshmi and also as the Mūlaprakriti, the Supreme goddess, who is the feminine counterpart and internal potency of Krishna. Radha accompanies Krishna in all his incarnations. Radha's birthday is celebrated every year on the occasion of Radhashtami.
Nathdwara is a city in the Rajsamand district of the state of Rajasthan, India. It is located in the Aravalli hills, on the banks of the Banas River and is 48 kilometres north-east of Udaipur. Shrinathji, is a swarup of lord Krishna which resembles his 7-year-old "infant" incarnation of Krishna. The deity was originally worshiped at Jatpura, Mathura and was shifted in the year 1672 from Govardhan hill, near Mathura along holy river Yamuna after being retained at Agra for almost six months. Literally, Nathdwara means 'Gateway to Shrinathji (God)'. Nathdwara is a significant Vaishnavite shrine pertaining to the Pushti Marg or the Vallabh Sampradaya or the Shuddha Advaita founded by Vallabha Acharya, revered mainly by people of Gujarat and Rajasthan, among others. Vitthal Nathji, son of Vallabhacharya institutionalised the worship of Shrinathji at Nathdwara. Today also the Royal king family of Nathdwara belongs to the lineage of vallabhacharya mahaprabhuji. They are called Tilkayat or tikaet of Nathdwara.
A thangka is a Tibetan Buddhist painting on cotton, silk appliqué, usually depicting a Buddhist deity, scene, or mandala. Thangkas are traditionally kept unframed and rolled up when not on display, mounted on a textile backing somewhat in the style of Chinese scroll paintings, with a further silk cover on the front. So treated, thangkas can last a long time, but because of their delicate nature, they have to be kept in dry places where moisture will not affect the quality of the silk. Most thangkas are relatively small, comparable in size to a Western half-length portrait, but some are extremely large, several metres in each dimension; these were designed to be displayed, typically for very brief periods on a monastery wall, as part of religious festivals. Most thangkas were intended for personal meditation or instruction of monastic students. They often have elaborate compositions including many very small figures. A central deity is often surrounded by other identified figures in a symmetrical composition. Narrative scenes are less common, but do appear.
Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan, and at times eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms.
Indian painting has a very long tradition and history in Indian art. The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like the Bhimbetka rock shelters. Some of the Stone Age rock paintings found among the Bhimbetka rock shelters are approximately 10,000 years old. Because of the climatic conditions in the Indian subcontinent, very few early examples survive today.
Shrinathji is a form of Krishna, manifested as a seven-year-old child. The principal shrine of Shrinathji is the Shrinathji Temple in the temple city of Nathdwara, 48 kilometres north-east of Udaipur city in Rajasthan, India. Shrinathji is the central presiding deity of the Vaishnava sect known as Pushtimarg or the Vallabha Sampradaya, established by Vallabhacharya. Shrinathji is worshipped mainly by the followers of Bhakti Yoga and the Vaishnavas in Gujarat and Rajasthan, and Bhatias amongst others.
The Puṣṭimārga or Pushtimarg, also known as Vallabha Sampradāya, is a sect of Vaishnavism. It was founded in the early 16th century by Vallabha (1479–1531) and was later expanded by his descendants, particularly Viṭṭhalanātha. Pushtimarg adherents worship Kr̥ṣṇa, and tradition follows universal-love-themed devotional practices of youthful Krishna which are found in the Bhagavata Purana and those related to pastimes of Govardhana Hill.
Vithoba, also known as Vitthala, and Panduranga, is a Hindu god predominantly worshipped in the Indian state of Maharashtra and Karnataka. He is a form of the god Vishnu. Vithoba is often depicted as a dark young boy, standing arms akimbo on a brick, sometimes accompanied by his consort Rakhumai.
Sculpture in the Indian subcontinent, partly because of the climate of the Indian subcontinent makes the long-term survival of organic materials difficult, essentially consists of sculpture of stone, metal or terracotta. It is clear there was a great deal of painting, and sculpture in wood and ivory, during these periods, but there are only a few survivals. The main Indian religions had all, after hesitant starts, developed the use of religious sculpture by around the start of the Common Era, and the use of stone was becoming increasingly widespread.
Shuddadvaita is the "purely non-dual" philosophy propounded by Vallabhacharya, the founding philosopher and guru of the Vallabhā sampradāya or Puśtimārg, a Hindu Vaishnava tradition focused on the worship of Krishna. Vallabhacharya's pure form (nondualist) philosophy is different from Advaita. The Shrinathji temple at Nathdwara, and compositions of eight poets, including Surdas, are central to the worship by the followers of the sect.
Bhanwar lal Girdhari lal Sharma, better known as B. G. Sharma, was a painter from Rajasthan, India. He is famous for his miniature devotional paintings and his rejuvenation and popularization of classic Rajasthan art, including the Mughal, Kishangarh, and Kangra styles. He is also well known for experimenting and mixing modern with traditional styles and producing some exemplary pieces of art.
Narottam Narayan Sharma was an Indian artist from Nathdwara. He is especially famous for his images of Krishna, which were popular throughout North India and were even more influential than the works of Raja Ravi Varma.
Kalamkari is a type of hand-painted cotton textile produced in the Indian state of Andhra Pradesh. Only natural dyes are used in Kalamkari, which involves twenty-three steps.
Nathdwara Painting refers to a painting tradition and school of artists that emerged in Nathdwara, a city in Rajsamand district in the Western state of Rajasthan in India. Nathdwara paintings are of different sub-styles of which Pichhwai paintings are the most popular. The word Pichwai derives from the Sanskrit words pich meaning back and wais meaning hanging. These paintings are cloth paintings hung behind the image of the Hindu god Shrinathji.
The Shrinathji Temple is a Hindu temple dedicated to Shrinathji located in Nathdwara. It is considered an important pilgrimage centre by Vaishnavas.
Pundit Devarshi Ramanath Shastri was a Sanskrit poet, scholar and commentator on Pushtimarg and Shuddhadvaita Vedanta, the philosophical school of pure non-dualism propounded by Shri Vallabhacharya (1479-1531). He was born in 1878 in Jaipur, Rajasthan in a renowned Vellanadu Brahmin family of Sanskrit scholars belonging to the Taittariya branch of Krishna Yajurveda, who migrated from Andhra Pradesh to North India in the 15th century AD and to Jaipur in the 18th century with his famous ancestor Kavikalanidhi Devarshi Shrikrishna Bhatt having been invited by Sawai Jai Singh II. His father’s name was Shri Dwarakanath Bhatt and mother’s name was Shrimati Janaki Devi. His only son was Devarshi Brajnath Shastri (1901-1954), who was also a scholar of Shuddhadvaita. He was the elder brother of epoch-making Sanskrit poet and scholar Bhatt Mathuranath Shastri. He wrote extensively in Hindi, Sanskrit and Brajbhasha languages.
Baithak or Bethak, lit. 'seat', is a site considered sacred by the followers of the Pushtimarg tradition of Vaishnava Hinduism in India for performing devotional rituals. These sites are associated with Vallabhacharya Mahaprabhu, the founder of Pushtimarg and his descendants. They mark public events in their lives. Some of them are restricted or foreboding. These sites are spread across India and are chiefly concentrated in Braj region in Uttar Pradesh and in western state of Gujarat. Total 142 Baithaks are considered sacred; 84 of Vallabhacharya, 28 of his son Viththalanath Gusainji and 30 of his seven grandsons.
Rajaram Sharma is an Indian artist of Pichhwai and Indian miniature paintings.
Bihar is a state in eastern India divided by the Ganges river, an area which was once an important center for culture and learning. A Neolithic settlement has been discovered at Chirand which contains rock paintings similar to those found in Spain's Altamira and France's Lascaux regions. The tradition of painting has been handed down from generation to generation in the families of the Mithila and Bhojpur regions mainly by women. Painting was usually done on walls during festivals, religious events, and other milestones of the life cycle, like birth, Upanayanam, and marriage. Other styles of this region include Tikuli, Manjusha, and Patna kalam.
Dwarkadhish Ji is a Hindu Temple, situated on the southern bank of the Rajsamand lake in Kankroli. The temple commands a very fine view of the lake. This temple is temple is dedicated to Dwarkadhish Ji, one of the seven swaroops of Pushtimarg of Vallabhacharya.
