Nathdwara is a city in the Rajsamand district of the state of Rajasthan, India. It is located in the Aravalli hills, on the banks of the Banas River and is 48 kilometres north-east of Udaipur. Shrinathji, is a swarup of lord Krishna which resembles his 7-year-old "infant" incarnation of Krishna. The deity was originally worshiped at Jatpura, Mathura and was shifted in the year 1672 from Govardhan hill, near Mathura along holy river Yamuna after being retained at Agra for almost six months. Literally, Nathdwara means 'Gateway to Shrinathji (God)'.
Pichhwai, literally meaning 'that which hangs from the back' from the Sanskrit words "Pichh" means back and "wais" means hanging, are large devotional Hindu painted pictures, normally on cloth, which portray Krishna. They are mainly made to hang in Hindu temples of the Pushtimarg devotional tradition, especially the Shrinathji Temple in Nathdwara, Rajasthan, built around 1672. They are hung behind the idol of Shrinathji, a local form of Krishna and the centre of Pushtimarg worship, to depict his leelas. Aurangabad was another area associated with them. The purpose of pichhwais, other than artistic appeal, is to narrate tales of Krishna to the illiterate. Temples have sets with different images, which are changed according to the calendar of festivals celebrating the deity.
Indian art consists of a variety of art forms, including painting, sculpture, pottery, and textile arts such as woven silk. Geographically, it spans the entire Indian subcontinent, including what is now India, Pakistan, Bangladesh, Sri Lanka, Nepal, Bhutan, and at times eastern Afghanistan. A strong sense of design is characteristic of Indian art and can be observed in its modern and traditional forms.
Rajput painting, painting of the regional Hindu courts during the Mughal era, roughly from the end of the 16th century to the middle of the 19th century. Traditionally, Rajput painting is further divided into Rajasthan and Pahari painting which flourished in two different areas "far apart from each other in terms of distance but all under the rule of Rajput chiefs, and bound together by a common culture".
Indian painting has a very long tradition and history in Indian art. The earliest Indian paintings were the rock paintings of prehistoric times, such as the petroglyphs found in places like the Bhimbetka rock shelters. Some of the Stone Age rock paintings found among the Bhimbetka rock shelters are approximately 10,000 years old. Because of the climatic conditions in the Indian subcontinent, very few early examples survive today.
Pahari painting is an umbrella term used for a form of Indian painting, done mostly in miniature forms, originating from the lower Himalayan hill kingdoms of North India and plains of Punjab, during the early 17th to mid 19th century, notably Basohli, Mankot, Nurpur, Chamba, Kangra, Guler, Mandi and Garhwal. Nainsukh was a famous master of the mid-18th century, followed by his family workshop for another two generations. The central theme of Pahari painting is depiction of eternal love of the Hindu deities Radha and Krishna. A distinct lyricism, spontaneous rhythm, softness, minute intricate details of composition, and intense perception and portrayal of human emotions and physical features distinguish the Pahari miniatures from the other miniature schools like Deccan, Mughal and Rajasthani-Rajput.
Shrinathji is a form of Krishna, manifested as a seven-year-old child. The principal shrine of Shrinathji is the Shrinathji Temple in the temple city of Nathdwara, 48 kilometres north-east of Udaipur city in Rajasthan, India. Shrinathji is the central presiding deity of the Vaishnava sect known as Pushtimarg or the Vallabha Sampradaya, established by Vallabhacharya. Shrinathji is worshipped mainly by the followers of Bhakti Yoga and the Vaishnavas in Gujarat and Rajasthan, and Bhatias amongst others.
The Puṣṭimārga, also known as Pushtimarg or Vallabha Sampradāya, is a sect within the Vaishnavism tradition of Hinduism. It was established in the early 16th century by Vallabha (1479–1531) and further developed by his descendants, particularly Viṭṭhalanātha. Followers of the Puṣṭimārga worship Kr̥ṣṇa and engage in devotional practices centered around the youthful Kr̥ṣṇa as depicted in the Bhāgavata Purāṇa, and the pastimes at Govardhan Hill.
Shuddadvaita is the "purely non-dual" philosophy propounded by the Hindu philosopher Vallabha, the founder of Puṣṭimārga, a Vaishnava tradition focused on the worship of the deity Krishna. Vallabhacharya's pure form (nondualist) philosophy is different from Advaita.
Bhanwar lal Girdhari lal Sharma, better known as B. G. Sharma, was a painter from Rajasthan, India. He is famous for his miniature devotional paintings and his rejuvenation and popularization of classic Rajasthan art, including the Mughal, Kishangarh, and Kangra styles. He is also well known for experimenting and mixing modern with traditional styles and producing some exemplary pieces of art.
Painting is a visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface. The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, may be used. One who produces paintings is called a painter.
Patachitra or Pattachitra is a general term for traditional, cloth-based scroll painting, based in the eastern Indian states of Odisha, West Bengal and parts of Bangladesh. Patachitra artform is known for its intricate details as well as mythological narratives and folktales inscribed in it. Pattachitra is one of the ancient artworks of Odisha, originally created for ritual use and as souvenirs for pilgrims to Puri, as well as other temples in Odisha. Patachitras are a component of an ancient Bengali narrative art, originally serving as a visual device during the performance of a song.
Narottam Narayan Sharma was an Indian artist from Nathdwara. He is especially famous for his images of Krishna, which were popular throughout North India and were even more influential than the works of Raja Ravi Varma.
Apart from the architecture of Rajasthan, the most notable forms of the visual art of Rajasthan are architectural sculpture on Hindu and Jain temples in the medieval era, in painting illustrations to religious texts, beginning in the late medieval period, and post-Mughal miniature painting in the Early Modern period, where various different court schools developed, together known as Rajput painting. In both cases, Rajasthani art had many similarities to that of the neighbouring region of Gujarat, the two forming most of the region of "Western India", where artistic styles often developed together.
The Shrinathji Temple is a Hindu temple dedicated to Shrinathji located in Nathdwara. It is considered an important pilgrimage centre by Vaishnavas.
Pundit Devarshi Ramanath Shastri was a Sanskrit poet, scholar and commentator on Pushtimarg and Shuddhadvaita Vedanta, the philosophical school of pure non-dualism propounded by Shri Vallabhacharya (1479-1531). He was born in 1878 in Jaipur, Rajasthan in a renowned Vellanadu Brahmin family of Sanskrit scholars belonging to the Taittariya branch of Krishna Yajurveda, who migrated from Andhra Pradesh to North India in the 15th century AD and to Jaipur in the 18th century with his famous ancestor Kavikalanidhi Devarshi Shrikrishna Bhatt having been invited by Sawai Jai Singh II. His father’s name was Shri Dwarakanath Bhatt and mother’s name was Shrimati Janaki Devi. His only son was Devarshi Brajnath Shastri (1901-1954), who was also a scholar of Shuddhadvaita. He was the elder brother of epoch-making Sanskrit poet and scholar Bhatt Mathuranath Shastri. He wrote extensively in Hindi, Sanskrit and Brajbhasha languages.
Rajaram Sharma is an Indian artist of Pichhwai and Indian miniature paintings.
Indian miniature paintings are a class of paintings originating from India. Made on canvases a few inches in length and width, the Indian miniatures are noted for the amount of details that the artist encapsulates within the minute canvas frame; and the characteristic sensitivity with which the human, divine and natural forms are portrayed.
The GarhPalace, Jhalawar, was a royal residence and former administrative headquarters of the rulers of the Jhalawar State in Jhalawar, Rajasthan, India.
