The elephant goad, bullhook, or ankusha [1] is a tool employed by mahout in the handling and training of elephants. The pointed tip of an elephant goad or a bullhook could be used to stab the elephant's head if the elephant charged nearby people, risking injury or death to the rider and bystanders. The elephant goad consists of a hook (usually bronze or steel) which is attached to a 60–90 cm (2.0–3.0 ft) handle, ending in a tapered end.
A relief at Sanchi and a fresco at the Ajanta Caves depict a three-person crew on the war elephant, the driver with an elephant goad, what appears to be a noble warrior behind the driver and another attendant on the posterior of the elephant. [2]
Nossov and Dennis (2008: p. 19) report that two perfectly preserved elephant goads were recovered from an archaeological site at Taxila and are dated from 3rd century BCE to the 1st century CE according to Marshall. The larger of the two is 65 cm (26 in) long. [2]
Nossov and Dennis (2008: p. 16) state:
An ankusha, a sharpened goad with a pointed hook, was the main tool for managing an elephant. The ankusha first appeared in India in the 6th-5th century BC and has been used ever since, not only there, but wherever elephants served man. [3]
The handle can be made of any material, from wood to ivory, depending on the wealth and opulence of the owner. Contemporary bullhooks which are used for animal handling generally have handles made of fibreglass, metal, plastic, or wood.
The elephant goad is found in armouries and temples all across India, where elephants march in religious processions and perform in various civil capacities. They are often quite ornate, being decorated with gemstones and engravings to be appropriate for the ceremonies in which they are used.
The elephant goad is a polysemic iconographic ritual tool in Hinduism, Jainism, and Buddhism, in the inclusive rubric of Indian religions.[ citation needed ]
The elephant has appeared in cultures across the world. They are a symbol of wisdom in Asian cultures and are famed for their memory and intelligence, where they are thought to be on par with cetaceans [4] and hominids. [5] Aristotle once said the elephant was "the beast which passeth all others in wit and mind". [6] The word "elephant" has its origins in the Greek ἐλέφας , meaning "ivory" or "elephant". [7]
In iconography and ceremonial ritual tools, the elephant goad is often included in a hybridized tool, for example one that includes elements of Vajrakila, 'hooked knife' or 'skin flail' (Tibetan: gri-gug, Sanskrit: kartika), Vajra and Axe, as well as the goad functionality for example. Ritual ankusha were often finely wrought of precious metals and even fabricated from ivory, often encrusted with jewels. In Indian religions, the goad/ankusha and rope 'noose/snare/lasso' (Sanskrit: Pāśa) are traditionally paired as tools of subjugation. [8]
In the Hinduism, an elephant goad is one of the eight auspicious objects known as Ashtamangala and certain other religions of the Indian subcontinent. A goad is also an attribute of many Hindu gods, especially Tripura Sundari & Ganesha.
Wallace and Goleman (2006: p. 79) discuss 'śamatha' (Sanskrit), mindfulness and introspection which they tie to metacognition:
Throughout Buddhist literature, the training in shamatha is often likened to training a wild elephant, and the two primary instruments for this are the tether of mindfulness and the goad of introspection. [9] [10]
Rowlands (2001: p. 124) in discussing consciousness and its self-conscious, self-reflexive quality of apperception states that:
The most significant aspect of consciousness, I shall try to show, is its structure, its hybrid character. Consciousness can be both act and object of experience. Using the somewhat metaphorical notion of directing, we might say that consciousness is not only the directing of awareness but can be that upon which awareness is directed. Consciousness is not only the act of conscious experience, it can be experience's object. [italics preserved from original] [11]
In the above quotation the metaphor of 'directing' is employed. In 'directing' consciousness or the mind to introspectively apperceive the directive forded by the goad is key.
In the Tattvasamgraha tantra (c 7th century), one of the most important tantras of the Buddhist Yoga Tantra Class, the ankusha figures in the visualization of one of the retinue. This tantra explains the process of the visualization of the Vajradhatu Mandala, which is one of the most visually stylized of Buddhist mandalas. The Ankusha is the symbolic attribute for the visualization of the Bodhisattva Vajraraja, an emanation within the retinue of Vajradhatu. This visualization is treated in Tachikawa (c2000: p. 237). [12]
In Rudyard Kipling's Second Jungle Book story "The King's Ankus", Mowgli finds the magnificently-jeweled elephant goad of the title in a hidden treasure chamber. Not realizing the value men place on jewels, he later casually discards it in the jungle, unwittingly leading to a chain of greed and murder amongst those who find it after him. A jeweled goad also appears in the 1942 film adaptation Rudyard Kipling's Jungle Book .
Chakras are various focal points used in a variety of ancient meditation practices, collectively denominated as Tantra, or the esoteric or inner traditions of Hinduism and Buddhism.
Tantra is an esoteric yogic tradition that developed on the Indian subcontinent from the middle of the 1st millennium CE onwards in both Hinduism and Buddhism.
Yoga is a group of physical, mental, and spiritual practices or disciplines which originated in ancient India and aim to control (yoke) and still the mind, recognizing a detached witness-consciousness untouched by the mind (Chitta) and mundane suffering (Duḥkha). There is a wide variety of schools of yoga, practices, and goals in Hinduism, Buddhism, and Jainism, and traditional and modern yoga is practiced worldwide.
Vajrayāna, also known as Mantrayāna, Mantranāya, Guhyamantrayāna, Tantrayāna, Tantric Buddhism, and Esoteric Buddhism, is a Buddhist tradition of tantric practice that developed in the Indian subcontinent and spread to Tibet, Nepal, other Himalayan states, East Asia, and Mongolia.
A mandala is a geometric configuration of symbols. In various spiritual traditions, mandalas may be employed for focusing attention of practitioners and adepts, as a spiritual guidance tool, for establishing a sacred space and as an aid to meditation and trance induction. In the Eastern religions of Hinduism, Buddhism, Jainism and Shinto it is used as a map representing deities, or especially in the case of Shinto, paradises, kami or actual shrines.
In Vajrayana Buddhism, the Womb Realm is the metaphysical space inhabited by the Five Compassion Buddhas. The Womb Realm is based on the Mahavairocana Tantra. The name of the mandala derives from chapter 2 of the sutra, where it is said that the buddha Mahāvairocana revealed the mandala's secret teachings to his disciple Vajrasattva from his "womb of compassion". In other translations, the term Matrix Realm or Matrix Mandala is used.
The Cakrasaṃvara Tantra is an influential Buddhist Tantra. It is roughly dated to the late 8th or early 9th century by David B. Gray. The full title in the Sanskrit manuscript used by Gray's translation is: Great King of Yoginī Tantras called the Śrī Cakrasaṃvara (Śrīcakrasaṃvara-nāma-mahayoginī-tantra-rāja). The text is also called the Discourse of Śrī Heruka (Śrīherukābhidhāna) and the Samvara Light (Laghusaṃvara).
In Mahayana and Vajrayana Buddhism, the Five Tathāgatas or Five Wisdom Tathāgatas, the Five Great Buddhas, the Five Dhyani Buddhas and the Five Jinas, are five Buddhas which are often venerated together. Various sources provide different names for these Buddhas, though the most common today are: Akshobhya, Ratnasambhava, Vairocana, Amitābha, and Amoghasiddhi.
A ganacakra is also known as tsok, ganapuja, cakrapuja or ganacakrapuja. It is a generic term for various tantric assemblies or feasts, in which practitioners meet to chant mantra, enact mudra, make votive offerings and practice various tantric rituals as part of a sādhanā, or spiritual practice. The ganachakra often comprises a sacramental meal and festivities such as dancing, spirit possession, and trance; the feast generally consisting of materials that were considered forbidden or taboo in medieval India like meat, fish, and wine. As a tantric practice, forms of gaṇacakra are practiced today in Hinduism, Bön and Vajrayāna Buddhism.
Anuyoga is the designation of the second of the three Inner Tantras according to the ninefold division of practice used by the Nyingma school of Tibetan Buddhism. This schema categorizes various stages of practice, and Anuyoga specifically emphasizes the completion stage of Tantra. As with the other yanas, Anuyoga represents both a scriptural division as well as a specific emphasis of both view and practice. Anuyoga delves into inner practices involving the subtle body, chakras, prana, nadis, and consciousness (bindu). It is particularly suited for individuals whose primary obstacle is passion and is associated with the feminine principle.
The goad is a traditional farming implement, used to spur or guide livestock, usually oxen, which are pulling a plough or a cart; used also to round up cattle. It is a type of long stick with a pointed end, also known as the cattle prod.
Vajrayoginī is an important figure in Buddhism, especially revered in Tibetan Buddhism. In Vajrayana she is considered a female Buddha and a ḍākiṇī. Vajrayoginī is often described with the epithet sarvabuddhaḍākiṇī, meaning "the ḍākiṇī [who is the Essence] of all Buddhas". She is an and Anuttarayoga Tantra meditational deity (iṣṭadevatā) and her practice includes methods for preventing ordinary death, intermediate state (bardo) and rebirth (samsara) by transforming them into paths to enlightenment, and for transforming all mundane daily experiences into higher spiritual paths.
Buddhist tantric literature refers to the vast and varied literature of the Vajrayāna Buddhist traditions. The earliest of these works are a genre of Indian Buddhist tantric scriptures, variously named Tantras, Sūtras and Kalpas, which were composed from the 7th century CE onwards. They are followed by later tantric commentaries, original compositions by Vajrayana authors, sādhanas, ritual manuals, collections of tantric songs (dohās) odes (stotra), or hymns, and other related works. Tantric Buddhist literature survives in various languages, including Sanskrit, Tibetan, and Chinese. Most Indian sources were composed in Sanskrit, but numerous tantric works were also composed in other languages like Tibetan and Chinese.
Tibetan tantric practice, also known as "the practice of secret mantra", and "tantric techniques", refers to the main tantric practices in Tibetan Buddhism. The great Rime scholar Jamgön Kongtrül refers to this as "the Process of Meditation in the Indestructible Way of Secret Mantra" and also as "the way of mantra," "way of method" and "the secret way" in his Treasury of Knowledge. These Vajrayāna Buddhist practices are mainly drawn from the Buddhist tantras and are generally not found in "common" Mahayana. These practices are seen by Tibetan Buddhists as the fastest and most powerful path to Buddhahood.
In Vajrayāna Buddhism, esoteric transmission is the transmission of certain teachings directly from teacher to student during an empowerment (abhiṣeka) in a ritual space containing the mandala of the deity. Many techniques are also commonly said to be secret, but some Vajrayana teachers have responded that secrecy itself is not important and only a side-effect of the reality that the techniques have no validity outside the teacher-student lineage.
The fundamental practice of Vajrayana and Tibetan tantra is deity yoga (devatayoga), meditation on a chosen deity or "cherished divinity", which involves the recitation of mantras, prayers and visualization of the deity, the associated mandala of the deity's Buddha field, along with consorts and attendant Buddhas and bodhisattvas. According to the Tibetan scholar Tsongkhapa, deity yoga is what separates Tantra from Sutra practice.
The Varieties of the Meditative Experience is a 1977 book by American psychologist Daniel Goleman. It was republished under the title The Meditative Mind in 1988.
Uchchhishta Ganapati is a Tantric aspect of the Hindu god Ganesha (Ganapati). He is the primary deity of the Uchchhishta Ganapatya sect, one of six major schools of the Ganapatyas. He is worshipped primarily by heterodox vamachara rituals. He is one of the thirty-two forms of Ganesha, frequently mentioned in devotional literature. Herambasuta was one of the exponents of the Uchchhishta Ganapatya sect.
The Mandala-brahmana Upanishad, also known as Mandalabrahmanopanisad, is one of the minor Upanishads of Hinduism and a Sanskrit text. It is attached to the Shukla Yajurveda and is classified as one of the 20 Yoga Upanishads.
Classes of Tantra in Tibetan Buddhism refers to the categorization of Buddhist tantric scriptures in Indo-Tibetan Buddhism. Tibetan Buddhism inherited numerous tantras and forms of tantric practice from medieval Indian Buddhist Tantra. There were various ways of categorizing these tantras in India. In Tibet, the Sarma schools categorize tantric scriptures into four classes, while the Nyingma (Ancients) school use six classes of tantra.
{{cite web}}
: CS1 maint: archived copy as title (link) (accessed: Saturday October 31, 2009)