As it is a country with many different tribes and ethnic groups, the music of Indonesia itself is also very diverse, coming in hundreds of different forms and styles. Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional music are often accompanied by their very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India.
Kulintang is a modern term for an ancient instrumental form of music composed on a row of small, horizontally laid gongs that function melodically, accompanied by larger, suspended gongs and drums. As part of the larger gong-chime culture of Southeast Asia, kulintang music ensembles have been playing for many centuries in regions of the Southern Philippines, Eastern Malaysia, Eastern Indonesia, Brunei and Timor, Kulintang evolved from a simple native signaling tradition, and developed into its present form with the incorporation of knobbed gongs from Sundanese people in Java Island, Indonesia. Its importance stems from its association with the indigenous cultures that inhabited these islands prior to the influences of Hinduism, Buddhism, Islam, Christianity or the West, making kulintang the most developed tradition of Southeast Asian archaic gong-chime ensembles.
The Maranao people, also spelled Meranao, Maranaw, and Mëranaw, is a predominantly Muslim Filipino ethnic group native to the region around Lanao Lake in the island of Mindanao. They are known for their artwork, weaving, wood, plastic and metal crafts and epic literature, the Darangen. They are ethnically and culturally closely related to the Iranun, and Maguindanaon, all three groups being denoted as speaking Danao languages and giving name to the island of Mindanao. They are grouped with other Moro people due to their shared religion.
In Filipino music, the kapanirong is a serenade by a group of young bachelors who would go to a maiden's house and play their music by the window. The house occupants would then invite the serenaders into the house and in the ensuing merrymaking some courtship could take place among the young. The instrumental ensemble consists of a two-stringed guitar or lute called kotiyapi, a bamboo flute called insi, a bamboo harp called kobing, a two-stringed bamboo tube zither called sirongaganding, and a brass tray called tintik. The kapanirong may or may not have added percussion from the portable gandang drum. Outside of the kapanirong, these instruments can be played separately and individually.
The music of Central Asia is as vast and unique as the many cultures and peoples who inhabit the region. Principal instrument types are two- or three-stringed lutes, the necks either fretted or fretless; fiddles made of horsehair; flutes, mostly sige at both ends and either end-blown or side-blown; and jew harps, mostly metal. Percussion instruments include frame drums, tambourines, and kettledrums. Instrumental polyphony is achieved primarily by lutes and fiddles.
The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan, Panay, Mindoro, Mindanao, Sabah, Sulawesi, Sarawak and Kalimantan as an integral part of the agung orchestra.
The babandil is a single, narrow-rimmed Philippine gong used primarily as the “timekeeper” of the Maguindanao kulintang ensemble.
The dabakan is a single-headed Philippine drum, primarily used as a supportive instrument in the kulintang ensemble. Among the five main kulintang instruments, it is the only non-gong element of the Maguindanao ensemble.
The gandingan is a Philippine set of four large, hanging gongs used by the Maguindanao as part of their kulintang ensemble. When integrated into the ensemble, it functions as a secondary melodic instrument after the main melodic instrument, the kulintang. When played solo, the gandingan allows fellow Maguindanao to communicate with each other, allowing them to send messages or warnings via long distances. This ability to imitate tones of the Maguindanao language using this instrument has given the gandingan connotation: the “talking gongs.”
The kubing is a type of Philippine jaw harp from bamboo found among the Maguindanaon and other Muslim and non-Muslim tribes in the Philippines and Indonesia. It is also called kobing (Maranao), kolibau (Tingguian), aru-ding (Tagbanwa), kuribaw, aribao (Isneg), aroding (Palawan), kulaing (Yakan), ulibaw (Kalinga), karombi (Toraja), yori (Kailinese) or Kulibaw. Ones made of sugar palm-leaf are called karinta (Munanese), ore-ore mbondu or ore Ngkale (Butonese).
Traditional Vietnamese musical instruments are the musical instruments used in the traditional and classical musics of Vietnam. They comprise a wide range of string, wind, and percussion instruments, used by both the Viet majority as well as the nation's ethnic minorities.
Traditional Thai musical instruments are the musical instruments used in the traditional and classical music of Thailand. They comprise a wide range of wind, string, and percussion instruments played by both the Thai majority as well as the nation's ethnic minorities.
The gunong is a knife from Mindanao and the Visayas islands of the Philippines. In ancient past, it was called bunong by the Tagalog people. It is essentially a diminutive form of the larger kalis or kris. The gunong serves both as a utility knife and as a thrusting weapon used for close quarter fighting—usually as a last defense. It is most often associated with the Maranao, among whom the gunong was traditionally carried by both sexes, although it exists in other cultures throughout Mindanao and the Visayas. The weapon is generally tucked into the back of a waist sash.
Philippine traditional musical instruments are commonly grouped into four categories: aerophones, chordophones, membranophones, and idiophones.
The kolitong is a bamboo polychordal tube zither from Bontok, Kalinga, Philippines with six strings that run parallel to its tube body. The strings are numbered from one to six, from lowest to highest pitch. The body acts as the instrument's resonator. The body may be a whole tube or a half tube. In both cases, the two ends of the body are closed by the bamboo nodes. To help with the resonance of the instrument, holes are made on both nodes and long cracks are made along the body parallel to the strings.
Darangen is a Maranao epic poem from the Lake Lanao region of Mindanao, Philippines. It consists of 17 cycles with 72,000 lines in iambic tetrameter or catalectic trochaic tetrameter. Each cycle pertains to a different self-contained story. The most notable of which deals with the exploits of the hero Bantugan.
Kularts is a San Francisco, California,-based non-profit organization founded in 1985. It presents contemporary and tribal Filipino arts. Its mission is to expand the understanding of American Filipino culture, through sponsoring productions and presentations in the United States. Through its programs of performances, visual arts, community dialogues, and festivals, the organization hopes to advance the spirit and integrity of ancestral Filipino art and cultures.
The tube zither is a stringed musical instrument in which a tube functions both as an instrument's neck and its soundbox. As the neck, it holds strings taut and allows them to vibrate. As a soundbox, it modifies the sound and transfers it to the open air. The instruments are among the oldest of chordophones, being "a very early stage" in the development of chordophones, and predate some of the oldest chordophones, such as the Chinese Se, zithers built on a tube split in half. Most tube zithers are made of bamboo, played today in Madagascar, India, Southeast Asia and Taiwan. Tube zithers made from other materials have been found in Europe and the United States, made from materials such as cornstalks and cactus.
