Indonesia is a country with many different tribes and ethnic groups, and its music is also very diverse, coming in hundreds of different forms and styles. Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional type of music is often accompanied by its very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India.
The suling is a musical instrument of the Sundanese people in Indonesia. It is used in the Degung ensemble. Bamboo ring flute can also be found in Southeast Asian, especially in Brunei, Indonesia, Malaysia, the Philippines and Singapore.
The Tausūg, are an ethnic group of the Philippines and Malaysia. A small population can also be found in the northern part of North Kalimantan, Indonesia. The Tausūg are part of the wider political identity of Muslim Filipinos of western Mindanao, the Sulu archipelago, and southern Palawan, collectively referred to as the Moro people. The Tausugs originally had an independent state known as the Sultanate of Sulu, which once exercised sovereignty over the present day provinces of Basilan, Palawan, Sulu, Tawi-Tawi, Zamboanga City, eastern part of Sabah and eastern part of North Kalimantan. They are also known in the Malay language as Suluk.
The Maranao people, also spelled Meranao, Maranaw, and Mëranaw, is a predominantly Muslim Filipino ethnic group native to the region around Lanao Lake in the island of Mindanao. They are known for their artwork, weaving, wood, plastic and metal crafts and epic literature, the Darangen. They are ethnically and culturally closely related to the Iranun, and Maguindanaon, all three groups being denoted as speaking Danao languages and giving name to the island of Mindanao. They are grouped with other Moro people due to their shared religion.
The malong is a traditional Filipino-Bangsamoro rectangular or tube-like wraparound skirt bearing a variety of geometric or okir designs. The malong is traditionally used as a garment by both men and women of the numerous ethnic groups in the mainland Mindanao and parts of the Sulu Archipelago. They are wrapped around at waist or chest-height and secured by tucked ends, with belts of braided material or other pieces of cloth, or are knotted over one shoulder. They were traditionally hand-woven, with the patterns usually distinctive to a particular ethnic group. However, modern malong are usually machine-made or even imported, with patterns that mimic the traditional local designs.
In Sulu, tagonggo or tagunggo is a type of music traditionally played by male musicians dressed in their festive fineries. Tagonggo is associated with the Sama, Bajau, and Tausug ethnicities.
The Moro people or Bangsamoro people are the 13 Muslim-majority ethnolinguistic Austronesian groups of Mindanao, Sulu, and Palawan, native to the region known as the Bangsamoro. As Muslim-majority ethnic groups, they form the largest non-Christian population in the Philippines, and comprise about 5% of the country's total population, or 5 million people.
The Maguindanaon people are an Austronesian ethnic group from the Philippines. The Maguindanaon are part of wider political identity of Muslims known as Moro, who constitute the third largest ethnic group of Mindanao, Sulu and Palawan. The Maguindanaons constitute the ninth largest Filipino ethnic group and are known for being distinguished in the realm of visual art. They have been renowned as metalworkers, producing the wavy-bladed keris ceremonial swords and other weapons, as well as gongs. The Maguindanaons historically had an independent sultanate known as the Sultanate of Maguindanao which comprises modern day Maguindanao del Norte, Maguindanao del Sur, Zamboanga Peninsula, Davao Region and Soccsksargen. The name "Maguindanao/Magindanaw" itself was corrupted by Spanish sources into "Mindanao", which became the name for the entire island of Mindanao.
The kagul is a type of Philippine bamboo scraper gong/slit drum of the Maguindanaon and Visayans with a jagged edge on one side, played with two beaters, one scraping the jagged edge and the other one making a beat. The Maguindanaon and the Banuwaen use it in the rice paddies to guard against voracious birds, using the sound it produces to scare them away. The Maguindanaon and the Bukidnon also used to use it for simple dance rhythms during social occasions. The rhythms were usually simplistic in nature, consisting of one rhythmic pattern sometimes combined with another. Use of the kagul in the former way is no longer practiced.
The agung is a set of two wide-rimmed, vertically suspended gongs used by the Maguindanao, Maranao, Sama-Bajau and Tausug people of the Philippines as a supportive instrument in kulintang ensembles. The agung is also ubiquitous among other groups found in Palawan, Panay, Mindoro, Mindanao, Sabah, Sulawesi, Sarawak and Kalimantan as an integral part of the agung orchestra.
The babandil is a single, narrow-rimmed Philippine gong used primarily as the “timekeeper” of the Maguindanao kulintang ensemble.
The dabakan is a single-headed Philippine drum, primarily used as a supportive instrument in the kulintang ensemble. Among the five main kulintang instruments, it is the only non-gong element of the Maguindanao ensemble.
The gandingan is a Philippine set of four large, hanging gongs used by the Maguindanao as part of their kulintang ensemble. When integrated into the ensemble, it functions as a secondary melodic instrument after the main melodic instrument, the kulintang. When played solo, the gandingan allows fellow Maguindanao to communicate with each other, allowing them to send messages or warnings via long distances. This ability to imitate tones of the Maguindanao language using this instrument has given the gandingan connotation: the “talking gongs.”
The kulintang a kayo is a Philippine xylophone of the Maguindanaon people with eight tuned slabs strung horizontally atop a padded wooden antangan (rack). Made of hand-carved soft wood such as bayug or more likely tamnag, the kulintang a kayo is rarely found except in Maguindanaon households which have a strong kulintang musical heritage. Traditionally, this homemade instrument was used for self-entertainment purposes inside the house, so that beginning musicians could practice kulintang pieces before performing them on the full-sized metal kulintang sets. Only recently have these instruments been used as part of a wooden kulintang ensemble. This ancient instrument is considered to have existed in the Philippines before the importation of metal gongs from China and therefore is considered a precursor to the present-day kulintang.
The kutiyapi, or kudyapi, is a Philippine two-stringed, fretted boat-lute. It is four to six feet long with nine frets made of hardened beeswax. The instrument is carved out of solid soft wood such as that from the jackfruit tree.
Philippine traditional musical instruments are commonly grouped into four categories: aerophones, chordophones, membranophones, and idiophones.
The Maguindanao kulintang ensemble is a musical ensemble in the kulintang tradition of the Maranao and the Maguindanao. Other forms of the kulintang ensembles are played in parts of Southeast Asia especially in the eastern parts of Maritime Southeast Asia — the Southern Philippines, Eastern Indonesia, Eastern Malaysia, Brunei and Timor. There are mainly five instruments on the ensemble: Kulintang, Agung, Gandingan, Babendil and Dabakan.
Malay spoken by a minority of Filipinos, particularly in the Palawan, Sulu Archipelago and parts of Mindanao, mostly in the form of trade and creole languages, such as Sabah Malay.
Kularts is a San Francisco, California, based non-profit organization founded in 1985. It presents contemporary and tribal Filipino arts. Its mission is to expand the understanding of American Filipino culture, by sponsoring productions and presentations in the United States. Through its programs of performances, visual arts, community dialogues, and festivals, the organization hopes to advance the spirit and integrity of ancestral Filipino art and cultures.
A tifa totobuang is a music ensemble from the Maluku Islands, related to the kulintang orchestra. It consists of a set of a double row of gong chimes known as the totobuang and a set of tifa drums. It can also include a large gong.
