 An example of a Murut sompoton, exhibited in Wisma Warisan Sandakan, 1st floor, in the former British North Borneo Museum. | |
| Classification | Mouth organ |
|---|---|
| Developed | Northern Borneo: Sabah, Malaysia |
Sompoton or Sumpotan, is a mouth organ made from a gourd with bamboo pipes in northern Borneo. [1] It originated in the state of Sabah and is played by indigenous men and women in Sabah, especially by the Kadazan-Dusun and Murut. [2] [3] [4]
A sompoton consists of eight pieces of bamboo pipe inserted into a dried gourd sealed with bees' wax, which serves as a wind chamber. Unlike a bamboo flute, which is a straight pipe, the sompoton is a 'mouth organ' as it contains vibrating reeds. Another difference is that, unlike a flute (which is played only by expelled air), a sompoton can be played by both inhalation and exhalation. In Kota Kinabalu, capital of Sabah, at the Filipino crafts market one is likely to find 'ornamental sompotons' with only two reeds; but at the Sabah Cultural Centre one finds completely functional/playable sompotons with the full complement of 7 reeds. Traditionally, the individual pipes have their own names, such as lombohon, monongkol, suruk, baranat, randawi, tuntuduk and tinangga. [5]
A pan flute is a musical instrument based on the principle of the closed tube, consisting of multiple pipes of gradually increasing length. Multiple varieties of pan flutes have been popular as folk instruments. The pipes are typically made from bamboo, giant cane, or local reeds. Other materials include wood, plastic, metal and ivory.
Woodwind instruments are a family of musical instruments within the more general category of wind instruments. Common examples include flute, clarinet, oboe, bassoon, and saxophone. There are two main types of woodwind instruments: flutes and reed instruments. The main distinction between these instruments and other wind instruments is the way in which they produce sound. All woodwinds produce sound by splitting the air blown into them on a sharp edge, such as a reed or a fipple. Despite the name, a woodwind may be made of any material, not just wood. Common examples include brass, silver, cane, as well as other metals such as gold and platinum. The saxophone, for example, though made of brass, is considered a woodwind because it requires a reed to produce sound. Occasionally, woodwinds are made out of earthen materials, especially ocarinas.
Hornbostel–Sachs or Sachs–Hornbostel is a system of musical instrument classification devised by Erich Moritz von Hornbostel and Curt Sachs, and first published in the Zeitschrift für Ethnologie in 1914. An English translation was published in the Galpin Society Journal in 1961. It is the most widely used system for classifying musical instruments by ethnomusicologists and organologists. The system was updated in 2011 as part of the work of the Musical Instrument Museums Online (MIMO) Project.
The sheng is a Chinese mouth-blown free reed instrument consisting of vertical pipes. It is a polyphonic instrument and enjoys an increasing popularity as a solo instrument.
A free reed aerophone is a musical instrument that produces sound as air flows past a vibrating reed in a frame. Air pressure is typically generated by breath or with a bellows. In the Hornbostel–Sachs system, it is number: 412.13. Free reed instruments are contrasted with non-free or enclosed reed instruments, where the timbre is fully or partially dependent on the shape of the instrument body, Hornbostel–Sachs number: 42.
The nose flute is a popular musical instrument played in Polynesia and the Pacific Rim countries. Other versions are found in Africa.
A mouth organ is any free reed aerophone with one or more air chambers fitted with a free reed. Though it spans many traditions, it is played universally the same way by the musician placing their lips over a chamber or holes in the instrument, and blowing or sucking air to create a sound. Many of the chambers can be played together or each individually.
The pungi, also known as the been, or the murli, is a wind instrument, originating from the Indian subcontinent. The instrument consists of a reservoir into which air is blown and then channelled into two reed pipes. It is played with no pauses, as the player employs circular breathing. In street performances, the pungi is used for snake charming.
A suling or seruling is a Southeast Asian bamboo ring flute especially in Brunei, Indonesia, Malaysia, the Philippines and Singapore. It is used in gamelan ensembles.
Mizoram is a region in India. Its folk music consists of vocals (singing) accompanied by traditional drums, gong and other native percussion instruments. There is also a long history of flute-playing which is now defunct. The drums are made from a hollow tree trunk with membrane made from cow hide and the gongs, made of brass, are very similar to those found in Myanmar.
A flue pipe is an organ pipe that produces sound through the vibration of air molecules, in the same manner as a recorder or a whistle. Air under pressure is driven through a flue and against a sharp lip called a labium, causing the column of air in the pipe to resonate at a frequency determined by the pipe length. Thus, there are no moving parts in a flue pipe. This is in contrast to reed pipes, whose sound is driven by beating reeds, as in a clarinet. Flue pipes are common components of pipe organs.
The hulusi, also known as the cucurbit flute and the gourd flute is a free reed wind instrument from China, Vietnam and the Shan State and by the indigenous people of Assam. It is held vertically and has three bamboo pipes that pass through a Calabash gourd wind chest; the center pipe has finger holes and the outer two are typically drone pipes. It is not uncommon for a hulusi to have only one drone pipe while the second outer pipe is merely ornamental. The drone pipe has a finger hole which allows it to be stopped. Advanced configurations have keyed finger holes similar to a clarinet or oboe, which can greatly extend the range of the hulusi to several octaves.
Traditional Vietnamese musical instruments are the musical instruments used in the traditional and classical musics of Vietnam. They comprise a wide range of string, wind, and percussion instruments, used by both the Viet (Kinh) majority as well as the nation's ethnic minorities.
The gourd mouth organ is a free reed mouth organ played across East and Southeast Asia. It consists of a gourd wind chest with several bamboo or bronze pipes inserted on top of it, the numbers of pipes differing from region to region.
Bamboo's natural hollow form makes it an obvious choice for many musical instruments.
The ploy is a Cambodian wind instrument. It is constructed of a gourd body with 5 to 7 bamboo tubes protruding from the body, and a bamboo pipe set at a right angle to the gourd. Musicians blow air in through the bamboo tube, which fills the gourd "wind chest" and exits through the other bamboo tubes. Each of the bamboo sound-tubes has a metal rod inside, that vibrate in the air passing through the tube.
Tenghilan is a small town and mukim under the administration of the Tamparuli minor district office. It is located in the Tuaran District of the West Coast Division of Sabah, Malaysia. The Tenghilan area is centered around a small town of the same name located near the road that connects Kota Kinabalu and Kota Belud. In 2010, its population was estimated at 203 inhabitants, mostly of Kadazan-Dusun origin. The town, which covers about 400 hectares of land, is located about 17 km northeast of Tuaran, and 25 km southwest of Kota Belud.
The keluri or keledi or enkulurai is free reed gourd mouth organ from East Malaysia and Kalimantan made of bamboo and gourd. Historically the keledi or keluri was played by the Orang Ulu people who come from Sarawak, Malaysia, the area northwest of the island of Borneo. Among the Iban people the instrument is called enkulurai. Other peoples that have played the instrument include the Kayan people and Kenyah people. In the 21st century, the instrument has largely disappeared; while not extinct, researchers have had a difficult time finding anyone making or using the instruments.
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