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The gemshorn is an instrument of the ocarina family that was historically made from the horn of a chamois, goat, or other suitable animal. [1] The gemshorn receives its name from the German language, in which Gemshorn means a "chamois horn". [2] According to Etymologist Francesco Perono Cacciafoco, the form could have prehistoric origins and come from Proto-Germanic *gămĭtă-χŭrnă-n < Indo-European *gʱŏm-ĭdó-ḱrhₐ-nŏ-m (or *gʱŏm-ĭdó-ḱrhₐ-nŏ-m) > Gämshorn, indicating a "'specific' wind instrument, crafted by using the horns of ungulated animals and different from a hunting horn or a signaling horn". [3]
The gemshorn was used in the 15th century. Examples have been unearthed in Italy, in Hungary and in Germany, including one intact instrument made of clay which dates at least to 1450, as it was found buried beneath the foundation of a house built at that time. [1] The early history of the instrument is not well-known, but the oldest known illustration of one in a reference work is in Musica Getutscht (1511), by Sebastian Virdung. A skeletal figure is seen holding one in a Danse Macabre illustration dated to 1485. [4] There is also mention of this instrument in "The Complaynt of Scotlande" as "ane gatehorn"(goat horn). They were primarily a pastoral instrument and were not widely known after the mid-to-late 16th century. With resurgent interest in early music in the 19th and 20th centuries, they have received new attention. Horace Fitzpatrick developed a form of gemshorn which adopted the fingering method of recorders and produced them in consort families, which have proven very popular since the 1960s. [4]
Modern gemshorns are often made of the horns of domesticated cattle, because they are readily available, and their use prevents endangering wild species. The hollow horn has tone holes down the front, like a recorder or clarinet. The pointed end of the horn is left intact, and serves as the bottom of the instrument. A fipple plug, usually of wood, is fitted into the wide end of the instrument, with a recorder type voicing window on the front of the horn, for tone production.
On more advanced models, there is a "tuning ring". This is a metal band or ring, placed between the voicing window and the top tone hole. A hole is drilled through this ring and the horn beneath. When the ring is turned with the fingers the hole is partially blocked. This lowers the flute's keynote by up to about one major tone. Partial wax closure of the dorsal (rear) thumb hole will accomplish the same keynote tuning.
Some recent makers have used synthetic materials in place of the animal horn. [5] Another alternative, offered by some makers, is wooden gemshorns. [6]
16th-century illustrations show an instrument which had only a few tone holes, and a very limited range. The intact clay gemshorn, mentioned above, which was found beneath a 15th-century house, had a chromatic range of one octave. Modern makers have often chosen to build them using the Baroque recorder fingering.
The sound of the gemshorn is like that of other flutes, but with an ocarina-like lack of harmonic overtones.
There is a gemshorn organ stop, modeled after this instrument. Its pipes are conical, with the wind going in at the wide end, as in the actual gemshorn. In organ pipe classification it is a flute/string hybrid. [7]
The bassoon is a musical instrument in the woodwind family, which plays in the tenor and bass ranges. It is composed of six pieces, and is usually made of wood. It is known for its distinctive tone color, wide range, versatility, and virtuosity. It is a non-transposing instrument and typically its music is written in the bass and tenor clefs, and sometimes in the treble. There are two forms of modern bassoon: the Buffet and Heckel systems. It is typically played while sitting using a seat strap, but can be played while standing if the player has a harness to hold the instrument. Sound is produced by rolling both lips over the reed and blowing direct air pressure to cause the reed to vibrate. Its fingering system can be quite complex when compared to those of other instruments. Appearing in its modern form in the 19th century, the bassoon figures prominently in orchestral, concert band, and chamber music literature, and is occasionally heard in pop, rock, and jazz settings as well. One who plays a bassoon is called a bassoonist.
The clarinet is a single-reed musical instrument in the woodwind family, with a nearly cylindrical bore and a flared bell.
The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In the Hornbostel–Sachs classification system, flutes are edge-blown aerophones. A musician who plays the flute is called a flautist or flutist.
The recorder is a family of woodwind musical instruments in the group known as internal duct flutes: flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition.
Woodwind instruments are a family of musical instruments within the greater category of wind instruments.
The tin whistle, also known as the penny whistle, is a simple six-holed woodwind instrument. It is a type of fipple flute, putting it in the same class as the recorder, Native American flute, and other woodwind instruments that meet such criteria. A tin whistle player is called a whistler. The tin whistle is closely associated with Irish traditional music and Celtic music. Other names for the instrument are the flageolet, English flageolet, Scottish penny whistle, tin flageolet, or Irish whistle.
The cornett, cornetto, or zink is a wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650.
An aerophone is a musical instrument that produces sound primarily by causing a body of air to vibrate, without the use of strings or membranes, and without the vibration of the instrument itself adding considerably to the sound.
The ocarina is a wind musical instrument; it is a type of vessel flute. Variations exist, but a typical ocarina is an enclosed space with four to twelve finger holes and a mouthpiece that projects from the body. It is traditionally made from clay or ceramic, but other materials are also used, such as plastic, wood, glass, metal, or bone.
A shakuhachi is a Japanese longitudinal, end-blown flute that is made of bamboo. The bamboo end-blown flute now known as the shakuhachi was developed in Japan in the 16th century and is called the fuke shakuhachi (普化尺八). A bamboo flute known as the kodai shakuhachi or gagaku shakuhachi (雅楽尺八) was derived from the Chinese xiao in the Nara period and died out in the 10th century. After a long blank period, the hitoyogiri shakuhachi (一節切尺八) appeared in the 15th century, and then in the 16th century, the fuke shakuhachi was developed in Japan. The fuke shakuhachi flourished in the 18th century during the Edo period, and eventually the hitoyogiri shakuhachi also died out. The fuke shakuhachi developed in Japan is longer and thicker than the kodai shakuhachi and has one finger hole less. It is longer and thicker than hitoyogiri shakuhachi and is superior in volume, range, scale and tone quality. Today, since the shakuhachi generally refers only to fuke shakuhachi, the theory that the shakuhachi is an instrument unique to Japan is widely accepted.
The Western concert flute is a family of transverse (side-blown) woodwind instruments made of metal or wood. It is the most common variant of the flute. A musician who plays the flute is called a “flautist” in British English, and a “flutist” in American English.
The flageolet is a woodwind instrument and a member of the family of duct flutes that includes recorders and tin whistles. Its invention was erroneously ascribed to the 16th-century Sieur Juvigny in 1581. There are two basic forms of the instrument: the French, having four finger holes on the front and two thumb holes on the back; and the English, having six finger holes on the front and sometimes a single thumb hole on the back. The latter was developed by English instrument maker William Bainbridge, resulting in the "improved English flageolet" in 1803. There are also double and triple flageolets, having two or three bodies that allowed for a drone and countermelody. Flageolets were made until the 19th century.
The stub-ended Swanson tonette is a small, end-blown vessel flute made of plastic, which was once popular in American elementary music education. Though the tonette has been superseded by the recorder in many areas, plastic Tonettes are still in use in elementary schools around the nation due to their price, durability, and simplicity. The range of the tonette is from C4 to D5. A skilled player can produce notes above the principal register by overblowing and half-covering holes. Similar instruments are the song flute, flutophone, and precorder.
Helmholtz resonance, also known as wind throb, refers to the phenomenon of air resonance in a cavity, an effect named after the German physicist Hermann von Helmholtz. This type of resonance occurs when air is forced in and out of a cavity, causing the air inside to vibrate at a specific natural frequency. The principle is widely observable in everyday life, notably when blowing across the top of a bottle, resulting in a resonant tone.
The Turkish ney is an end-blown flute made of reed, an Ottoman variation on the ancient ney. Together with the Turkish tanbur lute and Turkish kemençe fiddle are considered the most typical instruments of Classical Turkish music. The ney also plays a primary role in the music of the Mevlevi Sufi rites (semâ).
Svirel is a Slavic woodwind instrument of the end-blown flute type traditionally used in Russia, Belarus, and Ukraine. It is a parallel-bore flute. The six-hole versions are similar to the tin whistle; the ten-hole versions are fully chromatic.
A wind instrument is a musical instrument that contains some type of resonator in which a column of air is set into vibration by the player blowing into a mouthpiece set at or near the end of the resonator. The pitch of the vibration is determined by the length of the tube and by manual modifications of the effective length of the vibrating column of air. In the case of some wind instruments, sound is produced by blowing through a reed; others require buzzing into a metal mouthpiece, while yet others require the player to blow into a hole at an edge, which splits the air column and creates the sound.
The Globular Flute is a Neolithic ocarina-type flute found in 1989 at the Mramor archaeological site near Čaška village, 15 km north of Veles in North Macedonia.
A vessel flute is a type of flute with a body which acts as a Helmholtz resonator. The body is vessel-shaped, not tube- or cone-shaped; that is, the far end is closed.
The Runik ocarina is the oldest ocarina found in Europe. It was found in the village of Runik, Skenderaj, Kosovo. It dates back to at least 8000 years ago, and it is the earliest prehistoric musical instrument ever recorded in Kosovo and the Balkans.