Related Research Articles
The recorder is a family of woodwind musical instruments in the group known as internal duct flutes: flutes with a whistle mouthpiece, also known as fipple flutes. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition.
The cornett, cornetto, or zink is an early wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650.
A shakuhachi is a Japanese and ancient Chinese longitudinal, end-blown flute that is made of bamboo.
The ney, is an end-blown flute that figures prominently in Persian music, Turkish music and Arabic music. In some of these musical traditions, it is the only wind instrument used. The ney has been played continually for 4,500–5,000 years in ancient Egypt, making it one of the oldest musical instruments still in use.
The Jew's harp, also known as jaw harp, juice harp, or mouth harp, is a lamellophone instrument, consisting of a flexible metal or bamboo tongue or reed attached to a frame. Contrary to the colloquial name, the Jew's harp most likely originated in Siberia, specifically in or around the Altai Mountains and has no relation to the Jewish people.
The term fipple specifies a variety of end-blown flute that includes the flageolet, recorder, and tin whistle. The Hornbostel–Sachs system for classifying musical instruments places this group under the heading "Flutes with duct or duct flutes." The label "fipple flute" is frequently applied to members of the subgroup but there is no general agreement about the structural detail of the sound-producing mechanism that constitutes the fipple, itself.
Die Musik in Geschichte und Gegenwart: Allgemeine Enzyklopädie der Musik (MGG) is one of the world's most comprehensive encyclopedias of music history and musicology, on account of its scope, content, wealth of research areas, and reference to related subjects. It has appeared in two self-contained printed editions and a continuously updated and expanding digital edition, titled MGG Online. Created by Karl Vötterle, the founder of Bärenreiter-Verlag, and Friedrich Blume, professor of musicology at Kiel University, the first edition was published by Bärenreiter-Verlag in Kassel from 1949 through 1986, comprising a total of 17 volumes and reprinted in paperback in 1989. As early as 1989, its new editor Ludwig Finscher began planning a second, revised edition with 29 volumes, which were published from 1994 through 2008 in cooperation with the publisher J.B. Metzler. As the result of a collaboration between the above publishers and Répertoire International de Littérature Musicale (RILM) in New York, MGG entered the digital world as MGG Online, with Laurenz Lütteken as its editor-in-chief.
The organ of the St. Jacobi Church in Hamburg, was built from 1689 to 1693 by the most renowned organ builder of his time, Arp Schnitger. The organ boasts four manuals and pedal with 60 stops, 15 of which are reeds – and has approximately 4000 sounding pipes. All in all, from the organ's original installation and its condition today not much of its conception has changed. The old pipework and the prospect pipes have been preserved in almost original format. It is the largest organ in existence from before 1700 and is one of the most eminent Baroque instruments that have been preserved.
The Boehm system for the clarinet is a system of clarinet keywork, developed between 1839 and 1843 by Hyacinthe Klosé and Auguste Buffet jeune. The name is somewhat deceptive; the system was inspired by Theobald Boehm's system for the flute, but necessarily differs from it, since the clarinet overblows at the twelfth rather than the flute's octave. Boehm himself was not involved in its development.
The mandora or gallichon is a type of 18th- and early 19th-century lute, with six to nine courses of strings. The terms were interchangeable, with mandora more commonly used from the mid-18th century onwards.
Zuffolo (also chiufolo, ciufolo) is an Italian fipple flute. First described in the 14th century, it has a rear thumb-hole, two front finger-holes, and a conical bore. It is approximately 8 cm in length and has a range of over two octaves, from B3 to C6 (Marcuse 1975c). A larger instrument of the same name, with a lowest note of C5 appeared in the early 17th century (Fuller-Maitland, Baines, and Térey-Smith 2001).
The garklein recorder in C, also known as the sopranissimo recorder or piccolo recorder, is the smallest size of the recorder family. Its range is C6–A7 (C8). The name garklein is German for "quite small", and is also sometimes used to describe the sopranino in G. Although some modern German makers use the single-word form Garkleinflötlein, this is without historical precedent. Double holes for the two lowest notes (used on the larger recorders to achieve a fully chromatic scale) are uncommon. The instrument is usually notated in the treble clef two octaves lower than its actual sound. The garklein recorder is only about 16 to 18 cm long and is different from larger recorders in that it is usually made in one piece due to its size.
St. Michaelis is one of the main churches in Lüneburg, Lower Saxony, Germany. It was first an abbey church of the former monastery of Benedictines, built from 1376 in brick Gothic style. It became Lutheran during the Reformation. Johann Sebastian Bach was for two years a pupil at the school of St. Michaelis.
Rolf Riehm is a German composer who wrote stage and orchestral works as well as music for ensembles and solo instruments. He began as an oboist and music teacher and was later a professor of music theory at the Hochschule für Musik und Darstellende Kunst Frankfurt am Main for several years.
St. Martin is a Gothic church and the associated Catholic parish in Lorch am Rhein, Hesse, Germany. In 2002, it became part of the Rhine Gorge, a UNESCO World Heritage Site. The church features the oldest and largest monochrome wood-carved altar in Germany. Its organ from 1984 makes it also a concert venue, where international organists such as Olivier Latry have performed.
Siegmund Helms is a German musicologist and music educator.
Hanning Schröder was a German composer and violist. From 1927, he worked in Berlin as a violist in orchestras for opera, radio and film, and in the Havemann String Quartet of his teacher Gustav Havemann. He formed the Harlan Trio with his wife and violinist Peter Harlan, performing Renaissance and Baroque music as pioneers of historical instruments. Due to his wife's Jewish descent, he had to stop working under the Nazi regime from 1935. They hid a Jewish couple in the house in Berlin that they left for safety reasons, earning them a Righteous Among the Nations recognition. As a composer, Schröder is known for chamber music, especially a string quartet based on the song of the Moorsoldaten from the Börgermoor concentration camp.
The Orthotonophonium is a free reed aerophone similar to a Harmonium with 72 keys per octave, that can be played all diatonic key intervals and chords using just intonation. The instrument was created in 1914 by German physicist Arthur von Oettingen to advance his theories of harmonic dualism.
The Streichmelodion or Breitoline is a bowed zither, similar in shape to a viola. The Streichmelodion was created in 1856 by Leopold Breit in Brno, evolving from the alpine zither and inspired by the Streichzither de. The Breitoline is described as having a richer, more robust tone than the Streichzither, and has a compass slightly lower than that of a viola. Breitolines are played with the body of the instrument resting on the player's lap, with the part of the zither between the neck and headstock resting on a table. Many Streichmelodions were produced in Markneukirchen at the Ernst Rudolph Glier factory during the 19th century.
The Bohemian Harp, also referred to as the Hakenharfe is a Central European lever harp, similar to the Celtic harp, with a straight, tenoned neck. It was played foremostly by travelling musicians going through Europe in the 19th century, occasionally in bands. When played in bands, it was often used as an accompaniment for bass violin and bock. The instrument was also popular as a folk instrument. The harp was far lighter than other European harps used in royal courts, for ease of portability.
References
- ↑ "Flageolett-Unterricht auf Musik-Unterricht.de". www.musik-unterricht.de. Retrieved 2022-11-02.
- ↑ Hugo Alker: Die Blockflöte. H. Geyer, 1962 ( at Google Books)
- ↑ Flöte. Österreichisches Musiklexikon online
- ↑ Thalheimer. Die Blockflöte. p. 22.
- 1 2 "Hermann Härtel". hermannhaertel.eu. Retrieved 2022-11-02.
- ↑ Die Bedeutung der Blockflote zur Zeit des Nationalsozialismus (1ST ed.). [S.l.]: HOLLITZER VERLAG. 2021. ISBN 978-3-99012-793-3. OCLC 1261051056.
- ↑ Robitsch, H. (1957). "Neues von den Brucker Almpfeiferl". Jahrbuch des Österreiches Volksliedwerkes (6): 149–153.
- ↑ Sowinsky, Hans (1940). "Steirische Volksmusikinstrumente". Das Joanneum – Musik Im Ostalpenraum.
- ↑ Alker (1961). Blockflöten-Bibliographie (2 ed.). p. 87.
- ↑ Thalheimer, Peter (April 2017). "Der Blockflötenbau in Österreich 1930 - 1960". Dynamik und Dominanz - Musik in Neuen Bildwelten. ISBN 9783990123904.