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The alto recorder in F, also known as a treble (and, historically, as consort flute and common flute) is a member of the recorder family. Up until the 17th century the alto instrument was normally in G4 instead of F4. [1] [2] Its standard range is F4 to G6.
The alto is between the soprano and tenor in size, and is correspondingly intermediate in pitch. It has the same general shape as a soprano, but is larger in all dimensions, resulting in a lower pitch for a given fingering.
The F alto is a non-transposing instrument, though its basic scale is in F, that is, a fifth lower than the soprano recorder and a fourth higher than the tenor (both with a basic scale in C). So-called F fingerings are therefore used, as with the bassoon or the low register of the clarinet, in contrast to the C fingerings used for most other woodwinds. [3] [5] Its notation is usually at sounding pitch, but sometimes is written an octave lower than it sounds.
Recorders are known to have been made in different sizes since at least the 15th century, but a consistent terminology did not exist until the 20th-century revival of the instrument. In the early 16th century, books were published by Virdung, [6] Agricola, [7] and Ganassi, [8] all of which describe the smallest of three sizes of recorder (tuned in fifths) as an instrument with the bottom note G. Appropriate to the highest instrument of the set, it is given a name used for the highest vocal part in music from that time: discant, [9] [10] Virdung also calls it clain flöte—"small flute", kleine Flöte in modern German) and sopran or soprano. [11] At this time, recorders were made in a single piece. This type of instrument continued to be produced through the 17th century and into the early 18th, though around 1650 it began to be made in three separate parts. It was sometimes called the flauto italiano, particularly after about 1670 when a new type of recorder appeared in France, called flûte douce (sweet flute), what today would be called an alto (treble) in F. In contrast to the bright-toned flauto italiano, which was easy to play in the high register, the flüte douce was full and resonant in the low register, but was weak on the upper notes. This new version of recorder (first depicted in a painting from 1672) was first made in Paris and, shortly later and under French influence, in London. The redesign is traditionally attributed to the Hotteterres, particularly to Jean Hotteterre, though the evidence is rather tenuous. In 1696, Johann Christoph Denner and Johann Schell applied for permission to make the French type of instrument in Nuremberg, and it quickly became the dominant type of instrument across Europe. In most languages, this was the instrument meant by the word for flute alone: German Flöte, Dutch fluyt, Italian flauto, Spanish flauta. In England, it was usually simply "flute", but when necessary to differentiate from the transverse flute or other sizes of recorder, it was called "common flute" or "consort flute". [12]
The recorder is a family of woodwind musical instruments in the group known as internal duct flutes: flutes with a whistle mouthpiece, also known as fipple flutes, although this is an archaic term. A recorder can be distinguished from other duct flutes by the presence of a thumb-hole for the upper hand and seven finger-holes: three for the upper hand and four for the lower. It is the most prominent duct flute in the western classical tradition.
A clef is a musical symbol used to indicate which notes are represented by the lines and spaces on a musical staff. Placing a clef on a staff assigns a particular pitch to one of the five lines or four spaces, which defines the pitches on the remaining lines and spaces.
The cornett (Italian: cornetto, German: Zink) is a lip-reed wind instrument that dates from the Medieval, Renaissance and Baroque periods, popular from 1500 to 1650. Although smaller and larger sizes were made in both straight and curved forms, surviving cornetts are mostly curved, built in the treble size from 51 to 63 cm (20 to 25 in) in length, usually described as in G. The note sounded with all finger-holes covered is A3, which can be lowered a further whole tone to G by slackening the embouchure. The name cornett comes from the Italian cornetto, meaning "small horn".
A transposing instrument is a musical instrument for which music notation is not written at concert pitch. For example, playing a written middle C on a transposing instrument produces a pitch other than middle C; that sounding pitch identifies the interval of transposition when describing the instrument. Playing a written C on clarinet or soprano saxophone produces a concert B♭, so these are referred to as B♭ instruments. Providing transposed music for these instruments is a convention of musical notation. The instruments do not transpose the music; rather, their music is written at a transposed pitch. Where chords are indicated for improvisation they are also written in the appropriate transposed form.
The piccolo is a half-size flute and a member of the woodwind family of musical instruments. Sometimes referred to as a "baby flute" or piccolo flute, the modern piccolo has the same type of fingerings as the standard transverse flute, but the sound it produces is an octave higher. This has given rise to the name ottavino, by which the instrument is called in Italian and thus also in scores of Italian composers.
The rackett, raggett, cervelas, or sausage bassoon is a Renaissance-era double reed wind instrument, introduced late in the sixteenth century and already superseded by bassoons at the end of the seventeenth century.
The gemshorn is an instrument of the ocarina family that was historically made from the horn of a chamois, goat, or other suitable animal. The gemshorn receives its name from the German language, in which Gemshorn means a "chamois horn". According to Etymologist Francesco Perono Cacciafoco, the form could have prehistoric origins and come from Proto-Germanic *gămĭtă-χŭrnă-n < Indo-European *gʱŏm-ĭdó-ḱrhₐ-nŏ-m > Gämshorn, indicating a "'specific' wind instrument, crafted by using the horns of ungulated animals and different from a hunting horn or a signaling horn".
The soprano recorder in C, also known as the descant, is the third-smallest instrument of the modern recorder family and is usually played as the highest voice in four-part ensembles. Since its finger spacing is relatively small, it is often used in music education for children first learning to play an instrument.
Zuffolo (also chiufolo, ciufolo) is an Italian fipple flute. First described in the 14th century, it has a rear thumb-hole, two front finger-holes, and a conical bore. It is approximately 8 cm in length and has a range of over two octaves, from B3 to C6 (Marcuse 1975c). A larger instrument of the same name, with a lowest note of C5 appeared in the early 17th century (Fuller-Maitland, Baines, and Térey-Smith 2001).
Sebastian Virdung was a German composer and theorist on musical instruments. He is grouped among the composers known as the Colorists. He studied in Heidelberg as a scholar of Johannes von Soest at the chapel of the ducal court. After being ordained, he became chaplain at the court in Heidelberg. Virdung sung in the choir as a male alto until 1505/1506. Around 1506 he became a singer in the chapel of the court of Württemberg in Stuttgart. The following year, in January 1507, he received one of nine succentorships at Konstanz Cathedral where he educated the choirboys until he was dismissed in 1508 presumably for his difficult temperament.
The great bass recorder is a member of the recorder family. With the revival of the recorder by Arnold Dolmetsch, who chose Baroque music and the corresponding recorder types as a fixed point, consideration was given to the design of recorder types larger than the bass recorder. The great bass recorder has up to seven keys, which serve to facilitate access to the finger holes. For modern large bass recorders woods like maple or African Bubinga are used. The term usually applies to an instrument with range is c–d2 (g2), but has also been used to describe an instrument descending to B♭ or else to the low bass recorder in F, alternatively known as a contrabass. When "great bass" is used for the instrument in low F, the instruments in C and B♭ are referred to as "quart-bass" and "quint-bass", respectively, because they are a fourth and fifth below the ordinary small bass, or "basset". The prefixes "great" and "contra" refer to the registers from C to B and from ͵C to ͵B, respectively, in Helmholtz pitch notation.
The sopranino recorder is the second smallest recorder of the modern recorder family, and was the smallest before the 17th century.
Chiavette is a system of standard combinations of clefs used in polyphonic music of the 16th through 18th centuries, differing from the usual chiavi naturali Typically, these clefs place each staff line a third lower than usual.
The garklein recorder in C, also known as the sopranissimo recorder or piccolo recorder, is the smallest size of the recorder family. Its range is C6–A7 (C8). The name garklein is German for "quite small", and is also sometimes used to describe the sopranino in G. Although some modern German makers use the single-word form Garkleinflötlein, this is without historical precedent. Double holes for the two lowest notes (used on the larger recorders to achieve a fully chromatic scale) are uncommon. The instrument is usually notated in the treble clef two octaves lower than its actual sound. The garklein recorder is only about 16 to 18 cm long and is different from larger recorders in that it is usually made in one piece due to its size.
A bass recorder is a wind instrument in F3 that belongs to the family of recorders.
The tenor recorder is a member of the recorder family. It has the same form as a soprano recorder and an alto recorder, but it produces a lower sound than either; a still lower sound is produced by the bass recorder and great bass recorder.
The contrabass recorder is a wind instrument in F2 that belongs to the family of recorders.
The voice flute (also the Italian flauto di voce and the French flûte de voix are found in English-language sources) is a recorder with the lowest note of D4, and is therefore intermediate in size between the alto and tenor recorders.
La tempesta di mare, a flute concerto in F major, is the first of Six Flute Concertos, Op. 10 by Antonio Vivaldi, published in the late 1720s. La tempesta di mare may also refer to two earlier versions of the same concerto, RV 98, a concerto da camera featuring the flute, from which Vivaldi derived the concerto grosso RV 570.
Peter Bressan was a noted woodwind instrument maker of whose work several examples exist in museums and private collections.
Sources
reprinted again in 1980 and 2002