Baroque dance is dance of the Baroque era, closely linked with Baroque music, theatre, and opera.
A country dance is any of a very large number of social dances of a type that originated in the British Isles; it is the repeated execution of a predefined sequence of figures, carefully designed to fit a fixed length of music, performed by a group of people, usually in couples, in one or more sets. The figures involve interaction with your partner and/or with other dancers, usually with a progression so that you dance with everyone in your set. It is common in modern times to have a "caller" who teaches the dance and then calls the figures as you dance. Country dances are done in many different styles.
International Gothic is a period of Gothic art which began in Burgundy, France, and northern Italy in the late 14th and early 15th century. It then spread very widely across Western Europe, hence the name for the period, which was introduced by the French art historian Louis Courajod at the end of the 19th century.
Renaissance art is the painting, sculpture, and decorative arts of the period of European history known as the Renaissance, which emerged as a distinct style in Italy in about AD 1400, in parallel with developments which occurred in philosophy, literature, music, science, and technology. Renaissance art took as its foundation the art of Classical antiquity, perceived as the noblest of ancient traditions, but transformed that tradition by absorbing recent developments in the art of Northern Europe and by applying contemporary scientific knowledge. Along with Renaissance humanist philosophy, it spread throughout Europe, affecting both artists and their patrons with the development of new techniques and new artistic sensibilities. For art historians, Renaissance art marks the transition of Europe from the medieval period to the Early Modern age.
Historical dance is a term covering a wide variety of Western European-based dance types from the past as they are danced in the present. Today historical dances are danced as performance, for pleasure at themed balls or dance clubs, as historical reenactment, or for musicological or historical research.
Domenico da Piacenza, also known as Domenico da Ferrara, was an Italian Renaissance dancing master. He became a very popular teacher with his students – most notably Antonio Cornazzano and Guglielmo Ebreo da Pesaro – who both later became successful dance masters. At a time between 1452 and 1463 he received the Order of the Golden Spur.
TielmanSusato was a Renaissance composer, instrumentalist and publisher of music in Antwerp.
The Annunciation is a painting widely attributed to the Italian Renaissance artist Leonardo da Vinci, dated to c. 1472–1476. Leonardo's earliest extant major work, it was completed in Florence while he was an apprentice in the studio of Andrea del Verrocchio. The painting was made using oil and tempera on a large poplar panel and depicts the Annunciation, a popular biblical subject in 15th-century Florence. Since 1867 it has been housed in the Uffizi in Florence, the city where it was created. Though the work has been criticized for inaccuracies in its composition, it is among the best-known portrayals of the Annunciation in Christian art.
The basse danse, or "low dance", was a popular court dance in the 15th and early 16th centuries, especially at the Burgundian court. The word basse describes the nature of the dance, in which partners move quietly and gracefully in a slow gliding or walking motion without leaving the floor, while in livelier dances both feet left the floor in jumps or leaps. The basse danse was a precursor of the pavane as a dignified processional dance. The term may apply to the dance or the music alone.
Shakespearean dance refers to dancing in the time and plays of William Shakespeare and his contemporaries.
La Folía (Spanish), or Follies (English), also known as folies d'Espagne (French), La Follia (Italian), and Folia (Portuguese), is one of the oldest remembered European musical themes, or primary material, generally melodic, of a composition, on record. The theme exists in two versions, referred to as early and late folias, the earlier being faster.
The ballo was an Italian dance form during the fifteenth century, most noted for its frequent changes of tempo and meter. The name ballo has its origin in Latin ballō, ballāre, meaning "to dance", which in turn comes from the Greek "βαλλίζω" (ballizō), "to dance, to jump about". In Greece there is the Greek dance named Ballos.
The modern state of Italy did not come into being until 1861, though the roots of music on the Italian Peninsula can be traced back to the music of ancient Rome. However, the underpinnings of much modern Italian music come from the Middle Ages.
Guglielmo Ebreo da Pesaro was a Jewish Italian dancer and dancing master at some of the most influential courts in Renaissance Italy, including Naples, Urbino, Milan, and Ferrara. His byname Ebreo means simply ‘Hebrew.’ Not always used when referring to him, da Pesaro indicates that he was from the east-central town of Pesaro. Between October 1463 and May 1465, Guglielmo probably converted from Judaism to Roman Catholicism and took the name Giovanni Ambrosio.
Antonio Cornazzano was an Italian poet, writer, biographer, and dancing master.
Ingrid Brainard was a musicologist, dance historian, performer, and teacher of historical dance. She contributed significantly to the development of the fields of dance history in general and early dance history in particular.
Grotesque dance is a category of theatrical dance that became more clearly differentiated in the 18th century and was incorporated into ballet, although it had its roots in earlier centuries. As opposed to the danse noble or "noble dance" performed in royal courts which emphasized beauty of movement and noble themes, grotesque dances were comic or lighthearted and created for buffoons and commedia dell'arte characters to amuse and entertain spectators or patrons. In 16th and 17th centuries grotesque dances were often presented as an anti-masque, performed between the acts of more serious courtly entertainments. Likewise, the 17th century entrée de ballet sometimes contained grotesque sequences, most notably those devised by the Duke of Nemours for the court of Louis XIII.
Italian folk dance has been an integral part of Italian culture for centuries. Dance has been a continuous thread in Italian life from Dante through the Renaissance, the advent of the tarantella in Southern Italy, and the modern revivals of folk music and dance.
Italian ballet is the training methods and aesthetic qualities seen in classical ballet in Italy. Ballet has a long history in Italy, and it is widely believed that the earliest predecessor of modern-day ballet originated in the Italian courts of the Renaissance. Two predominant training systems are used to teach Italian ballet today: the Cecchetti method, devised by Enrico Cecchetti, and that of the La Scala Theatre Ballet School.
Music in Medieval England, from the end of Roman rule in the fifth century until the Reformation in the sixteenth century, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite.
