Lithophone

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This postcard from 1906 illustrates the method of early lithophone performances in Luray Caverns, Virginia, United States Organ and Chimes - Caverns of Luray Va 1906 postcard.png
This postcard from 1906 illustrates the method of early lithophone performances in Luray Caverns, Virginia, United States
Lithophone sculpture in Schloss Freudenberg Lithophon.jpg
Lithophone sculpture in Schloss Freudenberg

A lithophone is a musical instrument consisting of a rock or pieces of rock which are struck to produce musical notes. [1] Notes may be sounded in combination (producing harmony) or in succession (melody). It is an idiophone comparable to instruments such as the glockenspiel, vibraphone, xylophone and marimba.

Contents

In the Hornbostel-Sachs classification system, lithophones are designated as '111.22' directly-struck percussion plaques.

Notable examples

A rudimentary form of lithophone is the "rock gong", usually a natural rock formation opportunistically adapted to produce musical tones, such as that on Mfangano Island, in Lake Victoria, Kenya. The Great Stalacpipe Organ of Luray Caverns, Virginia, USA uses 37 stalactites to produce the Western scale. Other stalactite lithophones are at Tenkasi in South India, and at Ringing Rocks Park in Pennsylvania. An example that is no longer used is at Cave of the Winds, in Colorado Springs.

The Txalaparta (or Chalaparta), a traditional Basque instrument, can be made of wood or stone, but is traditionally wood.

More sophisticated lithophones utilize trimmed and individually mounted stones to achieve full-scale instruments:

As architectural elements

Ancient Indians were perhaps the first to use man-made lithophones as architectural elements. Temples like Nellaiyappar temple (8th century) in Tirunelveli, Vijaya Vitthala temple (15th century) in Hampi, Madurai Meenakshi temple (16th century) and Suchindram Thanumalayan temple (17th century) have musical pillars. [9]

Stone marimba

A stone marimba is configured in the same manner as the more typical wooden bar marimba. The bars are usually wide like a wooden marimba, but are thinner, which helps increase resonance. The stone marimba may or may not have resonators.

In 1949 an ancient stone marimba was discovered in modern-day Vietnam near a village called Ndut Lieng Krak. The 11 stone plates, made of schist, were chipped into the tuning of a pentatonic scale. They are currently housed at the Musée de l'Homme and may be the oldest known musical instrument. [10]

See also

Related Research Articles

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A percussion instrument is a musical instrument that is sounded by being struck or scraped by a beater including attached or enclosed beaters or rattles struck, scraped or rubbed by hand or struck against another similar instrument. Excluding zoomusicological instruments and the human voice, the percussion family is believed to include the oldest musical instruments. In spite of being a very common term to designate instruments, and to relate them to their players, the percussionists, percussion is not a systematic classificatory category of instruments, as described by the scientific field of organology. It is shown below that percussion instruments may belong to the organological classes of idiophone, membranophone, aerophone and cordophone.

<span class="mw-page-title-main">Xylophone</span> Wooden keyboard percussion instrument

The xylophone is a musical instrument in the percussion family that consists of wooden bars struck by mallets. Like the glockenspiel, the xylophone essentially consists of a set of tuned wooden keys arranged in the fashion of the keyboard of a piano. Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use.

<span class="mw-page-title-main">Idiophone</span> Class of musical instruments

An idiophone is any musical instrument that creates sound primarily by the vibration of the instrument itself, without the use of air flow, strings (chordophones), membranes (membranophones) or electricity (electrophones). It is the first of the four main divisions in the original Hornbostel–Sachs system of musical instrument classification. The early classification of Victor-Charles Mahillon called this group of instruments autophones. The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand or indirectly, with scraping or shaking motions. Various types of bells fall into both categories. A common plucked idiophone is the Jew's harp.

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<span class="mw-page-title-main">Phonolite</span> Uncommon extrusive rock

Phonolite is an uncommon shallow intrusive or extrusive rock, of intermediate chemical composition between felsic and mafic, with texture ranging from aphanitic (fine-grained) to porphyritic (mixed fine- and coarse-grained). Phonolite is a variation of the igneous rock trachyte that contains nepheline or leucite rather than quartz. It has an unusually high (12% or more) Na2O + K2O content, defining its position in the TAS classification of igneous rocks. Its coarse grained (phaneritic) intrusive equivalent is nepheline syenite. Phonolite is typically fine grained and compact. The name phonolite comes from the Ancient Greek meaning "sounding stone" due to the metallic sound it produces if an unfractured plate is hit; hence, the English name clinkstone is given as a synonym.

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<span class="mw-page-title-main">Hornfels</span>

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<span class="mw-page-title-main">Bell stone</span> Rock that produces a bell-like sound when struck

A bell stone is a rock that produces a bell-like sound when struck. A type of lithophone, bell stones are significant in ethnography and are typically identified through local written history and folklore in combination with physical archeological details such as cup-shaped depressions.

<span class="mw-page-title-main">Ringing rocks</span> Rocks that resonate like a bell when struck

Ringing rocks, also known as sonorous rocks or lithophonic rocks, are rocks that resonate like a bell when struck. Examples include the Musical Stones of Skiddaw in the English Lake District; the stones in Ringing Rocks Park, in Upper Black Eddy, Bucks County, Pennsylvania; the Ringing Rocks of Kiandra, New South Wales; and the Bell Rock Range of Western Australia. Ringing rocks are used in idiophonic musical instruments called lithophones.

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Struck idiophones is one of the categories of idiophones that are found in the Hornbostel-Sachs system of musical instrument classification.

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<span class="mw-page-title-main">Rock gong</span>

A rock gong is a slab of rock that is hit like a drum, and is an example of a lithophone. Examples have been found in Africa, Asia, and Europe. Regional names for the rock gong include kungering, kwerent dutse, gwangalan, kungereng, kongworian, and kuge. These names are all onomatopœic, except for "kuge" which is the Hausa word for a double iron bell and "dawal" which is the Ge`ez word for a church's stone gong.

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<span class="mw-page-title-main">Sounding stone</span>

A sounding stone or qing (磬) is an ancient Chinese musical instrument, usually L-shaped. The set of qing is called bianqing. The shape of such stones was often quoted as description for the reverent ritual pose.

<span class="mw-page-title-main">Musical Stones of Skiddaw</span>

The Musical Stones of Skiddaw are a number of lithophones built across two centuries around the town of Keswick, northern England, using hornfels, a stone from the nearby Skiddaw mountain, which is said to have a superior tone and longer ring than the more commonly used slate.[1]

<span class="mw-page-title-main">Joseph Richardson (musician)</span>

Joseph Richardson was born approx 1792, in Cumberland, the eldest child of John Richardson and Dinah Williamson. John and Dinah had married at Great Crosthwaite on 5 September 1791. Joseph’s young years were spent at Keswick, where his father was a miller. The Richardsons owned the Low Corn Mill beside the River Greta. After John’s death in 1839, Dinah lived with her second eldest child, Jonathan, and his family at Applethwaite. When Jonathan remarried she moved to a cottage in the village just a few doors away from where Joseph was living with his wife and family.[1] She passed away on 29 February 1852. “On Sunday last, at Applethwaite, near Keswick, Mrs. Dinah Richardson, mother of the owner of the celebrated Rock Band, aged 83, much respected.”[2] “At Applethwaite, Underskiddaw, on the 29th ult., Dinah, relict of Mr. John Richardson, miller, aged 84 years.”[3]

References

  1. Diagram Group. (1976). Musical instruments of the world. Published for Unicef by Facts on File. p. 121. ISBN   0871963205. OCLC   223164947.
  2. P. Yule/M. Bemmann, Klangsteine aus Orissa Die frühesten Musikinstrumente Indiens?, Archaeologia Musicalis 2.1, 1988, 41–50 (also in English and French); Paul Yule, Rätsel indischer Kultur, in: H.-G. Niemeyer - R. Pörtner (eds.), Die großen Abenteuer der Archäologie (Salzburg 1987) vol. 10, p. 3739 ISBN   385012150X.
  3. Caldwell, Duncan (19 July 2013). "A Possible New Class of Prehistoric Musical Instruments from New England: Portable Cylindrical Lithophones". American Antiquity. 78 (3): 520–535. doi:10.7183/0002-7316.78.3.520. S2CID   53959315 . Retrieved 19 April 2021 via Cambridge University Press.
  4. "Flint Tools as Portable Sound-Producing Objects in the Upper Palaeolithic Context: An Experimental Study". Archived from the original on 17 April 2021. Retrieved 28 March 2021.
  5. "Musical Stones: Rock music from the Cumbrian Hills". Brantwood Trust. Archived from the original on 28 January 2013. Retrieved 6 January 2013.
  6. "Pįll Gušmundsson - Żmis verkefni". Archived from the original on 7 April 2018. Retrieved 23 November 2018.
  7. "Sigur Rós - Surtshellir (stone marimba) - Heima". YouTube. Archived from the original on 13 December 2021. Retrieved 19 April 2021.
  8. "Science Links Japan | A new percussion instrument "hokyo" made of Sanukite". Archived from the original on 16 July 2011. Retrieved 6 October 2015.
  9. Prasad, M.G.; Rajavel, B. "Musical pillars and singing rocks" (PDF). Taranga. Retrieved 28 January 2018.
  10. The stones of Ndut Lieng Krak. New Scientist. 10 January 1957. p. 8.

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