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| Music of Malaysia | ||||||
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| Nationalistic and patriotic songs | ||||||
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Traditional Malaysian instruments are the musical instruments used in the traditional and classical music of Malaysia. They comprise a wide range of wind, string, and percussion instruments, used by both the Malay majority as well as the nation's ethnic minorities. [1]
Gamelan is the traditional ensemble music of the Javanese, Sundanese, and Balinese peoples of Indonesia, made up predominantly of percussive instruments. The most common instruments used are metallophones played by mallets and a set of hand-played drums called kendhang/Kendang, which register the beat. The kemanak and gangsa are commonly used gamelan instruments in Bali. Other instruments include xylophones, bamboo flutes, a bowed instrument called a rebab, a zither-like instrument siter and vocalists named sindhen (female) or gerong (male).
Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others.
As it is a country with many different tribes and ethnic groups, the music of Indonesia itself is also very diverse, coming in hundreds of different forms and styles. Every region have its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional music are often accompanied by their very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India.
Wayang, also known as wajang, is a traditional form of puppet theatre play originating from the Indonesian island of Java. Wayang refers to the entire dramatic show. Sometimes the leather puppet itself is referred to as wayang. Performances of wayang puppet theatre are accompanied by a gamelan orchestra in Java, and by gender wayang in Bali. The dramatic stories depict mythologies, such as episodes from the Hindu epics the Ramayana and the Mahabharata, as well as local adaptations of cultural legends. Traditionally, a wayang is played out in a ritualized midnight-to-dawn show by a dalang, an artist and spiritual leader; people watch the show from both sides of the screen.
Zapin is one of the most popular dance and musical forms in traditional Malay performing arts. Dance movements are choreographed to melodies which are performed using musical instruments such as the gambus, accordion and rebana. It is believed to have been introduced by Persian and Arab Muslim missionaries from the Middle East to Malay Archipelago around the fourteenth century where back then only males were allowed to perform; nowadays, female dancers are included. It used to be performed exclusively for religious ceremonies but through the years it has become a form of traditional entertainment, hence the participation of female dancers is allowed.
The Istana Budaya or also known as the Palace of Culture, is Malaysia's main venue for all types of theatre including musical theatre, operetta, classical concerts and opera from local and international performances. It is located in the heart of Kuala Lumpur city, next to the National Art Gallery.
Mak Yong is a traditional form of dance-drama from northern Malaysia, particularly the state of Kelantan. It was banned by the Pan-Malaysian Islamic Party because of its animist and Hindu-Buddhist roots which pre-date Islam in the Asian region by far. The late Cik Ning was a leading Mak Yong performer in the 1980s. In 2005, UNESCO declared Mak Yong theatre a "Masterpieces of the Oral and Intangible Heritage of Humanity".
The regalia of Malaysia includes all the items which are deemed sacred and symbolic of the supremacy and authority of the Yang di-Pertuan Agong or the Supreme King of Malaysia and his consort, the Raja Permaisuri Agong. The installation of the Supreme King is a very special ceremony. Only on this particular day are the masses able to see his regalia. Several of these are Malaysian National Treasures since 2009.
The Malay gamelan is a style of music originated from Indonesia, performed in ethnic Malay-populated regions of Indonesia and Malaysia as well.
Kedahan Malays or commonly known as Orang Utara ('Northerners'), is a sub-group of Malays who are native to northern Malaysia and in southernmost parts of Thailand and Burma. They are among the earliest settlers in the Malay peninsula. Kedahan Malays comprised at least 15% of the total Malaysian Malay population and constitute over 75% of the Kedah state population, thus making them the largest ethnic group in the state of Kedah.
Rosiah Chik or Rosiah Abdul Manaf (1931–2006) was Malay traditional singer particularly of asli and ghazal songs, made famous in the 1960s–1970s in Malaysia. She was also known as Mak We among the people of the industry and her fans.
Malay folklore refers to a series of knowledge, traditions and taboos that have been passed down through many generations in oral, written and symbolic forms among the indigenous populations of Maritime Southeast Asia (Nusantara). They include among others, themes and subject matter related to the indigenous knowledge of the ethnic Malays and related ethnic groups within the region.
Kelantanese Malays are a sub-ethnic group of Malays native to the state of Kelantan, Malaysia as well as in Northern Terengganu. The Kelantanese Malays are closely related to Thai Malays and Terengganuan Malays in neighbouring Terengganu, these two Malay sub-ethnic groups shared historical, cultural and linguistic as well as kinship ties with the Kelantanese Malays. Kelantanese Malays form 94% of Kelantan's population, which makes them the largest ethnic group in Kelantan and around 150,000 in Besut, Terengganu.
Pahang Malays are a sub-group of Malay people native to the state of Pahang, in the east coast of Peninsular Malaysia. With population of approximately 1.08 million people, they constitutes 70% of Pahang state's population, making them the dominant ethnic group in the state. Their language, Pahang Malay is one of many Malayan languages spoken in the region that belong to the Malayo-Polynesian group of Austronesian family.
Indra Swara is a group promoting Indonesian art and culture in Mexico. It was created in December 2002 and it is mostly made up of young Mexicans, enthusiasts of Asian arts and particularly those of Indonesia. Some of its members have had the opportunity to study directly in the islands of Java and Bali through the Darmasiswa Scholarship program offered by the Indonesian government.
Malaysian folklore is the folk culture of Malaysia and other indigenous people of the Malay archipelago as expressed in its oral traditions, written manuscripts and local wisdoms. Malaysian folklores were traditionally transmitted orally in the absence of writing systems. Oral tradition thrived among the Malays, but continues to survive among Orang Asli and numerous bornean ethnic groups in Sarawak and Sabah. Nevertheless, Malaysian folklores are closely connected with classical Malay folklore of the region. Even though, Malay folklore tends to have a regional background, with the passing of time, and through the influence of the modern media, large parts of regional Malay folklore have become interwoven with the wider popular Malaysian folklore.
Traditional Malaysian art is primarily composed of Malay art and Bornean art, is very similar with the other styles from Southeast Asia, such as Bruneian, Indonesian and Singaporean. Art has a long tradition in Malaysia, with Malay art that dating back to the Malay sultanates, has always been influenced by Chinese, Indian and Islamic arts, and also present, due to large population of Chinese and Indian in today's Malaysian demographics.
Indonesian theatre is a type of art in the form of drama performances that are staged on a stage, with a distinct Indonesian nuance or background. In general, theatre is an art that emphasizes the performing arts that are displayed in front of a large crowd. In other words, theater is a form of visualisation of a drama that is staged on the stage and watched by the audience. Indonesian theatre includes the performing arts of traditional theater and modern theatre located in the territory of Indonesia. Some examples of Indonesian theater are Arja, Wayang, Wayang wong, Lenong, Ludruk, Janger, Randai and others. Theatre in Indonesia can also be referred to as regional or ethnic theatre, because it originates and develops from 1,300 ethnic cultures in Indonesia.
