Dondang Sayang

Last updated
Dondang Sayang
Native nameDondang Sayang
Origin Malaysia
Dondang Sayang
Country Malaysia
Reference 01410
Region Asia and the Pacific
Inscription history
Inscription2018 (13th session)
List Representative

Dondang Sayang (literally 'love ballad') originated in Malacca sometime in the 15th century, influenced by traditional Portuguese folk music. It is a traditional Malay form of entertainment where Baba and Nyonya singers exchange extemporaneous Malay Pantun (poetry), in a lighthearted and sometimes humorous style. The singers are normally accompanied by a violin, two Malay rebana (drums), and a tetawak (gong). These instruments are often supplemented by other available instruments, most notably, accordions, flutes, or an additional violin.

Contents

The chief musician is usually the violinist who plays a primary role in dondang sayang, providing a counter melody to the vocal melody. Musicians may switch instruments in between performances, but the violinist seldom does, although this is permitted. If there are musicians to spare, up to 5 rebana may be used. Sometimes, the rebana may be substituted by the tambour and barrel drum or even the kompang. The music is slow, and a song usually consists of 32 bars, beginning with a violin introduction, with the rebana and then the gong entering, and the voice finally entering in bar 5. Its style is somewhat informal and its lyrics usually consist of love poems. (Ahmad Usop 1984). The musical instruments may also be augmented with an accordion (Shafiee Ahmad 1992). [1]

It is also associated with the Ronggeng dance.

See also

Related Research Articles

<span class="mw-page-title-main">Music of Malaysia</span> Music and musical traditions of Malaysia

Music of Malaysia is the generic term for music that has been created in various genres in Malaysia. A great variety of genres in Malaysian music reflects the specific cultural groups within multiethnic Malaysian society: Malay, Chinese, Indian, Dayak, Kadazan-Dusun, Bajau, Orang Asli, Melanau, Kristang and others.

<span class="mw-page-title-main">Music of Indonesia</span> Music and musical traditions of Indonesia

As it is a country with many different tribes and ethnic groups, the music of Indonesia itself is also very diverse, coming in hundreds of different forms and styles. Every region has its own culture and art, and as a result traditional music from area to area also uniquely differs from one another. For example, each traditional music are often accompanied by their very own dance and theatre. Contemporary music scene have also been heavily shaped by various foreign influences, such as America, Britain, Japan, Korea, and India.

Romania has a multicultural music environment which includes active ethnic music scenes. Traditional Romanian folk music remains popular, and some folk musicians have come to national fame.

<span class="mw-page-title-main">Morna (music)</span> Cabo Verdean music genre

The morna is a music and dance genre from Cape Verde.

<span class="mw-page-title-main">Music of Brunei</span> Music and musical traditions of Brunei

Brunei is a southeast Asian country located on Borneo between the states of Sabah and Sarawak which are part of Malaysia. There is a wide array of native folk music, and dance. Brunei shares some Cultural perspectives and links with the countries of South East Asia such as Malaysia, Singapore, Indonesia, Thailand, Philippines. The strong Islamic influence means that dance performances and music are somewhat restricted.

<span class="mw-page-title-main">Islamic music</span> Musical traditions of the Muslim world

Islamic music may refer to religious music, as performed in Islamic public services or private devotions, or more generally to musical traditions of the Muslim world. The heartland of Islam is the Middle East, North Africa, the Horn of Africa, West Africa, Iran, Central Asia, and South Asia. Due to Islam being a multi-ethnic religion, the musical expression of its adherents is vastly diverse. Indigenous traditions of various part have influenced the musical styles popular among Muslims today. The word "music" in Arabic, the language of Islam, is defined more narrowly than in English or some other languages, and "its concept" was at least originally "reserved for secular art music; separate names and concepts belonged to folk songs and to religious chants".

<i>Zapin</i> Malay dance

Zapin is one of the most popular dance and musical forms in traditional Malay performing arts. Dance movements are choreographed to melodies which are performed using musical instruments such as the gambus, accordion and rebana. It is believed to have been introduced by Persian and Arab Muslim missionaries from the Middle East to Malay Archipelago around the fourteenth century where back then only males were allowed to perform; nowadays, female dancers are included. It used to be performed exclusively for religious ceremonies but through the years it has become a form of traditional entertainment, hence the participation of female dancers is allowed.

<span class="mw-page-title-main">Rebana</span> Musical instrument commonly found in Malay archipelago

The rebana or terbangan is a tambourine that is used in Islamic devotional music in Southeast Asia, particularly in Indonesia, Malaysia, Brunei, and Singapore. The sound of the rebana often accompany Islamic ritual such as the zikir. The name rebana came from the Arabic word robbana. The rebana is also used by the Cham people of Cambodia and also gave rise to the Rabana which is used by the Sinhalese people of Sri Lanka.

<span class="mw-page-title-main">Kroncong</span> Genre of Indonesian folk and traditional popular music

Kroncong is the name of a ukulele-like instrument and an Indonesian musical style that typically makes use of the kroncong. A kroncong orchestra or ensemble traditionally consists of a flute, a violin, at least one, but usually a pair of kroncongs, a cello in Pizzicato style, string bass in pizzicato style, and a vocalist. Kroncong originated as an adaptation of a Portuguese musical tradition, brought by sailors to Indonesian port cities in the 16th century. By the late 19th century, kroncong reached popular music status throughout the Indonesian archipelago.

<span class="mw-page-title-main">Wandly Yazid</span>

Hj Wandly Yazid is an acclaimed composer, arranger and musician, recognised for his contribution to the Malay film and music industry in the 1940s to the 1960s. He performed as a violinist with the Singapore Symphony Orchestra. In 2001, he received the COMPASS Meritorious Award by Composers and Authors Society of Singapore. Fondly remembered as Pak Wandly, he is renowned for the popular evergreen Gurindam Jiwa, the theme song for the classic film of the same name. In 2015, the song bagged the Top Song Award at Viva Musik SG50 by Suria, Warna 94.2FM, and Ria 89.7 FM in 2015.

<span class="mw-page-title-main">Mata-kantiga</span>

Mata-kantiga is a Malay genre of music of Portuguese origin, very similar to other Portuguese folk music, like the Desgarrada (Portugal), to Repente, Cururu and Trova (Brazil).

Rosiah Chik or Rosiah Abdul Manaf (1931–2006) was Malay traditional singer particularly of asli and ghazal songs, made famous in the 1960s–1970s in Malaysia. She was also known as Mak We among the people of the industry and her fans.

The term Romani style refers to the way Eastern European music is played in coffeehouses and restaurants, at parties, and sometimes on-stage in European cities. Music played in this style differs from actual Romani music played by Romani and Sinti people, many of whom regard the term "gypsy" as a slur when applied to their community.

<span class="mw-page-title-main">Joget</span> Malay dance

Joget is a traditional Malay dance that originated in Malacca in the colonial era. It was influenced by the Portuguese dance of Branyo which is believed to have been spread to Malacca during the spice trade. In Malacca, it is better known as Chakunchak. The dance is one of the most popular folk dances in Malaysia and normally performed by couples in cultural festivals, weddings and other social functions. Joget also grew in popularity within the Malay community in Singapore after its introduction in 1942.

<span class="mw-page-title-main">Malay folklore</span>

Malay folklore refers to a series of knowledge, traditions and taboos that have been passed down through many generations in oral, written and symbolic forms among the indigenous populations of Maritime Southeast Asia (Nusantara). They include among others, themes and subject matter related to the indigenous knowledge of the ethnic Malays and related ethnic groups within the region.

Malaysian popular music, sometimes called shortly Malaysian pop or abbreviated as M-pop, refers to popular music forms in Malaysia. Although popular music in various languages such as Mandopop are popular and have been produced in Malaysia, Malaysian pop refers to music recorded primarily in the Malay language in Malaysia.

<span class="mw-page-title-main">Bongai</span> Malay traditional musical ensemble

Bongai also known as Rontak Kudo, is a traditional folk music genre from the Malaysian state of Negeri Sembilan. It can be sung as a solo, a duet or in a group with or without musical accompaniment.

<span class="mw-page-title-main">Traditional Malaysian musical instruments</span> Malaysian musical instruments

Traditional Malaysian instruments are the musical instruments used in the traditional and classical music of Malaysia. They comprise a wide range of wind, string, and percussion instruments, used by both the Malay majority as well as the nation's ethnic minorities.

<span class="mw-page-title-main">Minangkabau music</span>

Music of Minang is a traditional and living genre of Indonesian music that grows and develops in the Minangkabau culture area. Music whose origins are related to Malay Music is generally played by musical instruments such as Talempong, Saluang, Minang rebab, Serunai, Tmbourine, Aguang, Gandang, and Violin. Minang music is also played to accompany various dances such as the Pasambahan dance and the Piring dance.

References