A mask is an object normally worn on the face, typically for protection, disguise, performance, or entertainment, and often employed for rituals and rites. Masks have been used since antiquity for both ceremonial and practical purposes, as well as in the performing arts and for entertainment. They are usually worn on the face, although they may also be positioned for effect elsewhere on the wearer's body.
Wayang, also known as wajang, is a traditional form of puppet theatre play originating from the Indonesian island of Java. Wayang refers to the entire dramatic show. Sometimes the leather puppet itself is referred to as wayang. Performances of wayang puppet theatre are accompanied by a gamelan orchestra in Java, and by gender wayang in Bali. The dramatic stories depict mythologies, such as episodes from the Hindu epics the Ramayana and the Mahabharata, as well as local adaptations of cultural legends. Traditionally, a wayang is played out in a ritualized midnight-to-dawn show by a dalang, an artist and spiritual leader; people watch the show from both sides of the screen.
Pendet dance a traditional dance from Bali, Indonesia, in which floral offerings are made to purify the temple or theater as a prelude to ceremonies or other dances. Pendet is typically performed by young girls, carrying bowls of flower petals, handfuls of which are cast into the air at various times in the dance. Pendet can be thought of as a dance of greeting, to welcome the audience and invite spirits to enjoy a performance. It is one of the oldest Balinese dance, although the current form was codified in the 1950s.
Topeng is a dramatic form of Indonesian dance in which one or more mask-wearing ornately costumed performers interpret traditional narratives concerning fabled kings, heroes, and myths, accompanied by gamelan or other traditional music instruments. Topeng dance is a typical Indonesian dance that can be found in various regions of Indonesia. Topeng dance has the main characteristic that the dancers use masks to cover their faces. The dance will usually be performed by one dancer or a group of dancers.
Barong is a panther-like creature and character in the Balinese mythology of Bali, Indonesia. He is the king of the spirits, leader of the hosts of good, and enemy of Rangda, the demon queen and mother of all spirit guarders in the mythological traditions of Bali. The battle between Barong and Rangda is featured in the Barong dance to represent the eternal battle between good and evil.
Balinese dance is an ancient dance tradition that is part of the religious and artistic expression among the Balinese people of Bali island, Indonesia. Balinese dance is dynamic, angular, and intensely expressive. Balinese dancers express the stories of dance-drama through bodily gestures including gestures of fingers, hands, head, and eyes.
Dance in Indonesia reflects the country's diversity of ethnicities and cultures. There are more than 1,300 ethnic groups in Indonesia. Austronesian roots and Melanesian tribal forms are visible, and influences ranging from neighboring Asian and even western styles through colonization. Each ethnic group has its own dances: there are more than 3,000 original dance forms in Indonesia. The old traditions of dance and drama are being preserved in the numerous dance schools which flourish not only in the courts but also in the modern, government-run or supervised art academies.
Legong is a form of Balinese dance. It is a refined dance form characterized by intricate finger movements, complicated footwork, and expressive gestures and facial expressions.
Cirebonese mask dance is a local indigenous art form of Cirebon in Java, including Indramayu and Jatibarang, West Java and Brebes, Central Java. It is called mask dance because the dancers use masks when dancing. There is a lot of variety in Javanese mask dance, both in terms of the dance style and the stories to be conveyed. This mask dance can be performed by solo dancers, or performed by several people.
Balinese theatre and dramas include Janger dance, pendet dance performances, and masked performances of Topèng. Performances are also part of funeral rituals involving a procession, war dance, and other rituals before the cremation of the patulangan. Balinese use the word sesolahan for both theatre and dance.
Singo Ulung is one of the original traditional dances from Bondowoso regency, East Java, Indonesia. The dance is played by two people in a lion-like costume and accompanied by music.
Barong dance is a style of traditional Balinese from Bali, Indonesia. The dance demonstrates about the mythological depiction of animals that have supernatural powers and the ability to protect humans. Barong is the king of the spirits, leader of the hosts of good, and the enemy of Rangda, the demon queen and mother of all spirit guarders in the mythological traditions of Bali. The Barong dance featured a battle between Barong and Rangda to represent the eternal battle between good and evil.
The Betawi mask dance is a theatrical form of dance and drama of the Betawi people in Jakarta, Indonesia. This dance-drama encompasses dance, music, bebodoran (comedy) and lakon (drama). The Betawi mask dance demonstrates the theme of Betawi society life which is represented in the form of dance and drama. It is called mask dance because the dancers use topeng (mask) during dancing and Betawi people believed that the topeng has magical powers.
In Indonesia, a fire performance is a group of performance arts or skills that involve the manipulation of fire. It includes using fire as a finale in an otherwise non-fire performance. Performances can be done as choreographed routines to music.
Indonesian theatre is a type of art in the form of drama performances that are staged on a stage, with a distinct Indonesian nuance or background. In general, theatre is an art that emphasizes the performing arts that are displayed in front of a large crowd. In other words, theater is a form of visualisation of a drama that is staged on the stage and watched by the audience. Indonesian theatre includes the performing arts of traditional theater and modern theatre located in the territory of Indonesia. Some examples of Indonesian theater are Arja, Wayang, Wayang wong, Lenong, Ludruk, Janger, Randai and others. Theatre in Indonesia can also be referred to as regional or ethnic theatre, because it originates and develops from 1,300 ethnic cultures in Indonesia.
Baksa Kembang is one of the classical Banjar dances originating from South Kalimantan, Indonesia, which functions as a welcoming dance for guests. This dance is usually played by female dancers with the condition that the number of dancers must be odd.
Lengger is a traditional Javanese dance originating from Banyumas, Central Java, Indonesia. This dance is played in pairs, between a man and a woman. Lengger dance is one of the sacred dances in Java.
Tortor is a traditional Batak dance originating from North Sumatra, Indonesia. This dance was originally a ritual and sacred dance performed at funerals, healing ceremonies, and other traditional Batak ceremonies. For the Batak people, tortor dance has both cultural and spiritual values. Through this dance, people express their hopes and prayers. Demonstrations of attitudes and feelings through this dance describe the situation and conditions that are being experienced.
Ireng mask dance also known as Topeng Ireng or Dayakan is a traditional Javanese art that developed in Magelang Regency, Central Java, Indonesia.
