Malaysian hip hop

Malaysian hip hop
Stylistic origins	Hip hop
Cultural origins	Late 1980s and early 1990s, Kuala Lumpur, Malaysia
Other topics
Malaysian pop

The Malaysian hip hop is a hip hop music performed in Malaysia. Many of Malaysian hip hop artistes performed songs mostly in English, but also rhymed in their native Malay language ^[1] for a wider reach as the Malaysian music market is fragmented by language. ^[2]

History

Malaysian hip hop music started in the late 1980s and early 1990s with rap groups such as KRU, 4U2C, NICO, Naughtius Maximus, and HQA. Their so-called "rap music" was not accepted by the mainstream media which was dominated by government-owned stations; 4U2C gathered a cult following despite this ^[3] while other acts had to change to a more pop-ish sound. ^[4] In 1991, local rapper HQA released the classic album Baguvix. At around the same time, another group called Krash Kozz was the only group to introduce the new jack swing hip hop sound to Malaysian listeners, but they disbanded after their third album, New Jack The Street Beat was released.

Those were trying times, when the pioneers of the local hip hop scene were trying hard to break the monotony of rock music, love ballads and pop sounds, which are staples in the Malaysian music scene, with the fans of these genres refusing to accept this new form of music. However, the younger generation, especially those in the urban areas, were more curious and receptive; they were more positively in-tuned to receive this new culture that was creating waves across the globe, which was further expedited and cemented by the introduction of records from American hip hop artists like the N.W.A, Brand Nubian, Gang Starr, Cypress Hill, and many others.

In 1994, Naughtius Maximus, Malaysia's first genuine hip hop collective, was formed by the merger of four hip hop groups - Whyness, Deceased, Reffugeez and Under Pressure. A year later, they release their only self-titled album which was touted as Malaysia's first genuine hip hop album. However, not long after its release, Malaysian public broadcaster Radio Televisyen Malaysia (RTM) banned 9 of the album's 13 tracks because it is too "westernized". As a result, Naughtius Maximus disbanded in 1996 with some of its members left to pursue their studies and concentrated on their own careers. The group later reformed with only Mista Rem, Spit and Jungle Jerry as the remaining members.^{[ citation needed ]}

The Malaysian music scene was dominated by these poppy-sounding groups until 1995–1996, when Poetic Ammo—composed of Yogi B, Point Blanc, C. Loco and Land Slyde—came out with their album It's a Nice Day to Be Alive. Their first hit, "Everything Changes", revolutionized the local music industry. There were also groups from the underground scene that have established themselves such as The Rebel Scum, but it was Poetic Ammo that "made it big".^{[ further explanation needed ]}

One of the "powerhouses" of hip hop in Malaysia is Too Phat, which consists of Malique and Joe Flizzow. ^[5] They were signed to EMI International's Positive Tone division and produced their first hit album, Whutadilly, and their first single was "Too Phat Baby".

Hip-hop has come a long way in Malaysia as seen from its growing industry and the success it has garnered in the mainstream music landscape. In 2010, three of Malaysia's biggest rappers—SonaOne, Joe Flizzow and Altimet—collaborated on a track called "Who Do It Better". In the song, Altimet, who was wearing an Eric B & Rakim T-shirt, raps in Malay about being schooled by hip-hop's earliest stars. In 2014, Joe Flizzow and SonaOne worked together on a track called "Apa Khabar" that talks about how far hip-hop has come in Malaysia. The track won two national music awards. That same year, SonaOne, was awarded the best song for "No More", the first time an English song managed to clinch the title at the Malaysian Anugerah Industri Muzik. ^[6]

Hip hop record labels

• Kartel Records

See also

• Music of Malaysia
• Malaysian pop

References

1. Syanty Octavia Amry (24 January 2015). "Hip hop diiktiraf" (in Malay). Harian Metro. Archived from the original on 17 October 2019. Retrieved 25 March 2020.
2. Patrick, Steven (11 August 2001). "Radio Malay". Asia Pacific Quarterly. Billboard . p. APQ-5.
3. Vatikiotis, Michael (22 July 1993). "Rapping in Malaysia". Far Eastern Economic Review . pp. 32–3.
4. "Hip-hop as 'uniting force' in multi-ethnic Malaysia | Music | DW.DE | 21.02.2014". DW.DE. 21 February 2014. Retrieved 25 February 2014.
5. "Hip-Hop, Haircuts and Hot Dogs: The Success Story of Joe Flizzow". MTV Iggy. 12 December 2013. Retrieved 25 February 2014.
6. Mohamed Nasir, Kamaludeen (2020). Representing Islam: Hip-Hop of the September 11 Generation. Indiana University Press. ISBN   9780253053077 . Retrieved 25 May 2021.