Lebanese Hip Hop [1] is a pioneering movement in Arabic hip hop as Lebanese youth were among the first to be affected by hip hop culture. [2] [3] [4] [5] [6] [7] Arabic hip hop has received Western media attention, but most Lebanese rappers think that there is still a lack of local interest in their music. [8] [9] Hip hop in Lebanon is both an art form and a stage for artists to voice their alternative discourse in the public sphere.
In 2001 Erhab records label introduced gangster rap to the Lebanese hiphop scene. The label established a recording studio in 2008 in Lebanon's central prison Roumieh Prison, They released many singles and albums featuring inmates.
The hip hop culture is grounded in African American oral tradition, but, as communities around the world tend to do, the Lebanese hip hop scene is accommodated to the local context. [10] According to member of local hip hop band Fareeq el Atrash,
"[hip hop] always existed in our traditions but we never paid attention to it. It’s a modern style of poetry – hip hop… It’s not about forming a hip hop culture in Lebanon, it exists in Zajal and Atabah… hip hop already existed in Lebanon." – MC Edd Abbas [11]
Atabah ( Arabic: عتابة) is a form of improvised Arabic poetry that uses the lyrical nature of the Arabic language in its performance. [11]
Modern Lebanese hip hop artists have a different view on the significance of hiphop to the Lebanese culture specifically. "it highlights the message. It provides a framework to show the way, a notebook. It is not only a song, it is a framework." – Jamul [12]
Chyno with a why?, a pioneer in the Middle Eastern hiphop scene states that hiphop in the region has accomplished a very important role in regards to youth dissilusionment, he states that hip hop "reduce pressure and stress”, in addition to “empower young people that do not fit in the society.” – Chyno with a why [12]
The music underneath the lyrical portion of songs in Lebanese hip hop varies widely. African drumming is prevalent, along with the sound of bombshells and other street noises. [11] Lebanese rapper Rayess Bek even includes a full orchestra with traditional instruments like the [oud] and [nay] in a recent album. [11] Other influences include swing, jazz, reggae, and acoustic guitar tapping.
French hip hop or French rap, is the hip hop music style developed in French-speaking countries. France is the second largest hip-hop market in the world after the United States.
Japanese hip hop is hip hop music from Japan. It is said to have begun when Hiroshi Fujiwara returned to Japan and started playing hip hop records in the early 1980s. Japanese hip hop tends to be most directly influenced by old school hip hop, taking from the era's catchy beats, dance culture and overall fun and carefree nature and incorporating it into their music. As a result, hip hop stands as one of the most commercially viable mainstream music genres in Japan and the line between it and pop music is frequently blurred.
Hip hop music has been popular in Africa since the early 1980s due to widespread African American influence. In 1985, hip hop reached Senegal, a French-speaking country in West Africa. Some of the first Senegalese rappers were Munyaradzi Nhidza Lida, M.C. Solaar, and Positive Black Soul.
Korean hip-hop, also known as K-hip-hop or K-rap, is a subgenre of the South Korean popular music.
Emerging in the first half of the 1980s, Swedish hip hop originated in the cities of Stockholm and Malmö. Early on, most rappers in Sweden performed in English. Funkalics and The Latin Kings, two very different acts united by their innovative use of the Swedish language, debuted a decade later and paved the way for a second, and bigger, breakthrough for Swedish hip hop. Today, some of the most popular rappers use Swedish, often in different accents.
Tanzanian Hip-hop, which is sometimes referred to Bongo Flava by many outside of Tanzania's hip hop community, encompasses a large variety of different sounds, but it is particularly known for heavy synth riffs and an incorporation of Tanzanian pop.
Native American Hip Hop is hip hop culture practiced by people of Native American heritage, including Canadian First Nation hip hop artists. It is not a specific form of hip hop but varies in style along the lines of hip hop in general. Native Americans have been present in hip hop culture since its inception as breakdancers, DJs, rappers, and graffiti artists. The Native American contribution to hip hop can occasionally be veiled by the ethnic umbrella term of Hispanic or Latino, terms that may refer to Native Americans in certain contexts.
Indian hip hop is a genre of popular music developed in India. Desi hip hop is a term given by Bohemia for music and culture which combines the influences of hip hop and the Indian subcontinent; the term desi referring to the South Asian diaspora. The term has also come to be used as an alternative for rap music and even pop music which involves rappers of South Asian origins.
Arabic hip-hop is a segment of hip hop music performed in the Arabic-speaking world. Due to variety of dialects and local genres which exist in the localities, Arabic hip-hop music may appear very diverse depending on the country of the song. Like most artists of the genre, the hip-hop artists from the Arabic-speaking world are highly influenced by American hip-hop.
DAM is a Palestinian hip-hop group founded in 1999 by brothers Tamer and Suhell Nafar and their friend Mahmoud Jreri from the mixed city of Lod. In 2015 female singer Maysa Daw joined the group. The group's songs are themed on protest, inequality, Israeli–Palestinian conflict, and self-criticism of Arab-Israeli society, including the violence and drug dealing within Israel's mixed cities. DAM is the best-known and most famous Palestinian hip hop group; it is also often called the "quintessential Palestinian resistance band".
Asian hip hop is a heterogeneous musical genre that covers all hip hop music as recorded and produced by artists of Asian origin.
Lito & Polaco were a Puerto Rican hip hop duo from Carolina, Puerto Rico.
"Letting Go (Dutty Love)" is a song by American recording artist Sean Kingston. It was produced by Stargate, and features rapper Nicki Minaj. The song was originally released as the second single from Kingston's third studio album, Back 2 Life, but was taken off for unknown reasons. As of December 2014, the song has sold 1.1 million copies in the United States.
Bangladeshi hip hop is a genre of music and culture that covers a variety of styles of hip hop music developed in Bangladesh. It is heavily influenced by American hip hop, and started in the early 1990s. In recent years, artists have used lyrical expressions for cultural identity, with lyrics addressing Bangladesh's political and social problems, lifestyles, nature, cultures, and communities. Hip hop in today's era has earn great impact in Bangladesh.
Young Pharoz is an Egyptian hip hop trio consisting of Ayman Seleha, Mohamed Magdi and singer Shahd El Shaarawy, founded in 2007. The group's most notable appearance was in 2013 in season 3 of the Arabic X Factor, finishing in fourth place.
Illionaire Records was an independent South Korean record label formed in January 2011 by rappers The Quiett and Dok2. The label also represents rapper Beenzino. Despite its small size, Illionaire Records was considered one of the most influential hip hop record labels in South Korea due to the popularity of its artists. As of 6 July 2020, Illionaire Records announced via their official social media accounts that they are now defunct.
Moon Ji-hoon, better known by the stage name Swings, is a South Korean rapper. Formerly under the label Brand New Music, he is currently signed to P Nation.
Jonathan Moore, also known by his stage name, Wordsayer, was a rapper, DJ and producer born in Seattle, Washington. Known as Seattle's "hip-hop ambassador" and "cultural mayor", Moore was influential in the Northwest hip-hop scene and founded the group Source of Labor in 1989.
Mohamed El Moussaoui, known by the stage name MoTrip, is a German rapper of Lebanese descent. His stage name uses the first syllable of his name and plays off the Arabic word for "singer" or "lyricist". MoTrip came into his own with hits such as 2013's "Guten Morgen NSA" and his 2015 song "So wie du bist". Since 2011, he has been under contract with Universal Music.
Mazen El Sayed, also known as El Rass, is a Lebanese hip-hop artist with over 200 singles and 9 albums to date. El Rass' incorporation of both Classical Arabic and modern street slang in his lyrics has resulted in scholarly attention regarding his music as works of poetry.