N.W.A was an American hip hop group formed in Compton, California. They were among the earliest and most significant popularizers and controversial figures of the gangsta rap subgenre, and the group is widely considered one of the greatest and most influential groups in the history of hip hop music.
Southern hip hop, also known as Southern rap, South Coast hip hop, or dirty south, is a blanket term for a regional genre of American hip hop music that emerged in the Southern United States, especially in Georgia, Texas, Louisiana, Tennessee, and Florida—often titled “The Big 5,” five states which constitute the "Southern Network" in rap music.
Straight Outta Compton is the debut studio album by American gangsta rap group N.W.A, which, led by Eazy-E, formed in Los Angeles County's City of Compton in early 1987. Released by his label, Ruthless Records, on August 8, 1988, the album was produced by N.W.A members Dr. Dre, DJ Yella, and Arabian Prince, with lyrics written by N.W.A members Ice Cube and MC Ren along with Ruthless rapper and unofficial member The D.O.C. Not merely depicting Compton's street violence, the lyrics repeatedly threaten to lead it by attacking peers and even police. The track "Fuck tha Police" drew an FBI agent's warning letter, which aided N.W.A's notoriety, with N.W.A calling itself "the world's most dangerous group."
Turntablism is the art of manipulating sounds and creating new music, sound effects, mixes and other creative sounds and beats, typically by using two or more turntables and a cross fader-equipped DJ mixer. The mixer is plugged into a PA system and/or broadcasting equipment so that a wider audience can hear the turntablist's music. Turntablists typically manipulate records on a turntable by moving the record with their hand to cue the stylus to exact points on a record, and by touching or moving the platter or record to stop, slow down, speed up or, spin the record backwards, or moving the turntable platter back and forth, all while using a DJ mixer's crossfader control and the mixer's gain and equalization controls to adjust the sound and level of each turntable. Turntablists typically use two or more turntables and headphones to cue up desired start points on different records.
Luther Roderick Campbell, also known as Luke Skyywalker, Uncle Luke and simply Luke, is an American rapper, promoter, record executive, actor, and former leader of the rap group 2 Live Crew. He is known for having helped create the Miami bass genre, for establishing one of the first rap groups and rap labels in Southern hip hop, and his sexually crude call and response lyrics which were unique for the time period. He also starred in a short-lived show on VH1, Luke's Parental Advisory.
Praxis is an experimental rock project, led by producer/bassist Bill Laswell and featuring guitarist Buckethead and drummer Brain in nearly every incarnation of the band.
Filipino hip-hop or Pinoy hip hop is hip hop music performed by musicians of Filipino descent, both in the Philippines and overseas, especially by Filipino-Americans.
Richard Quitevis known by his stage name DJ Qbert or Qbert, is an American turntablist and composer who has heavily influenced the History of DJing. He was awarded America's Best DJ in 2010, was DMC USA Champion 1991 (solo) and achieved titles as DMC World Champion in 1992 and 1993.
Christopher Wong Won, better known by his stage name Fresh Kid Ice, was a Trinidadian-American rapper and a Miami bass pioneer. Wong Won was born and spent his early childhood in Port of Spain, Trinidad and Tobago, before emigrating to the United States. In his early twenties, Wong Won was in the United States Air Force and he co-founded 2 Live Crew while he was stationed in California. Early 2 Live Crew singles gained so much traction in Florida that they relocated there. By 1986, the group released the single "Throw The 'D'"; it is now considered the blueprint of Miami bass.
Back at Your Ass for the Nine-4 is the sixth studio album by Miami-based hip hop group 2 Live Crew. It was released on February 1, 1994 via Luke Records and was produced by Mike Fresh, DJ Slice, Professor Griff, DJ Spin Felix Sama & DJ Laz. The album became a moderate hit, peaking at #52 on the Billboard 200 and #9 on the Top R&B/Hip-Hop Albums. Two charting singles were produced, "Hell, Yeah" and "You Go Girl" who were both made into music videos. For this album the group was billed as the new 2 Live Crew as Brother Marquis and Mr. Mixx had left the group, the line-up for this album was Fresh Kid Ice, Luke and new member, Verb. It is the last 2 Live Crew album to feature Luke.
DJ Disk is a turntablist from the San Francisco Bay Area. He is of Panamanian, Colombian, and Nicaraguan descent. Born Luis Quintanilla on October 7, 1970, in San Francisco, Disk began scratching and mixing vinyl at a young age. In 1992, he joined his long-time friend DJ Qbert among the Rock Steady Crew DJs, later changing the group's name to the Invisibl Skratch Piklz.
Dirty rap is a subgenre of hip hop music that contains lyrical content revolving mainly around sexually explicit subjects.
Asian hip hop is a heterogeneous musical genre that covers all hip hop music as recorded and produced by artists of Asian origin.
David P. Hobbs, also known by his stage name Mr. Mixx, is an American musician and record producer who is the co-founder of the controversial rap group 2 Live Crew. In 1986, the group released the single "Throw The 'D'"; it is now considered the blueprint of Miami bass.
Shake a Lil' Somethin' is the seventh studio album by Miami-based hip hop group 2 Live Crew. It was released on August 6, 1996, via Lil' Joe Records and was produced by Mr. Mixx. The album made it to #145 on the Billboard 200 and #33 on the Top R&B/Hip-Hop Albums and three singles: "Shake a Lil' Somethin'", which peaked at #11 on the Hot Rap Singles chart, "Do the Damn Thing", which made it to #24 on the same chart, and "Be My Private Dancer", which peaked at #34. At the time of this album, Fresh Kid Ice had left the New 2 Live Crew and Luke Records to re-join original members Mr. Mixx and Brother Marquis. However, the reunion would be short lived as Mr. Mixx would leave the group after this album and Marquis would leave after the next album.
Dave Cuasito better known by his stage name D-Styles, is a hip hop producer and DJ. He has been a member of Invisibl Skratch Piklz, Beat Junkies, and Third Sight. He has also been a resident DJ of Low End Theory. D-styles is an instructor at the Beat Junkies Institute of Sound.
Mark D. Ross, better known by his stage name Brother Marquis, was an American rapper and a Miami bass pioneer. Ross was born in Rochester, New York. In his teens, he moved with his mother to Los Angeles, California. By the early 1980s, Ross started to release music and made an impression on DJ and producer David Hobbs. Hobbs was part of the group 2 Live Crew, who had just created the Miami Bass blueprint, and were successful in Florida. This led Ross accepting an invitation to join them. Due to his comedic sensibilities, Ross integrated easily into the direction the group was taking. Alongside Hobbs, Christopher Wong Won, and Luther Campbell, they became the most well-known line up of the group. In 1986, they had a breakthrough with their Gold-certified debut album, The 2 Live Crew Is What We Are.
The 2 Live Crew is an American hip hop group from Miami, Florida that had its greatest commercial success from the late 1980s to the early 1990s. The group's most well-known lineup was composed of Uncle Luke, Fresh Kid Ice, Mr. Mixx, and Brother Marquis. They were considerably controversial in the U.S. due to the sexually explicit content in their songs, particularly on their 1989 album As Nasty as They Wanna Be.
The Chinaman is the first studio album by American rapper Fresh Kid Ice of the 2 Live Crew. It was released on July 15, 1992, by Effect Records.
Dmitry Vinokurov, also known as DJ Tactics — DJ, sound producer, and cultural figure from Russia, Moscow. His career has started in the late 1998 as a DJ and sound producer. His scene name comes from the parallel to the ways of using different tactics in approaching particular styles and genres, it sends a message of diversity that can be applied to mixing, recording and scratching. His style is described by Rolling Stone magazine as “Addicted to phat beats and making the crowd head nod over the beats”. His main styles are Hip-Hop, Electronic, Funk/Soul and Turntablism.
