Jewish hip hop

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Jewish hip hop is a genre of hip hop music with thematic, stylistic, or cultural ties to Judaism and its musical traditions.

Contents

Characteristics

Jewish hip hop artists have come from a wide variety of countries and cultures. Elements of reggae, klezmer, and other world music are often incorporated alongside traditional hip hop production techniques like cutting, scratching, sampling, looping, and beatboxing. [1] Many Jewish rappers are also multilingual, rapping in English, Hebrew, Yiddish, Aramaic, Ladino, and other languages, depending on their background. [2]

History

Hip Hop Hoodios fused its members' Jewish and Latino identities and found support in Latino media. The videos for "Ocho Kandelikas" and "Gorrito Cosmico" entered rotation on MTV Espanol. VideoHighRes.jpg
Hip Hop Hoodíos fused its members' Jewish and Latino identities and found support in Latino media. The videos for "Ocho Kandelikas" and "Gorrito Cosmico" entered rotation on MTV Español.

1980s through 1990s

The Beastie Boys were one of the first hip hop groups to emphasize their Jewish identity. Beastie-boys.jpg
The Beastie Boys were one of the first hip hop groups to emphasize their Jewish identity.

From its commercial golden age in the 1980s and early 1990s, Jewish artists, producers, and executives played a significant role in the hip hop industry. [1] These included N.W.A. manager Jerry Heller, producer Rick Rubin, and former Def Jam Recordings CEO Lyor Cohen, as well as majority-Jewish rap groups like 3rd Bass, The Whooliganz, The High & Mighty, and most prominently, the Beastie Boys. Josh Norek of Hip Hop Hoodíos later stated that "before Eminem, pretty much the only white rappers were Jewish." [3] In Israel, Jewish rappers like Shabak Samech's Mook E, Hadag Nahash, Sagol 59, Subliminal, The Shadow, and SHI 360 helped pioneer the country's hip hop scene in the late '90s and early 2000s. Despite this, few of these acts acknowledged their Jewish heritage in their music, with some exceptions being Hip Hop Hoodíos, the parody group 2 Live Jews, and Ruthless Records signees Blood of Abraham.

During this time, Jewish religious music occasionally incorporated hip hop, although largely for parody and children's music, such as Craig Taubman's "Chanukah Rap" and Shlock Rock's songs with rapper Etan G.

2000s to present

The Jewish label JDub Records, founded in 2002, was one of the first to promote explicitly Jewish rap artists, with its roster including Sagol 59, Canadian klezmer-rapper Socalled, the Ethiopian-Israeli duo Axum, and the Middle Eastern-inflected group Balkan Beat Box, whose song "Hermetico" was later sampled for the international hit "Talk Dirty" by Jason Derulo and 2 Chainz. That same year, Hip Hop Hoodíos released their debut EP Raza Hoodía and found success in the Latino media, with several videos going into rotation on MTV Español [4] [5] and the group collaborating with members of Grammy-winning Latin bands like Ozomatli, Jaguares, and Santana. [6] [7] [4]

In 2004, as part of his Celebrate series, Craig Taubman co-produced with music video director Jeremy Goldscheider the first Jewish hip-hop compilation album, Celebrate Hip Hop: Jewish Artists From Around the Globe. Contributing artists included Hip Hop Hoodíos, Sagol 59, Blood of Abraham, Socalled, Mook E, Etan G, and Remedy of the Wu-Tang Clan, as well as lesser known artists like the Russian group iSQUAD and the British groups Antithesis and Emunah. [3]

Hasidic rappers Matisyahu and Nosson Zand. Nosson and matis.jpeg
Hasidic rappers Matisyahu and Nosson Zand.

In the mid-2000s, Hasidic reggae rap artist Matisyahu, who had been signed to JDub, experienced mainstream success; his albums Live at Stubb's (2005) and Youth (2006) were certified gold, while his single "King Without a Crown" became a Top 40 hit.

Diwon performing in Melbourne in 2009. DiwoninMelbourne.jpg
Diwon performing in Melbourne in 2009.

Following Matisyahu's success, a number of Hasidic rappers emerged, including Y-Love, DeScribe, Nosson Zand, Eprhyme, and Nissim Black. Many of these were baalei teshuva , and many of them were promoted through American Yemenite producer Diwon's label Shemspeed Records, alongside non-Hasidic artists like rapper Kosha Dillz and Middle Eastern-inspired hip hop/electronic group Electro Morocco. [8]

In Israel, a number of Orthodox rappers have become popular in both religious and secular circles. The rap rock band Shtar, formed at the Aish HaTorah yeshiva in Israel by Seattle rapper Ori Murray and British guitarist Brad Rubinstein, appeared on the reality singing competition HaKokhav HaBa performing Linkin Park's "In the End". [9] Rinat Gutman, the country's first religious female rapper, gained attention in 2015 for her song "Shirat Ha'asavim Hashotim", a darkly humorous song addressing the sexual harassment committed by a number of Orthodox rabbis and other authority figures. [10] [11] Around the same time, America saw the arrival of Ephryme's alternative hip hop collective Darshan and the Ladino-language group Los Serenos Sefarad.

Reception

The combination of Jewish music and hip hop has occasionally faced criticism, with rabbinic authorities condemning the use of secular styles and hip hop fans viewing it as a gimmick and inauthentic. [2] Blogger Heshy Fried included "Chabad hip hop artists" on his list of "The Most Annoying Frum Jews" in 2011, saying "I have no idea what happened, but all of a sudden there are dozens of chabad BT hip hop artists, and I think the market is a bit saturated, don’t you think?" [12]

Rabbinical perspectives

In 2007, two Haredi musicians from Bnei Brak, Chaim Shlomo Mayes and Dudi Kalish, released Rap in Yiddish, an album of Yiddish-language Jewish parody covers of American pop and rap songs by artists like 50 Cent. [13] While the album was moderately successful, a group of Orthodox rabbis published a full-page ad in Hamodia that condemned the album for its "foreign" melodies "under Yiddish and Hasidic cover", calling for a boycott of the album and praising distributors who had already refused to sell it. [14]

In a 2010 interview, rapper Yitz "Y-Love" Jordan recalled the Committee for Jewish Music, led by Rabbi Ephraim Luft, whose 2008 "Rules for Playing Kosher Music" included a prohibition on secular styles like rap music, even without lyrics. [15] In response, Jordan stated, "Music can't be treif ; the only thing that can be treif is the content in the music. There's no style of music which is automatically anti-Torah." [16]

Notable artists

See also

Related Research Articles

<span class="mw-page-title-main">Hip Hop Hoodíos</span> American hip hop group

The Hip Hop Hoodíos are a multilingual rock en español/alternative rock and hip hop band. Founded in 2001 in Brooklyn, NY, the group is now bi-coastal and based in California and New York. They are composed of Josué Noriega, Abraham Vélez, and Federico Fong.

Israeli hip hop refers to hip hop and rap music in Israel.

<span class="mw-page-title-main">Frum</span> Yiddish word for a devout Jew

Frum is a word that describes Jewish religious devotion.

JDub Records was a non-profit record and event production company that produced Jewish music and cross cultural musical dialogue. JDub, unlike most record labels, derived half its annual income from foundations and individual donors and the other half from record and ticket sales. As a non-profit Jewish organization, its stated mission was to "forge vibrant connections to Judaism through music, media and cultural events." JDub operations included an artists' fellowship program, overseeing the Jewcy website, event production and consulting.

<span class="mw-page-title-main">Matisyahu</span> American musician

Matthew Paul Miller, known by his stage name Matisyahu, is an American reggae singer, rapper, beatboxer, and musician.

<span class="mw-page-title-main">Socalled</span> Musical artist

Joshua Dolgin, better known by his stage name Socalled, is a Canadian rapper and record producer, known for his eclectic mix of hip hop, klezmer, and other styles such as drum & bass and folk music. A pianist and accordion player, he has taught the latter at Klezfest London, where he has also run workshops in "hiphopkele". He has played with clarinetist David Krakauer's Klezmer Madness!, Michael Winograd and has also worked with artists such as rappers C-Rayz Walz, Chilly Gonzales, funk trombonist Fred Wesley, and Sophie Solomon. Dolgin has Ukrainian, Romanian and Russian roots.

<span class="mw-page-title-main">Palestinian hip hop</span> Music genre

Palestinian hip hop reportedly started in 1998 with Tamer Nafar's group DAM. These Palestinian youth forged the new Palestinian musical subgenre, which blends Arabic melodies and hip hop beats. Lyrics are often sung in Arabic, Hebrew, English, and sometimes French. Since then, the new Palestinian musical subgenre has grown to include artists in Palestine, Israel, Great Britain, the United States and Canada.

<span class="mw-page-title-main">Sagol 59</span> Israeli musician

Khen Rotem, known by his stage name Sagol 59, is an Israeli rapper, singer, songwriter and guitarist. He is best known for being a Jerusalem-based hip-hop MC and has been hailed as the "Israeli godfather of hip hop." He also writes about music for many Israeli publications, including Haaretz and the Tel Aviv guide City Mouse. He also teaches Rap and Hip Hop classes at the Rimon School of Jazz and Contemporary Music.

<span class="mw-page-title-main">Y-Love</span> Musical artist

Yitz Jordan, better known by his stage name Y-Love, is an American hip hop artist. An Orthodox Jew, Jordan was formerly Hasidic. He is a web developer, activist, and entrepreneur. Jordan rhymes in a mixture of English, Hebrew, Yiddish, Arabic, Latin and Aramaic, often covering social, political and religious themes.

<span class="mw-page-title-main">Nosson Zand</span> Musical artist (born 1981)

Nathan Isaac Zand, also known as Nosson Zand, is an American Chasidic rapper from Boston, Massachusetts.

Shtar is an Israeli Jewish rap rock band based in Beit Shemesh. Formed in 2006 by American rapper Ori Murray and English guitarist/songwriter Brad Rubinstein, the band released their debut album, Infinity, in Israel in 2010 and in the United States through Shemspeed Records in 2012. They have received considerable media attention, much of it focused on the contrast between their traditional Jewish dress and modern-sounding music. A second recording, Boss EP, was released through the band's own Heatseat Records in December 2012. In 2015, they were announced as contestants on the Israeli reality singing show HaKokhav HaBa.

<i>Infinity</i> (Shtar album) 2010 studio album by Shtar

Infinity is the debut studio album by Jewish hip hop band Shtar. Produced by then-drummer David Epstein, the album was originally released by the independent Shemesh Music label on May 2, 2010. After the band was signed to the larger indie label Shemspeed a year later, it was re-released by that label on March 5, 2012.

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Jewish rock is a form of contemporary Jewish religious music that is influenced by various forms of secular rock music. Pioneered by contemporary folk artists like Rabbi Shlomo Carlebach and the Diaspora Yeshiva Band, the genre gained popularity in the 1990s and 2000s with bands like Soulfarm, Blue Fringe, and Moshav Band that appealed to teens and college students, while artists like Matisyahu enjoyed mainstream crossover success.

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Rinat Gutman is an Israeli Orthodox Jewish rapper, singer, and songwriter. One of the first religious female rappers in Israel, she has also performed in the United States, England, and India, and has appeared with artists like Y-Love, Kosha Dillz, and Roi Levi of Shotei Hanevuah.

Reuben Ezra Formey, known by his stage name Prodezra, is an American Jewish rapper and producer based in Savannah, Georgia. He has released two albums, Until When (2009) and Connection Revealed (2011). He is notable, along with Y-Love, Nissim, and Shyne, as one of several African-American Orthodox Jewish rappers.

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Rory Murray, known by his stage name Ori Murray, is an American-born Israeli rapper, best known as the co-founder and rap vocalist of the band Shtar.

References

  1. 1 2 Siepmann, p. 389
  2. 1 2 Siepmann, p. 390-393
  3. 1 2 Khazzoom, Loolwa (2004-12-09). "Hip-Hop's Jew Crew Takes Center Stage". The Jewish Journal . Retrieved 12 January 2016.
  4. 1 2 Wiltz, Teresa (2005-06-11). "Hip Hop Hoodios Cook". The Washington Post . Retrieved 2022-10-01.
  5. ↑ Obejas, Achy (2003-01-17). "Hoodios blends music, history". Chicago Tribune. Retrieved 2022-10-01.
  6. ↑ Zax, Talya (2022-01-31). "The 150 greatest Jewish pop songs of all time". The Forward. Retrieved 2022-10-01.
  7. ↑ Staff (2009-08-15). "Exclusive Premiere: Hoodios Take Over Times Square". Remezcla . Retrieved 2022-10-01.
  8. ↑ Alisha Kinman (June 25, 2011). "Jewish Hip Hop". Aish.com . Retrieved 24 December 2015.
  9. ↑ Poch, Raphael (December 14, 2015). "Haredi rap band Shtar hopes to make it at Eurovision". Arutz Sheva . Retrieved 14 December 2015.
  10. ↑ Abigail Klein Leichman (September 30, 2015). "Religious rapper delivers a powerful punchline". ISRAEL21c. Retrieved 29 January 2016.
  11. ↑ Tali Farkash (Aug 10, 2015). "פרשת לא תשתוק: שירת העשבים השוטים" (in Hebrew). Ynet . Retrieved 29 January 2016.
  12. ↑ Heshy Fried (Feb 20, 2011). "The most annoying frum Jews". Frum Satire. Retrieved 31 January 2016.
  13. ↑ Zweig, Yossi (June 15, 2011). "Dudi Kalish & Avi Singolda in Parenches". The Jewish Insights. Retrieved 2021-12-31.
  14. ↑ Yoav Friedman (Aug 18, 2007). "Yiddish rap stirs controversy in Israel". Ynetnews . Retrieved 31 January 2016.
  15. ↑ Davies, Wyre (2008-09-12). "Rabbis black-list non-kosher music". BBC News . Retrieved 2022-01-10.
  16. ↑ "Y-Love Speaks Out About Jewish Hip-hop". Leadel.net . YouTube . Retrieved 31 January 2016.

Bibliography

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