Reginald Osei, known in music circles as Reggie Rockstone, is touted by some as the originator of hiplife; others disagree.[2] Nonetheless, the origins of Ghanaian hip hop go back to the 1980s, with performers such as K.K. Kabobo and Gyedu Blay Ambolley. As early as 1973, Ambolley released his first record, "Simigwado"[3] – a semi-rap in Fante-style highlife – to a small audience, which showed him performing highlife variations with fast-spoken, poetic lyrics. Ambolley would go on to be hailed the father of rap, not only in Ghana but in the world.[4] Over time, Ghanaians became influenced by American hip hop, reggae, dance hall. There was an emerging underground hip hop collective in the capital Accra
Hiplife's history dates back to the early 1990s. Jeff Tennyson Quaye, better known around the world as Jay Q, one of the pioneers of hiplife (in the mid-1990s), is considered the backbone of Ghana music as a whole; in recognition of his own variation and introduction of Jama/kpanlogo to hiplife, he has been called the King of Jama.[5]Reginald "Reggie Rockstone" Ossei also began to craft this art form with producers Mike Cooke, Rab Bakari, Zapp Mallet and Coal house. Chief G and the Tribe was one of the first rap groups in Ghana consisting of Chief G (now known as Jay Ghartey), Abeeku and Kwaku T performing rap as far back as 1989. After they broke up before Reggie's foray into what is now termed hiplife, Talking Drums, consisting of Kwaku-T and Bayku, experimented with choruses and hooks in local languages. In Twi, Reggie would flow over hip-hop beats, a style that had been used previously in Mahoney P's debut album Kofi Babone.
In that same era, the group Native Funk Lords (NFL) came out with Pidgin rap; the originators of the genre were from the Kay's Frequency camp: Tinniequaye, Cil, Jake & Eddy Blay. This group also took inspiration from bands such as Osibisa and Ghanaba of Ghana. Rapper and producer Cavell was also part of the original NFL collective and is now known to many as The Mantis.
Reggie Rockstone has been described as the "Godfather of Hiplife"[6] since he spawned a new music genre in the country. After his debut album Makaa Maka, with the hit single "Choo boi", several hiplife acts followed. Although in several radio interviews in 2004, Reggie Rockstone stated that he does not perform hiplife, this could be mainly attributed to the fact that he now prefers to rap in English.
A new era was born in late 1998 when a young producer known as Hammer of The Last Two emerged with original beats plus precision rap artistes. Hammer, born Edward Nana Poku Osei, managed to fuse hip-hop grooves with local tempo and sweet melody, which caught the attention of both the elite and masses instantly. Known for his heavy drums and lead trumpets, Hammer had an originality that elevated hiplife to greater heights, inspiring and influencing a whole generation of producers including Richie, Ball J, Kill Beats, Jayso, EL, and others. In addition, some of the biggest artistes in hiplife today were in Hammer of The Last Two's line-up, among them Kwaw Kesse, Ayigbe Edem, odeshi, Obrafour, Tinny, Sarkodie, Koo Wiase. Other Ghanaian rappers – Lord Kenya, Obour, V.I.P, The Native Funk Lords (rapping mainly in Pidgin English), Castro and MzBel – continued the trend and hiplife is now one of the most popular forms of music in West Africa.[citation needed]
The most popular hiplife musicians are Tic Tac, Sarkodie, Vision in Progress (VIP), Asem, Obrafour, Buk Bak, Castro and Samini, who won a MOBO award for his contribution to hiplife in 2006. Since the rise of these popular musicians, hiplife has grown in popularity abroad, through such artists such as Kwaw Kesse, Koo Wiase, D-plan, Richie, ASEM, Sarkodie, Yaa pono.
The first recorded rap beef in the history of Ghana was birthed in the HipLife era when Ex doe released his controversial hit single "Maba", which was responded to by chicago with "wo bɛ kɔ". These turn of events ended up heightening tensions amongst the two rappers. Beyond that, Ex doe's maba also ended up rubbing the godfather of hiplife Reggie Rockstone the wrong way with a line in his flow that appeared to take shots at his credibility being the oseikrom president.
In 2009 Ghanaian filmmaker Mantse Aryeequaye released a documentary entitled Rhythm Rising that focused on the political history of the hiplife movement in Ghana, as well as hip-hop music amidst various political climates in the nation. In his film, Aryeequaye also examines many famed Ghanaian artists, among whom are Kwaw Kese, Kwaku Tutu and Obrafour, through their experiences within the hiplife or hip-hop movement. The film explores the culture of hiplife against the backdrop of Ghana's political environment.[7]
Hiplife in Ghana is sticking to a new trend of rhythm and this is mainly being influenced by music engineers such as Kill Beatz, Dj Dijoe, Pie-Sie, Jay So looney, Richie, Kaywa and Hammer of The Last Two. There is some confusion about the classification of hip pop made in Ghana and Hiplife, but overall they bear the same qualities and share common rhythms.
Musical style
Hiplife covers a broad range of musical styles fused together. Artists such as Samini combine reggae/dancehall/ragga scat and patois-tinged sounds of Jamaica with Akan-language lyrics over reggae rhythms fused with Ghanaian melodies. His music is branded by the general populace as hiplife. Then there are artists such as KK Fosu, Ofori Amponsah and Richie who do not rap or "DJ" as such but sing with a heavy R&B influence. Verses, bridges and choruses may be in Twi, but the structure and rhythm is typically based on American R&B. He and other similar artistes fall into the category of contemporary highlife.[citation needed]
The majority of hiplife is recorded in a studio environment, with heavy emphasis on computer-aided composition, arrangements and production. Hiplife artists are currently not known for using live instruments in their performances in front of audiences. Most performances are based on voicing over instrumentals and dubs on Compact Disc. This may be a leading reason why the latest incarnation of Ghanaian music has not reached the ears of World Music promoters or bridged the frontiers of countries across Africa as Congolese music has done.
A pair of hiplife artists, formed a double act called Reggie 'n' Bollie and came second in the UK TV music show x-factor.
Twi Rap
Though Reggie Rockstone and co have been credited for Hiplife, there has been a new development about who first recorded Twi rap. After 25 years, an obscure Ghanaian album titled "Obaa Sima" recently gained notoriety.[8] The song by Ata Kak was recorded and officially released in 1994. Such an important record had been missed in Ghana's music history.[9]Fact Magazine proclaimed it as the most important reissue of 2015.[10] The fact was, the song was not popular until a young New York ethnomusicologist, Brian Shimkovitz, who was studying music in Ghana in the early 2000s uncovered the tape. Soon the tape had over 40 million downloads and was popular around the world without Ata Kak's knowledge, until Shimkovitz met him after more than six years.
Hiplife Festivals
Ghana@50 in the Bronx
Popular music plays a large role in understanding transnational Afrodiasporic culture. Ghanaian pop culture allows Ghanaians to identify and differentiate between themselves and their culture and black American culture. There are some struggles to find where Africanness fits inside the African-American categorization. Hiplife celebrates this own unique culture within a larger, more encompassing understanding of blackness. Hiplife signifies tradition, cultural belonging, and pride. It inspires diasporas Ghanaians, for example those that attend Hiplife festivals in New York, to learn their own language and culture.
Ghana@50 specifically celebrates Ghana's 50 years of independence. Reggie Rockstone, formerly mentioned as the founder of this Hiplife genre, was intended to perform at this festival, serving as a symbol of Ghanaian culture and popular authentic music. While attempting to board the plane, Rockstone was flagged by the computer systems which delayed his trip to New York for the festival. This caused significant alarm for those planning the performance as they were expecting large crowds due to Rockstone's planned presence. A plethora of people were in attendance, primarily in cultural attire. Rockstone shot a video to explain his absence and the importance of the festival. Thankfully, Rockstone's experiences conveyed through the video allowed festival attendees to relate to one another—many in the audience had endured travel issues due to their racial and ethnic identities as Rockstone did. His absence and its cause rallied an even more significant form of community.[citation needed]
There was an important distinction made between the event's nature as a party—a more social event to foster connections and reminders of home—or a concert—people paying to hear a certain type of music. The intention for this event was the former, and promoters and planners desired to create community around a genre that was representative of a distinct culture, emphasizing the importance of preserving that culture.
Hiplife and this festival permitted Ghanaians to fit in within African American society while still having ties to Ghana. During hiplife concerts and festivals, there is an importance of space which allows people to completely engage in a 'full-body' experience, affected by the concert's sights and sounds.[11]
There are many styles of traditional and modern music of Ghana, due to Ghana's worldwide geographic position on the African continent.
Reggie Rockstone is a Ghanaian rapper. He was born in the United Kingdom but lived his early years in Kumasi and Accra. He has been living in Ghana continuously since he pioneered the Hip-Life movement in 1994. He is married to Dr. Zilla Limann, Daughter of Hilla Limann, the only president of the third Republic of Ghana. They have three kids together and have been married since 2001.
Edward Nana Poku Osei known by the showbiz name Hammer of The Last Two is a Ghanaian record producer. He is the founder and CEO of The Last Two Music Group and known for growing Ghanaian Hip Hop or Hiplife artists, including Obrafour, Tinny, Kwaw Kese, Sarkodie, Ayigbe Edem, among others. He is sometimes credited as one of the people in the popularization of Hiplife or Hip Hop made in Ghana.
Jay Ghartey, also known as Kweku Gyasi Ghartey, is a Ghanaian–American music producer, singer, and songwriter based in New York City, describing his style as African Rhythm and Blues. He released his debut album Shining Gold in 2011. He is most famous for the singles "My Lady" and "Papa". He is also the co-founder and co-owner of "GH Brothers", an independent record label and production company with his brother DJ and music producer Joe Ghartey.
Elom Adablah, better known by his stage name E.L, is a Ghanaian Afrobeats musician, rapper, singer and producer.
Nii Addo Quaynor, better known by his stage name Tinny, is a Ghanaian rapper. At age eight, by singing and rapping at parties and funfairs, he got into the music industry. In 1994, he started performing at Fun-World, an entertainment program that was organized every Sunday at the National Theatre (Accra). He has released five studio albums since his debut.
Michael Owusu Addo, known professionally as Sarkodie, is a Ghanaian rapper, songwriter, and entrepreneur from Tema. He started rapping at a young age and has since become a household name in the Ghanaian and Global music industry. His contributions to the Ghanaian music industry have earned him numerous accolades, including TGMA then Vodafone Ghana Music Award (VGMA) for "Artiste of the Decade". He was announced the first winner of BET's Best International Flow Artist at the 2019 BET Hip Hop Awards. He is also considered one of the major proponents of the Azonto genre and dance and as the most successful African rapper of all time. Due to the variety of musical genres. he can perform in, Sarkodie is referred to as a "multifaceted rapper" and frequently raps in his native language, Twi.
Kwame Nsiah-Apau, known by his stage name Okyeame Kwame and nicknamed Rap Doctor, is a Ghanaian musician, songwriter, creative director and a Developmental Activist. His dual roles as an artist and an activist have led to his recognition as an "artivist."
Raglife is a Ghanaian musical genre that is a combination of hiplife, Ghanaian hip hop and highlife, with reggae. The music uses traditional reggae elements like drum beats and melodies along with rap. The genre is thought to have been created by Abrewa Nana, the first popular female rap artist in Ghana.
Jason Gaisie, popularly known as Pappy Kojo, is a Ghanaian hip hop and hiplife recording artist from Takoradi. He is well known for his hit single "Realer No".
R2Bees is a Ghanaian hip hop and hiplife duo from Tema, comprising two cousins, Faisal Hakeem and Rashid Mugeez. They were nominated for the 2013 BET Awards. In March 2019, the duo released their third studio album, Site 15.
Albert Serebo Ayeh-Hanson, known by his stage name Ball J or Ball J Beat, is a Ghanaian rapper, sound engineer, record producer and entrepreneur from Accra. He spent most of his formative years in the U.S State of California. Ball J is the CEO and founder of Nu Afrika Records. He is currently signed to Platinum Management, an American record label and the brand ambassador to Roca Bella Brands.
Gyedu-Blay Ambolley is a Ghanaian highlife musician, songwriter, producer, and composer. The first musician from Ghana and the world to formally incorporate rap forms into local highlife rhythms, Ambolley created the musical genre Simigwa.
Maradona Yeboah Adjei, also known by his stage names Guru and Gurunkz, is a Ghanaian rapper and fashion designer. He is known for his contemporary hip-hop rap style that combines English and Ghanaian indigenous languages. Guru's breakthrough was in 2011, when his hit song "Lapaz Toyota" appeared on the Ghanaian music charts.
Gh hip hop, Gh rap or Ghana hip hop is a hip hop genre, subculture and art movement that developed in Ghana during the late 1990s. The hip-hop genre came into existence in Ghana through Reggie Rockstone, who is known as the hip-life father, and other notable musicians such as Jayso and Ball J. It first came to Ghana as Hiplife, where Reggie Rockstone introduced a fusion of hip-hop beats with African sounds to create a whole new genre.
Lukeman Ekow Baidoo, who performs under the stage name Teephlow, is a Ghanaian award-winning hip hop recording artist. He was first noted at the maiden edition of the 2012 "Next Big Thing in GH Hip Hop" Talent Hunt Show. He released his debut single, The Warning, in 2014 featuring Sarkodie.
Michael Elliot Kwabena Okyere Darko popularly known as Obrafour, other names include Rap Executioner and Rap Sofo is a Ghanaian hiplife musician and rapper. Obrafour has a unique style of Twi rapping and storytelling. His popular and hit debut album "Pae mu ka", for which he won 3 awards during the 2000 edition of Ghana Music Awards is arguably one of the best selling albums in Ghana. In May 2019, Obrafour celebrated the 20th anniversary of the "Pae mu ka" album. He is revered as one of the Most Iconic figures in the Ghana Music Industry.
Emmanuel Mallet popularly known as Zapp Mallet is a veteran Ghanaian recording engineer and a record producer. He is recognized as one of the pioneers of the hiplife genre that started in the early 1990s in Ghana. He is also recognized as the only recording engineer to have won the Ghana Music Awards on three consecutive occasions; 1999, 2000, 2001.
Emmanuel Ralph Kotei Nikoi, known by the stage name Okra Tom Dawidi or Da Kasaharilist, is a Ghanaian hiplife musician, best known for his debut hit single “Ayekoo”, which features Obrafour and Tinny.
Abraham Ohene-Djan, is a British/Ghanaian producer, director and media professional. He is the founder and chief executive officer of Ohenemedia, OM Studios and Si-Fex Digital, where he produces and directs hiplife music videos, commercials, television programmes and documentaries and is recognized for shooting the first hiplife music videos.
↑ Shipley, Jesse Weaver (2013). Living the Hiplife: Celebrity and Entrepreneurship in Ghanaian Popular Music. Durham and London: Duke University Press. pp.230–267.
External links
ghanatimes.com article: "Hiplife: A New Dawn; A New Day"
This page is based on this Wikipedia article Text is available under the CC BY-SA 4.0 license; additional terms may apply. Images, videos and audio are available under their respective licenses.
