Assiko

Last updated

The Assiko is a popular dance from the South of Cameroon.

Originally based in the Bassa country, this rhythmed dance takes its name from two words: ISI, changed into ASSI, which means earth or ground; and KOO meaning foot.

The Assiko is danced dressed in a simple T-shirt and a full skirt with a pronounced, billowing waistline that emphasizes hip movement.

Assiko at the Ngondo Festival Activites du Ngondo 15.jpg
Assiko at the Ngondo Festival

The choreographies of Assiko use several lop-sided walks, successive small close walks that the dancers make at different heights, standing up or crouching, which makes you feel they float on the stage. There are also demonstrations of sense of balance, contortions and physical strength calling to the exhilalaration of dance or trance.

The Assiko is also a musical style. The band is usually based on a singer accompanied with a guitar, and a percussionist playing the pulsating rhythm of Assiko with metal knives and forks on an empty bottle. Double bass, drums and some brass can complete this base. Leds Jean Bikoko "Aladin is the creator of this rhythm is one of the well known assiko artist of Cameroon.

Related Research Articles

<span class="mw-page-title-main">Cameroon</span> Country in Central Africa

Cameroon, officially the Republic of Cameroon, is a country in west-central Africa. It is bordered by Nigeria to the west and north; Chad to the northeast; the Central African Republic to the east; and Equatorial Guinea, Gabon and the Republic of the Congo to the south. Its coastline lies on the Bight of Biafra, part of the Gulf of Guinea and the Atlantic Ocean. Due to its strategic position at the crossroads between West Africa and Central Africa, it has been categorized as being in both camps. Its nearly 27 million people speak 250 native languages.

Rhythm generally means a "movement marked by the regulated succession of strong and weak elements, or of opposite or different conditions". This general meaning of regular recurrence or pattern in time can apply to a wide variety of cyclical natural phenomena having a periodicity or frequency of anything from microseconds to several seconds ; to several minutes or hours, or, at the most extreme, even over many years.

<span class="mw-page-title-main">Güiro</span> Latin-American percussion instrument

The güiro is a percussion instrument consisting of an open-ended, hollow gourd with parallel notches cut in one side. It is played by rubbing a stick or tines along the notches to produce a ratchet sound.

Makossa is a Cameroonian style of urban music. Like much other late 20th century music of Sub-Saharan Africa, it uses strong electric bass rhythms and prominent brass. In the 1980s makossa had a wave of mainstream success across Africa and to a lesser extent abroad.

<span class="mw-page-title-main">Salsa (dance)</span> Dance form

Salsa is a latin dance, associated with the music genre of the same name, which was first popularized in the United States in the 1960s in New York City. Salsa is a mixture of Cuban dances, such as mambo, pachanga and rumba, as well as American dances such as swing and tap.

<span class="mw-page-title-main">Foxtrot</span> Dance

The foxtrot is a smooth, progressive dance characterized by long, continuous flowing movements across the dance floor. It is danced to big band music. The dance is similar in its look to waltz, although the rhythm is in a 4
4
time signature instead of 3
4
. Developed in the 1910s, the foxtrot reached its height of popularity in the 1930s and remains practiced today.

<span class="mw-page-title-main">Music of Cameroon</span>

The music of the Cameroon includes diverse traditional and modern musical genres. The best-known contemporary genre is makossa, a popular style that has gained fans across Africa, and its related dance craze bikutsi.

Soukous is a genre of dance music from Congo-Kinshasa and Congo-Brazzaville. It derived from Congolese rumba in the 1960s, becoming known for its fast dance rhythms and intricate guitar improvisation, and gained popularity in the 1980s in France. Although often used by journalists as a synonym for Congolese rumba, both the music and dance associated with soukous differ from more traditional rumba, especially in its higher tempo and longer dance sequences. Notable performers of the genre include Franco Luambo and his band TPOK Jazz, Papa Wemba, Sam Mangwana, Tabu Ley Rochereau, and Pépé Kallé.

<span class="mw-page-title-main">Rhythm game</span> Genre of music-themed action video game

Rhythm game or rhythm action is a genre of music-themed action video game that challenges a player's sense of rhythm. Games in the genre typically focus on dance or the simulated performance of musical instruments, and require players to press buttons in a sequence dictated on the screen. Many rhythm games include multiplayer modes in which players compete for the highest score or cooperate as a simulated musical ensemble. Rhythm games often feature novel game controllers shaped like musical instruments such as guitars and drums to match notes while playing songs. Certain dance-based games require the player to physically dance on a mat, with pressure-sensitive pads acting as the input device.

<span class="mw-page-title-main">Bikutsi</span> Music genre from Cameroon

Bikutsi is a musical genre from Cameroon. It developed from the traditional styles of the Beti, or Ewondo, people, who live around the city of Yaoundé. It was popular in the middle of the 20th century in West Africa. It is primarily dance music.

<span class="mw-page-title-main">African dance</span> Body movement-centered performing arts developed by African people

African dance refers to the various dance styles of sub-Saharan Africa. These dances are closely connected with the traditional rhythms and music traditions of the region. Music and dancing is an integral part of many traditional African societies. Songs and dances facilitate teaching and promoting social values, celebrating special events and major life milestones, performing oral history and other recitations, and spiritual experiences. African dance utilizes the concepts of polyrhythm and total body articulation. African dances are a collective activity performed in large groups, with significant interaction between dancers and onlookers in the majority of styles.

<i>Dabke</i> Levantine folk dance

Dabke is a Levantine folk dance. Dabke combines circle dance and line dancing and is widely performed at weddings and other joyous occasions. The line forms from right to left and leader of the dabke heads the line, alternating between facing the audience and the other dancers. In English, it can be transcribed as dabka, dabki, dabkeh.

<span class="mw-page-title-main">1999 All-Africa Games</span> 7th edition of the All-Africa Games

The 7th All-Africa Games were held from September 10, 1999, to September 19, 1999, in Greater Johannesburg, South Africa. 53 countries participated in eighteen sports. Netball was included as a demonstration sport.

<span class="mw-page-title-main">Ngondo</span> Annual festival in Douala, Cameroon

The Ngondo is an annual water-centered festival held by the Sawa in Douala, Cameroon. The highlight of the festival is a ceremony of the jengu. The ceremony is held at a beach on Wouri Bay, during which a devotee enters the water to visit the underwater kingdom of the miengu. The miengu are believed to be similar to mermaids, and will grant good luck to their worshippers. According to tradition, the devotee can remain underwater for hours, and emerge with his clothing appearing completely dry. Children are not allowed to attend the ceremony. Ngondo was banned by the government of Cameroon in 1981, but reinstated in 1991. The ceremony is held during the first two weeks of December every year.

<span class="mw-page-title-main">Sub-Saharan African music traditions</span> Traditional sound-based art forms developed by sub-Saharan African peoples

In many parts of sub-Saharan Africa, the use of music is not limited to entertainment: it serves a purpose to the local community and helps in the conduct of daily routines. Traditional African music supplies appropriate music and dance for work and for religious ceremonies of birth, naming, rites of passage, marriage and funerals. The beats and sounds of the drum are used in communication as well as in cultural expression.

Atna Jean Emmanuel (Manu) Njock, aka Zekuhl, is a singer, guitarist, percussionist and a songwriter of world music. He presents a Bolbo-Jazz style. He sings in Bàsàa, French and English.

Ambasse bey or ambas-i-bay is a style of folk music and dance from Cameroon. The music is based on commonly available instruments, especially guitar, with percussion provided by sticks and bottles. The music is faster-paced than assiko.

<span class="mw-page-title-main">Dance in Cameroon</span>

Dance in Cameroon is an integral part of the tradition, religion, and socialising of the country's people. Cameroon has more than 200 traditional dances, each associated with a different event or situation. Colonial authorities and Christian missionaries discouraged native dances as threats to security and pagan holdovers. However, after Cameroon's independence, the government recognised traditional dance as part of the nation's culture and made moves to preserve it.

The Panamanian punto is a Hispanic musical genre which includes melodic and choreographic form. It has composition created specifically for dance, typically performed by a single couple as a demonstration of skill, precision and grace. Unlike the tamborito and the Panamanian cumbia, it is performed as an intermission between other dances or music at a party or event.