Related Research Articles
The music of Guadeloupe encompasses a large popular music industry, which gained in international renown after the success of zouk music in the later 20th century. Zouk's popularity was particularly intense in France, where the genre became an important symbol of identity for Guadeloupe and Martinique. Zouk's origins are in the folk music of Guadeloupe and Martinique, especially Guadeloupan gwo ka and Martinican chouval bwa, and the pan-Caribbean calypso tradition.
Cape Verde is known internationally for morna, a form of folk music usually sung in the Cape Verdean Creole, accompanied by clarinet, violin, guitar and cavaquinho. Funaná, Coladeira, Batuque and Cabo love are other musical forms.
The music of Dominica includes a variety of genres including all the popular genres of the world. Popular music is widespread, with a number of native Dominican performers gaining national fame in imported genres such as calypso, reggae, soca, kompa, zouk and rock and roll. Dominica's own popular music industry has created a form called bouyon, which combines elements from several styles and has achieved a wide fanbase in Dominica. Groups include WCK, Native musicians in various forms, such as reggae, kadans (Ophelia Marie, and calypso, have also become stars at home and abroad.
The music of the Lesser Antilles encompasses the music of this chain of small islands making up the eastern and southern portion of the West Indies. Lesser Antillean music is part of the broader category of Caribbean music; much of the folk and popular music is also a part of the Afro-American musical complex, being a mixture of African, European and indigenous American elements. The Lesser Antilles' musical cultures are largely based on the music of African slaves brought by European traders and colonizers. The African musical elements are a hybrid of instruments and styles from numerous West African tribes, while the European slaveholders added their own musics into the mix, as did immigrants from India. In many ways, the Lesser Antilles can be musically divided based on which nation colonized them.
The music of Angola has been shaped both by wider musical trends and by the political history of the country. while Angolan music has also influenced the music of the other Lusophone countries and Latin American countries. In turn, the music of Angola was instrumental in creating and reinforcing "angolanidade", the Angolan national identity. The capital and largest city of Angola — Luanda — is home to a diverse group of styles including kazukuta, semba, kizomba and kuduro. Just off the coast of Luanda is Ilha do Cabo, home to an accordion and harmonica-based style of music called rebita.
São Tomé and Príncipe is an island country off the coast of Africa. Culturally, the people are African but have been highly influenced by the Portuguese rulers of the islands.
Hardstyle is an electronic dance genre that emerged in the late 1990s, with origins in the Netherlands, Belgium and Italy. Hardstyle mixes influences from techno, new beat and hardcore.
Kizomba is a social dance and music genre that originated in Angola during late 1970s to early 1980s. Kizomba is a national heritage of Angola and means "party" in Kimbundu. Traditionally, kizomba was danced with family, friends, and acquaintances in social settings such as parties and weddings, but is nowadays also enjoyed in clubs as well as other settings such as Kizomba Na Rua that are popular in Luanda.
Semba is a traditional type of music and dance from Angola. Semba has its roots in Massemba and means "a touch of belly buttons" - one of the most recognizable and entertaining movements in semba.
Kuduro is a type of music and dance from Angola. It is characterized as uptempo, energetic, and danceable. Kuduro was developed in Luanda, Angola, in the late 1980s. Producers sampled traditional carnival music like soca and zouk béton from the Caribbean to Angola, techno and accordion playing from Europe and laid this around a fast four-to-the-floor beat.
The coladeira is a music genre from the Cape Verde islands in the central Atlantic Ocean.
Ricardo Lemvo is a Congolese singer of Angolan descent who lives in Los Angeles, California. His music is a blend of African soukous, kizomba, samba and Cuban salsa.
Emílio Camilo da Costa, known professionally as Don Kikas, is an Angolan singer from the city of Sumbe in the southern Angolan province of Cuanza Sul.
Footwork, also called juke, or Chicago juke, is a genre of electronic dance music derived from ghetto house with elements of hip hop, first appearing in Chicago in the late 1990s. The music style evolved from the earlier, rapid rhythms of ghetto house, a change pioneered by RP Boo, DJ Rashad and DJ Clent. It may draw from the rapid rhythms and sub-bass frequencies of drum & bass. Tracks also frequently feature heavily syncopated samples from rap, pop and other sources, and are often around 160 bpm. The term juke music may be used as a synonym for footwork music, or may be used to differentiate between footwork the closely related proper juke music born in the 1990s from ghetto house together with footwork music, and somewhat predating it.
Flavel & Neto are a singing duo based in France specializing in Latin-based dance music, but greatly influenced by Angolan kizomba music. They are signed to Five Music label and are mostly famous with their singles "Eu quero tchu, eu quero tcha" and "Pedida perfeita (Tararatata)", the latter featuring Anna Torres.
Elizio, aka Mister ODC is a singer-songwriter born in Angola in 1979, of Cape Verdean origin. Revealed with the title 10 fois, 100 fois featuring Perle Lama in 2003, Elizio quickly meets his first big solo success with Melodia which leads him to the top of the zouk scene. The artist then connects the tubes and expands his musical universe with more than 70 titles, ranging from general dancefloor with sounds like Bad Man on Kizomba with Angel or Make love on tempo in particular, through the kuduro as Sabi Di Mas.
DJ Marfox is a Portuguese DJ best known for pioneering batida or batucada, a music genre that emerged from Lisbon's housing estates. Batida and Batucada are referred to as the "ghetto sound of Lisbon", and they incorporate African-influenced dance music such as kuduro, kizomba, funaná and tarraxinha with house and techno.
Urban Kiz is a partner dance that developed in Paris during the 2010s. The dance evolved from Kizomba and incorporates various music styles such as Ghetto-Zouk, Tarraxa, Afrobeat and remixes with R&B, Rap and Hip Hop.
Brazilian Zouk is a partner dance which began in Brazil during the early 1990s. Brazilian Zouk evolved from the partner dance known as the Lambada. Over time, Zouk dancers have experimented and incorporated other styles of music into such as R'n'B, pop, hip hop and contemporary.
References
- 1 2 3 What are Tarraxinha, Tarraxa and Tarraxo? How are they different from Kizomba?, 18 March 2024
- ↑ Angola's 'kizomba' dance mesmerises the world, 6 October 2017, retrieved 2024-03-22
- ↑ What exactly is Ghetto Zouk? What is the connection to Kizomba and Zouk?, 7 April 2021
- 1 2 INTRODUCING THE FORBIDDEN TARRAXO – FODENCIA, archived from the original on 2015-04-19, retrieved 2024-03-21
