Samba de enredo | |
---|---|
Stylistic origins | Samba |
Cultural origins | Mid-1930s in Rio de Janeiro, Brazil |
Typical instruments |
Samba-enredo, also known as samba de enredo, is a sub-genre of modern samba made specifically by a samba school for the festivities of Brazilian Carnival. [2] It is a samba style that consists of a lyric and a melody created from a summary of the theme chosen as the plot of a samba school. [3] [2]
The first sambas sung by the samba schools in their carnival presentations were freely created and generally were about of the samba itself or the reality of the samba musicians. [3] The institution of contests between the Rio de Janeiro samba school from the 1930s onwards compelled them to commit themselves to presented themes, which began to narrate mainly episodes and exalt characters from the official Brazilian historiography. [3]
"Samba-enredo" translates literally in Portuguese a samba-theme, which is thematically bonded to the selected special theme (enredo) of its samba school and narrates the story, which it told by the samba schools, in a lyrical form. Each samba school performs one song in the Carnaval parade. A new song must be written each year for each school; they must be on Brazilian topics. The Carnaval parade is among other things a samba competition, with judges, who rank the new sambas according to their perceived merit. Being by definition topical, sambas-enredo are seldom performed outside of the Carnaval environment. It is important to note that the samba-enredo is one of the criteria used by the Judging committee to decide who is the winner of the Carnaval parade competition. The samba-enredo must be well sung by the samba school's puxador (or singer) or the school will lose points. While the "puxador" (the samba-enredo singer) sings, everyone marching in the Carnaval parade sings the samba-enredo along with him, and harmony is another judging criterion.
For each samba school, choosing the following year's samba-enredo is a long process. Well in advance of the Carnaval parade, each samba school holds a contest for writing the song. The song is written by samba composers from within the school itself ("Ala dos Compositores"), or sometimes from outside composers, normally in "parcerias" (partnerships). Each school receives many—sometimes hundreds—songs, sometimes hundreds of them, each hoping to be the next samba-enredo for that year. The samba-enredo is written by these numerous composers mentioned above only after the Carnival Art Director, or "Carnavalesco", officially publishes the samba school's parade theme synopsis for the year. After a careful explanation of the parade-theme, many times done by the Carnival Art Director himself, composers may ask questions in order to clarify the synopsis, so they can start writing the samba-enredos.
Samba, also known as samba urbano carioca or simply samba carioca, is a Brazilian music genre that originated in the Afro-Brazilian communities of Rio de Janeiro in the early 20th century. Having its roots in Brazilian folk traditions, especially those linked to the primitive rural samba of the colonial and imperial periods, it is considered one of the most important cultural phenomena in Brazil and one of the country's symbols. Present in the Portuguese language at least since the 19th century, the word "samba" was originally used to designate a "popular dance". Over time, its meaning has been extended to a "batuque-like circle dance", a dance style, and also to a "music genre". This process of establishing itself as a musical genre began in the 1910s and it had its inaugural landmark in the song "Pelo Telefone", launched in 1917. Despite being identified by its creators, the public, and the Brazilian music industry as "samba", this pioneering style was much more connected from the rhythmic and instrumental point of view to maxixe than to samba itself.
Bossa nova is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovative syncopation of traditional samba from a single rhythmic division. The "bossa nova beat" is characteristic of a samba style and not of an autonomous genre.
The Carnival of Brazil is an annual Brazilian festival held the Friday afternoon before Ash Wednesday at noon, which marks the beginning of Lent, the forty-day period before Easter. During Lent, Roman Catholics and some other Christians traditionally abstained from the consumption of meat and poultry, hence the term "carnival", from carnelevare, "to remove meat."
A samba school is a dancing, marching, and drumming club. They practice and often perform in a huge square-compounds and are devoted to practicing and exhibiting samba, an African-Brazilian dance and drumming style. Although the word "school" is in the name, samba schools do not offer instruction in a formal setting. Samba schools have a strong community basis and are traditionally associated with a particular neighborhood. They are often seen to affirm the cultural validity of the Afro-Brazilian heritage in contrast to the mainstream education system, and have evolved often in contrast to authoritarian development. The phrase "escola de samba" is popularly held to derive from the schoolyard location of the first group's early rehearsals. In Rio de Janeiro especially, they are mostly associated with poor neighborhoods ("favelas"). Samba and the samba school can be deeply interwoven with the daily lives of the shanty-town dwellers. Throughout the year the samba schools have various happenings and events, most important of which are rehearsals for the main event which is the yearly carnival parade. Each of the main schools spend many months each year designing the theme, holding a competition for their song, building the floats and rehearsing. It is overseen by a carnavalesco or carnival director. From 2005, some fourteen of the top samba schools in Rio have used a specially designed warehouse complex, the size of ten football pitches, called Samba City to build and house the elaborate floats. Each school's parade may consist of about 3,000 performers or more, and the preparations, especially producing the many different costumes, provide work for thousands of the poorest in Brazilian society. The resulting competition is a major economic and media event, with tens of thousands in the live audience and screened live to millions across South America.
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