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The 1930s (pronounced "nineteen-thirties" and commonly abbreviated as "the '30s" or "the Thirties") was a decade that began on January 1, 1930, and ended on December 31, 1939. In the United States, the Dust Bowl led to the nickname the "Dirty Thirties".
The decade was defined by a global economic and political crisis that culminated in the Second World War. It saw the collapse of the international financial system, beginning with the Wall Street Crash of 1929, the largest stock market crash in American history. The subsequent economic downfall, called the Great Depression, had traumatic social effects worldwide, leading to widespread poverty and unemployment, especially in the economic superpower of the United States and in Germany, which was already struggling with the payment of reparations for the First World War. The Dust Bowl in the United States (which led to the nickname the "Dirty Thirties") exacerbated the scarcity of wealth. U.S. President Franklin D. Roosevelt, who took office in 1933, introduced a program of broad-scale social reforms and stimulus plans called the New Deal in response to the crisis. The Soviet Union's second five-year plan gave heavy industry top priority, putting the Soviet Union not far behind Germany as one of the major steel-producing countries of the world, while also improving communications. First-wave feminism made advances, with women gaining the right to vote in South Africa (1930, whites only), Brazil (1933), and Cuba (1933). Following the rise of Adolf Hitler and the emergence of the NSDAP as the country's sole legal party in 1933, Germany imposed a series of laws which discriminated against Jews and other ethnic minorities.
Germany adopted an aggressive foreign policy, remilitarizing the Rhineland (1936), annexing Austria (1938) and the Sudetenland (1938), before invading Poland (1939) and starting World War II near the end of the decade. Italy likewise continued its already aggressive foreign policy, defeating the Libyan resistance (1932) before invading Ethiopia (1935) and then Albania (1939). Both Germany and Italy became involved in the Spanish Civil War, supporting the eventually victorious Nationalists led by Francisco Franco against the Republicans, who were in turn supported by the Soviet Union. The Chinese Civil War was halted due to the need to confront Japanese imperial ambitions, with the Kuomintang and the Chinese Communist Party forming a Second United Front to fight Japan in the Second Sino-Japanese War. Lesser conflicts included interstate wars such as the Colombia–Peru War (1932–1933), the Chaco War (1932–1935) and the Saudi–Yemeni War (1934), as well as internal conflicts in Brazil (1932), Ecuador (1932), El Salvador (1932), Austria (1934) and British Palestine (1936–1939).
Severe famine took place in the major grain-producing areas of the Soviet Union between 1930 and 1933, leading to 5.7 to 8.7 million deaths. Major contributing factors to the famine include: the forced collectivization in the Soviet Union of agriculture as a part of the First Five-Year Plan, forced grain procurement, combined with rapid industrialization, a decreasing agricultural workforce, and several severe droughts. A famine of similar scope also took place in China from 1936 to 1937, killing 5 million people. The 1931 China floods caused 422,499–4,000,000 deaths. Major earthquakes of this decade include the 1935 Quetta earthquake (30,000–60,000 deaths) and the 1939 Erzincan earthquake (32,700–32,968 deaths).
With the advent of sound in 1927, the musical—the genre best placed to showcase the new technology—took over as the most popular type of film with audiences, with the animated musical fantasy film Snow White and the Seven Dwarfs (1937) becoming the highest-grossing film of this decade in terms of gross rentals. In terms of distributor rentals, Gone with the Wind (1939), an epic historical romance film, was the highest-grossing film of this decade and remains the highest-grossing film (when adjusted for inflation) to this day. Popularity of comedy films boomed after the Silent era with popular comedians The Three Stooges and Marx Brothers. Popular novels of this decade include the historical fiction novels The Good Earth, Anthony Adverse and Gone with the Wind , all three of which were best-selling novels in the United States for 2 consecutive years. Cole Porter was a popular music artist in the 1930s, with two of his songs, "Night and Day" and "Begin the Beguine" becoming No. 1 hits in 1932 and 1935 respectively. The latter song was of the Swing genre, which had begun to emerge as the most popular form of music in the United States since 1933.
The world population increased from 2.05 to 2.25 billion people during the decade, with about 750 million births and 550 million deaths.
Prominent assassinations, targeted killings, and assassination attempts include:
Many technological advances occurred in the 1930s, including:
The best-selling books of every year in the United States were as follows: [15]
Year | Title | Worldwide gross | Budget | Reference(s) |
---|---|---|---|---|
1930 | All Quiet on the Western Front | $3,000,000 R | $1,250,000 | [# 1] [# 2] [# 3] [# 4] |
1931 | Frankenstein | $12,000,000 R ($1,400,000) R | $250,000 | [# 5] [# 6] |
City Lights | $5,000,000 R | $1,607,351 | [# 7] | |
1932 | The Sign of the Cross | $2,738,993 R | $694,065 | [# 8] [# 9] [# 10] [# 11] |
1933 | King Kong | $5,347,000 R ($1,856,000) R | $672,255.75 | [# 12] |
I'm No Angel | $3,250,000+ R | $200,000 | [# 13] [# 14] | |
Cavalcade | $3,000,000–4,000,000 R | $1,116,000 | [# 15] [# 3] | |
She Done Him Wrong | $3,000,000+ R | $274,076 | [# 16] [# 17] [# 18] | |
1934 | The Merry Widow | $2,608,000 R | $1,605,000 | [# 19] [# 10] |
It Happened One Night | $2,500,000 R ON | $325,000 | [# 20] [# 21] | |
1935 | Mutiny on the Bounty | $4,460,000 R | $1,905,000 | [# 10] |
1936 | San Francisco | $6,044,000+ R ($5,273,000) R | $1,300,000 | [# 19] [# 10] |
1937 | Snow White and the Seven Dwarfs | $418,000,000+ S7 ($8,500,000) R | $1,488,423 | [# 22] [# 23] |
1938 | You Can't Take It With You | $5,000,000 R | $1,200,000 | [# 24] [# 25] |
1939 | Gone with the Wind | $390,525,192–402,352,579 | $3,900,000–4,250,000 | [# 26] [# 27] [# 28] [# 29] |
The most popular music of each year was as follows: [18]
The most characteristic North American fashion trend from the 1930s to 1945 was attention at the shoulder, with butterfly sleeves and banjo sleeves, and exaggerated shoulder pads for both men and women by the 1940s. The period also saw the first widespread use of man-made fibers, especially rayon for dresses and viscose for linings and lingerie, and synthetic nylon stockings. The zipper became widely used. These essentially U.S. developments were echoed, in varying degrees, in Britain and Europe. Suntans (called at the time "sunburns") became fashionable in the early 1930s, along with travel to the resorts along the Mediterranean, in the Bahamas, and on the east coast of Florida where one can acquire a tan, leading to new categories of clothes: white dinner jackets for men and beach pajamas, halter tops, and bare midriffs for women. [19]
Revolutionary designer and couturier Madeleine Vionnet gained popularity for her bias-cut technique, which clung, draped, and embraced the curves of the natural female body. Fashion trendsetters in the period included The Prince of Wales (King Edward VIII from January 1936 until his abdication that December) and his companion Wallis Simpson (the Duke and Duchess of Windsor from their marriage in June 1937), socialites like Nicolas de Gunzburg, Daisy Fellowes and Mona von Bismarck, and Hollywood movie stars such as Fred Astaire, Carole Lombard, and Joan Crawford.
Typical fashions in the 1930s:
Social realism became an important art movement during the Great Depression in the United States in the 1930s. Social realism generally portrayed imagery with socio-political meaning. Other related American artistic movements of the 1930s were American scene painting and Regionalism which were generally depictions of rural America, and historical images drawn from American history. Precisionism with its depictions of industrial America was also a popular art movement during the 1930s in the USA. During the Great Depression the art of photography played an important role in the Social Realist movement. The work of Dorothea Lange, Walker Evans, Margaret Bourke-White, Lewis Hine, Edward Steichen, Gordon Parks, Arthur Rothstein, Marion Post Wolcott, Doris Ulmann, Berenice Abbott, Aaron Siskind, Russell Lee, Ben Shahn (as a photographer) among several others were particularly influential.
The Works Progress Administration part of the Roosevelt Administration's New Deal sponsored the Federal Art Project, the Public Works of Art Project, and the Section of Painting and Sculpture which employed many American artists and helped them to make a living during the Great Depression.
Mexican muralism was a Mexican art movement that took place primarily in the 1930s. The movement stands out historically because of its political undertones, the majority of which of a Marxist nature, or related to a social and political situation of post-revolutionary Mexico. Also in Latin America Symbolism and Magic Realism were important movements.
In Europe during the 1930s and the Great Depression, Surrealism, late Cubism, the Bauhaus, De Stijl, Dada, German Expressionism, Symbolist and modernist painting in various guises characterized the art scene in Paris and elsewhere.
Prominent criminals of the Great Depression:
The following articles contain brief timelines which list the most prominent events of the decade:
This section of the timeline of United States history concerns events from 1930 to 1949.
The decade of the 1930s in film involved many significant films. The year 1939, in particular, was one of the biggest years in Hollywood with MGM's release of Gone with the Wind and The Wizard of Oz.
This article presents a timeline of events in the history of the United Kingdom from 1930 AD until 1949 AD. For a narrative explaining the overall developments, see the related History of the British Isles. For narratives about this time period, see Interwar Britain, United Kingdom home front during World War II, Military History of the United Kingdom during World War II, Post-war Britain (1945–1979), Social history of post-war Britain (1945–1979),
Edwin Maxwell was an Irish character actor in Hollywood movies of the 1930s and 1940s, frequently cast as businessmen and shysters, though often ones with a pompous or dignified bearing. Prior to that, he was an actor on the Broadway stage and a director of plays.
Olga Konstantinovna Chekhova, known in Germany as Olga Tschechowa, was a Russian-German actress. Her film roles include the female lead in Alfred Hitchcock's Mary (1931).
Sidney Barnett Hickox, A.S.C. was an American film and television cinematographer.
Joseph Henry Kolker was an American stage and film actor and director.
Oskar Sima was an Austrian actor who is best remembered for appearing in supporting roles in countless comedy films from the 1930s to the 1960s.
Michał Waszyński was first a film director in Poland, then in Italy, and later a producer of major American films, mainly in Spain. Known for his elegance and impeccable manners, he was known by his acquaintances as "the prince".
The Great Depression was a severe global economic downturn from 1929 to 1939. The period was characterized by high rates of unemployment and poverty; drastic reductions in liquidity, industrial production, and trade; and widespread bank and business failures around the world. The economic contagion began in 1929 in the United States, the largest economy in the world, with the devastating Wall Street stock market crash of October 1929 often considered the beginning of the Depression.
Ida Wüst was a German stage and film actress whose career was prominent in the 1920s and 1930s with Universum Film AG (UFA).
Basil Emmott, BSC was a prolific English cinematographer with 190 films to his credit, active from the 1920s to the 1960s. Emmott's career started in the silent era and continued through to the mid-1960s. His most prolific decade was the 1930s, when he was involved with almost 120 films, many of which were produced by noted documentary film-maker John Grierson.
Brock Williams was a prolific English screenwriter with over 100 films to his credit between 1930 and 1962. He also had a brief directorial career, and later also worked in television. Two of his novels The Earl of Chicago and Uncle Willie and the Bicycle Shop were both adapted into films.
Hans Heinz Zerlett was a German screenwriter and film director.
Walter Charles Mycroft was a British journalist, screenwriter, film producer and director. In the 1920s he was film critic of the London Evening Standard, and a founder of the London Film Society, before joining the film industry.
Harry Fowler Mear was a British screenwriter. He spent a number of years at Twickenham Film Studios where his work has been described as "competent but uninspired".
Georg Alexander was a German film actor who was a prolific presence in German cinema. He also directed a number of films during the silent era.
Operetta films are a genre of musical films associated with, but not exclusive to, German language cinema. The genre began in the late 1920s, but its roots stretch back into the tradition of nineteenth century Viennese operettas.
Gerhard Dammann was a German film actor.
The following is a list of North Indian Ocean tropical cyclones from 1930 to 1939. Records from before the 1970s were extremely unreliable, and storms that stayed at sea were often only reported by ship reports.
Although costing $1250000—a huge sum for any studio in 1929—the film was a financial success. Karl Thiede gives the domestic box-office at $1500000, and the same figure for the foreign gross.
Hughes did not have the "Midas touch" the trade press so often attributed to him. Variety, for example, reported that Hell's Angels cost $3.2 million to make, and by July, 1931, eight months after its release, the production cost had nearly been paid off. Keats claimed the picture cost $4 million to make and that it earned twice that much within twenty years. The production cost estimate is probably correct. Hughes worked on the picture for over two years, shooting it first as a silent and then as a talkie. Lewis Milestone said that in between Hughes experimented with shooting it in color as well. But Variety's earnings report must be the fabrication of a delirious publicity agent, and Keats' the working of a myth maker. During the seven years it was in United Artists distribution, Hell's Angels grossed $1.6 million in the domestic market, of which Hughes' share was $1.2 million. Whatever the foreign gross was, it seems unlikely that it was great enough to earn a profit for the picture.
Chaplin's negative cost for City Lights was $1,607,351. The film eventually earned him a worldwide profit of $5 million ($2 million domestically and $3 million in foreign distribution), an enormous sum of money for the time.
Kid from Spain: $2,621,000 (data supplied by Eddie Cantor)
Sources: Eddie Mannix Ledger, made available to the author by Mark Glancy...
1933 release: $1,856,000; 1938 release: $306,000; 1944 release: $685,000
1952 release: $2,500,000; budget: $672,254.75
According to a modern source, it had a gross earning of $2,250,000 on the North American continent, with over a million more earned internationally.
The worldwide rentals of over $3 million keep the lights on at Paramount, which did not shy away from selling the movie's sex appeal.In: Block & Wilson 2010.
The reaction to West's first major film, however, was not exclusively negative. Made for a mere $200,000, the film would rake in a healthy $2 million in the United States and an additional million in overseas markets.
Although Columbia's president, Harry Cohn, had strong reservations about It Happened One Night, he also knew that it would not bankrupt the studio; the rights were only $5,000, and the budget was set at $325,000, including the performers' salaries.
Considered a highly risky gamble when the movie was in production in the mid-1930s, by the fiftieth anniversary of its 1937 premiere Snow White's earnings exceeded $330 million.
In only 2 months after the 1987 re-release, the film grossed another $45 million—giving it a total gross to date of about $375 million!
North American box-office: $46,594,719
North American box-office: $41,634,791
You Can't Take It With You received excellent reviews, won Best Picture and Best Director at the 1938 Academy Awards, and earned over $5 million worldwide.
The film quickly became a smash nationwide, making a profit of over $2 million on worldwide rentals of $4 million.In: Block & Wilson 2010.
$3.981 million.
Once the confusion cleared, however, the film blossomed into a commercial success, with a profit of $978,000 on worldwide rentals of $3.6 million.In: Block & Wilson 2010.