List of years in literature

Last updated

This article gives a chronological list of years in literature (descending order), with notable publications listed with their respective years and a small selection of notable events. The time covered in individual years covers Renaissance, Baroque and Modern literature, while Medieval literature is resolved by century.

Contents

Note: List of years in poetry exists specifically for poetry.

See Table of years in literature for an overview of all "year in literature" pages.

Several attempts have been made to create a list of world literature. Among these are the great books project including the book series Great Books of the Western World , now containing 60 volumes. In 1998 Modern Library, an American publishing company, polled its editorial board to find the best 100 novels of the 20th century: Modern Library 100 Best Novels. These attempts have been criticized for their anglophone bias and disregard of other literary traditions.

Ancient times

Middle Ages

16th century

1500s

1510s

1520s

1530s

1540s

1550s

1560s

1570s

1580s

1590s

17th century

1600s

1610s

1620s

1630s

1640s

1650s

1660s

1670s

1680s

1690s

18th century

1700s

1710s

1720s

1730s

1740s

1750s

1760s

1770s

1780s

1790s

19th century

1800s

1810s

1820s

1830s

1840s

1850s

1860s

1870s

1880s

1890s

20th century

1900s

1910s

1920s

1930s

1940s

1950s

1960s

1970s

1980s

1990s

21st century

2000s

2010s

2020s

Related Research Articles

This article contains information about the literary events and publications of 1820.

This article contains information about the literary events and publications of 1819.

This article contains information about the literary events and publications of 1816.

This article contains information about the literary events and publications of 1813.

<i>Palgraves Golden Treasury</i>

The Golden Treasury of English Songs and Lyrics is a popular anthology of English poetry, originally selected for publication by Francis Turner Palgrave in 1861. It was considerably revised, with input from Tennyson, about three decades later. Palgrave excluded all poems by poets then still alive.

The Oxford Book of English Verse, 1250–1900 is an anthology of English poetry, edited by Arthur Quiller-Couch, that had a very substantial influence on popular taste and perception of poetry for at least a generation. It was published by Oxford University Press in 1900; in its india-paper form it was carried widely around the British Empire and in war as a 'knapsack book'. It sold close to 500,000 copies in its first edition. In 1939, the editor revised it, deleting several poems that he regretted including and adding instead many poems published before 1901 as well as poems published up to 1918. The second edition is now available online.

<i>The New Oxford Book of English Verse 1250–1950</i> 1972 poetry anthology edited by Helen Gardner

The New Oxford Book of English Verse 1250–1950 is a poetry anthology edited by Helen Gardner, and published in New York and London in 1972 by Clarendon Press. It was intended as a replacement for the older Quiller-Couch Oxford Book of English Verse. Selections were largely restricted to British and Irish poets.

The Oxford University Press published a long series of poetry anthologies, dealing in particular with British poetry but not restricted to it, after the success of the Oxford Book of English Verse (1900). The Oxford poetry anthologies are traditionally seen as 'establishment' in attitude, and routinely therefore are subjects of discussion and contention. They have been edited both by well-known poets and by distinguished academics. In the limited perspective of canon-formation, they have mostly been retrospective and well-researched, rather than breaking fresh ground.

These are Oxford poetry anthologies of English poetry, which select from a given period. See also The Oxford Book of Twentieth Century English Verse and Eighteenth century women poets: an Oxford anthology.

Several anthologies of religious poetry have been published by Oxford University Press.

<i>The Cenci</i> 1819 play by Percy Bysshe Shelley

The Cenci. A Tragedy, in Five Acts (1820) is a verse drama in five acts by Percy Bysshe Shelley written in the summer of 1819, and inspired by a real Roman family, the House of Cenci. Shelley composed the play in Rome and at Villa Valsovano near Livorno, from May to August 5, 1819. The work was published by Charles and James Ollier in London in 1819. The Livorno edition was printed in Livorno, Italy by Shelley himself in a run of 250 copies. Shelley told Thomas Love Peacock that he arranged for the printing himself because in Italy "it costs, with all duties and freightage, about half of what it would cost in London." Shelley sought to have the play staged, describing it as "totally different from anything you might conjecture that I should write; of a more popular kind... written for the multitude." Shelley wrote to his publisher Charles Ollier that he was confident that the play "will succeed as a publication." A second edition appeared in 1821, his only published work to go into a second edition during his lifetime.

<i>Gateway to the Great Books</i>

Gateway to the Great Books is a 10-volume collection of classic fiction and nonfiction literature edited by Mortimer Adler and Robert Maynard Hutchins, with Clifton Fadiman credited as associate editor, that was published by Encyclopædia Britannica in 1963.

Nationality words link to articles with information on the nation's poetry or literature.

Nationality words link to articles with information on the nation's poetry or literature.

Nationality words link to articles with information on the nation's poetry or literature.

Nationality words link to articles with information on the nation's poetry or literature.

<i>The Fortunes of Perkin Warbeck</i> 1830 novel by Mary Shelley

The Fortunes of Perkin Warbeck: A Romance is an 1830 historical novel by Mary Shelley about the life of Perkin Warbeck. The book takes a Yorkist point of view and proceeds from the conceit that Perkin Warbeck died in childhood and the supposed impostor was indeed Richard of Shrewsbury. Henry VII of England is repeatedly described as a "fiend" who hates Elizabeth of York, his wife and Richard's sister, and the future Henry VIII, mentioned only twice in the novel, is a vile youth who abuses dogs. Her preface establishes that records of the Tower of London, as well as the histories of Edward Hall, Raphael Holinshed, and Francis Bacon, the letters of Sir John Ramsay to Henry VII that are printed in the Appendix to John Pinkerton's History of Scotland establish this as fact. Each chapter opens with a quotation. The entire book is prefaced with a quotation in French by Georges Chastellain and Jean Molinet.

References

  1. Charles Osborne, The Life and Crimes of Agatha Christie, London, 1982.