Theatrum Chemicum Britannicum

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Theatrum Chemicum Britannicum

Theatrum Chemicum Britannicum first published in 1652, is an extensively annotated compilation of English alchemical literature acquired by Elias Ashmole. The book preserved and made available many works that had previously existed only in privately held manuscripts. It is the first part of a planned multi-volume set. It features the rhyming verse of people such as Thomas Norton, George Ripley, Geoffrey Chaucer, John Gower, John Lydgate, John Dastin, Abraham Andrews and William Backhouse. [1]

Contents

The quantity of manuscripts acquired by Ashmole was of such a mass, that he planned to publish multiple volumes. The extant 1652 volume, designated as "The First Part" on the title page, was chosen for presenting the works of rhyming Verse, while the Second Part would be given to prose. [lower-alpha 1] [lower-alpha 2]

In his preface Ashmole says of himself, "I must profess I know enough to hold my tongue, but not enough to speak." [4]

Contents

The volume is described in its preface as: Theatrum Chemicum Britannicum. Containing Severall Poetical Pieces of our Famous English Philosophers, who have written the Hermetique Mysteries in their owne Ancient Language. Faithfully Collected into one Volume, with Annotations thereon, by Elias Ashmole, Esq. Qui est Mercuriophilus Anglicus. The first part, London, Printed by J. Grismond for Nath: Brooke, at the Angel in Cornhill. MDCLII. [5] The compilation contains the following collection of works, several of which are by unknown authors: [6] [7]

George Ripley's Wheel, from Theatrum Chemicum Britannicum, 1652 Here followeth the 0c483k14n d504rk93m dl full size.jpg
George Ripley's Wheel, from Theatrum Chemicum Britannicum, 1652

Notes

  1. Elias Ashmole wanted to ensure readers were aware of more material, already collected and planned for second volume within Theatrum Chemicum Britannicum : "Now for a Particular account, of the Hermetique Science, vouchsafe (Ingenious Reader,) to accept the ensuing Collections, yet not so, as if therein were contained all the Works of our English Hermetique Philosophers, (for more are designed in a Second Part to follow and compleate this a full Theatrum; the which GOD allowing me further Time and Tranquility to run through it, as I have already this, I intend shortly to make ready for the Presse.) [2]
  2. After describing his process of collecting the English works, Elias Ashmole wrote about his analysis of the material: "I made a Question (in regard some Philosophers had writ in Verse, others in Prose) Which of these should take Precedency ; and after some Consideration adjudged it to the Poetique part... it is the Ancientest, Prose but of Latter use with other Nations: but because Poetry hath bin most Anciently used with us, and (as if from a Grant of Nature) held unquestionable... In a word, to prefer Prose before Poetry, is no other, or better, then to let a Rough-hewen-Clowne, take the Wall of a Rich-clad-Lady of Honour : or to Hang a Presence Chamber With Tarpalin, instead of Tapestry." [3]

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References

  1. "Theatrum Chemicum Britannicum Project". Ouroboros Press. 13 May 2011. Retrieved April 2, 2013.
  2. Ashmole, Elias. "Prolegomena". Theatrum Chemicum Britannicum. pp. 13, 18–20.
  3. Ashmole, Elias. "Prolegomena". Theatrum Chemicum Britannicum. pp. 18–20.
  4. Peters, Hermann (1906). Pictorial History of Ancient Pharmacy: With Sketches of Early Medical Practice, Hermann Peters (3 ed.). G.P. Engelhard. p. 190.
  5. Adam McLean. The Alchemy Website. Retrieved April 2, 2013.
  6. Elias Ashmole. Theatrum Chemicum Britannicum p. Sss. 1652.
  7. Adam McLean. The Alchemy Website. Retrieved April 2, 2013.
  8. Josten, C. H. (1949). "William Backhouse of Swallowfield". Ambix. 4 (1–2): 5. doi:10.1179/amb.1949.4.1-2.1.