Gerardus Mercator was a Flemish geographer, cosmographer and cartographer. He is most renowned for creating the 1569 world map based on a new projection which represented sailing courses of constant bearing as straight lines—an innovation that is still employed in nautical charts.
Johannes Janssonius was a Dutch cartographer and publisher who lived and worked in Amsterdam in the 17th century.
In typography, italic type is a cursive font based on a stylised form of calligraphic handwriting. Along with blackletter and roman type, it served as one of the major typefaces in the history of Western typography.
Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet.
Jodocus Hondius was a Flemish and Dutch engraver and cartographer. He is sometimes called Jodocus Hondius the Elder to distinguish him from his son Jodocus Hondius II. Hondius is best known for his early maps of the New World and Europe, for re-establishing the reputation of the work of Gerard Mercator, and for his portraits of Francis Drake. He inherited and republished the plates of Mercator, thus reviving his legacy, also making sure to include independent revisions to his work. One of the notable figures in the Golden Age of Dutch cartography, he helped establish Amsterdam as the center of cartography in Europe in the 17th century.
John Parkinson was the last of the great English herbalists and one of the first of the great English botanists. He was apothecary to James I and a founding member of the Worshipful Society of Apothecaries in December 1617, and was later Royal Botanist to Charles I. He is known for two monumental works, Paradisi in Sole Paradisus Terrestris, which generally describes the proper cultivation of plants; and Theatrum Botanicum, the most complete and beautifully presented English treatise on plants of its time. One of the most eminent gardeners of his day, he kept a botanical garden at Long Acre in Covent Garden, today close to Trafalgar Square, and maintained close relations with other important English and Continental botanists, herbalists and plantsmen.
Bembo is a serif typeface created by the British branch of the Monotype Corporation in 1928–1929 and most commonly used for body text. It is a member of the "old-style" of serif fonts, with its regular or roman style based on a design cut around 1495 by Francesco Griffo for Venetian printer Aldus Manutius, sometimes generically called the "Aldine roman". Bembo is named for Manutius's first publication with it, a small 1496 book by the poet and cleric Pietro Bembo. The italic is based on work by Giovanni Antonio Tagliente, a calligrapher who worked as a printer in the 1520s, after the time of Manutius and Griffo.
The Atlas Maior is the final version of Joan Blaeu's atlas, published in Amsterdam between 1662 and 1672, in Latin, French, Dutch, German and Spanish, containing 594 maps and around 3,000 pages of text. It was the largest and most expensive book published in the seventeenth century. Earlier, much smaller versions, titled Theatrum Orbis Terrarum, sive, Atlas Novus, were published from 1634 onwards. Like Abraham Ortelius's Theatrum Orbis Terrarum (1570), the Atlas Maior is widely considered a masterpiece of the Golden Age of Dutch/Netherlandish cartography.
Centaur is a serif typeface by book and typeface designer Bruce Rogers, based on the Renaissance-period printing of Nicolas Jenson around 1470. He used it for his design of the Oxford Lectern Bible. It was given widespread release by the British branch of Monotype, paired with an italic designed by calligrapher Frederic Warde and based on the slightly later work of calligrapher and printer Ludovico Vicentino degli Arrighi. The italic has sometimes been named separately as the "Arrighi" italic.
Round hand is a type of handwriting and calligraphy originating in England in the 1660s primarily by the writing masters John Ayres and William Banson. Characterised by an open flowing hand (style) and subtle contrast of thick and thin strokes deriving from metal pointed nibs in which the flexibility of the metal allows the left and right halves of the point to spread apart under light pressure and then spring back together, the popularity of round hand grew rapidly, becoming codified as a standard, through the publication of printed writing manuals.
Robert Granjon was a French punchcutter, a designer and creator of metal type, and printer. He worked in Paris, Lyon, Antwerp, and Rome. He is best known for having introduced the typeface style Civilité, for his many italic types and his fleuron designs, although he worked across all genres of typeface and alphabet across his long career.
Hendrik Hondius I was a Flemish-born and trained engraver, cartographer, and publisher who settled in the Dutch Republic in 1597.
Flandria Illustrata is a historiographical and topographical work from 1641 by the Flemish canon Antonius Sanderus. It contains historical descriptions of the main towns and villages of the former County of Flanders, in addition to the lives of its counts and bishops. The works is lavishly illustrated. It contains etched portraits of historical figures and heraldic representations but it is specifically known for its maps and topographical views which form an important source for historic study. The Latin work knew several editions and translations until well into the 18th century. In Dutch it was published under the title Verheerlykt Vlaandre.
Pieter van den Keere was a Flemish engraver, publisher and globe maker who worked for the most part of his career in England and the Dutch Republic.
Abraham Goos was a Dutch cartographer, publisher, and engraver. He made globes, maps of North America, a comprehensive map of European coastlines, and the first printed Hebrew language map of The Holy Land.
Alfred John Fairbank CBE was a British calligrapher, palaeographer and author on handwriting.
Theatrum Pictorium, or Theatre of Painting, is a short-hand name of a book published in the 1660s by David Teniers the Younger for his employer, the Archduke Leopold Wilhelm of Austria. It catalogs 243 Italian paintings in the Archduke's collection of over 1300 paintings. The paintings are reproduced by engravings made by various engravers after reduced-size copies (modelli) created by Teniers. David Teniers' brother Abraham Teniers was involved in organizing the publication of the work. A second edition with page numbers was published in 1673.
Hendrik van den Keere was a punchcutter, or cutter of punches to make metal type, who lived in Ghent in modern Belgium.
Felix van Sambix was a Netherlandish schoolmaster and calligrapher. During his lifetime, he was considered one of the finest writers of the Dutch Republic.
Jacomina Hondius was a Flemish and Dutch calligrapher notable for being the first female European calligrapher to have signed examples of her work published.
