Frances Abington was an English actress who was also known for her sense of fashion. Writer and politician Horace Walpole described her as one of the finest actors of their time, and Richard Brinsley Sheridan was said to have written the part of Lady Teazle in The School for Scandal for her to perform.
Dorothea Jordan was an Anglo-Irish actress, as well as a courtesan. She was the long-time mistress of Prince William, Duke of Clarence, and the mother of 10 illegitimate children by him, all of whom took the surname FitzClarence. She was known professionally as Dorothea Francis and Dorothea Jordan, was informally Dora Jordan, and she was commonly referred to as Mrs Jordan and Mrs FitzClarence.
This article contains information about the literary events and publications of 1747.
Margaret Woffington, was an Irish actress and socialite of the Georgian era.
Turlough O'Carolan was a blind Celtic harper, composer and singer in Ireland whose great fame is due to his gift for melodic composition.
Samuel Foote was a Cornish dramatist, actor and theatre manager. He was known for his comedic acting and writing, and for turning the loss of a leg in a riding accident in 1766 to comedic opportunity.
Charlotte Lennox, néeRamsay, was a Scottish author and a literary and cultural critic, whose publishing career flourished in London. Best known for her novel The Female Quixote (1752), she was frequently praised for her genius and literary skill. As a result, Sir Joshua Reynolds painted her portrait and she was featured in "The Nine Living Muses of Great Britain" in 1778. Samuel Johnson declared her superior to all other female writers, and Henry Fielding said that she "excelled Cervantes." Her pioneering study of Shakespeare's source material is still cited and her magazine (1760–1761) is the focus of "The Lady's Museum Project."
Anne Oldfield was an English actress and one of the highest paid actresses of her time.
Hugh Kelly was an Irish dramatist and poet. From the 1760s he was employed as a propagandist for the British government, attacking members of the Opposition. After arriving in London in 1760 to work as a staymaker, he soon turned to become a writer and made a living as a journalist. In 1766 he published Thespis, a long poem about the acting profession, which gained him wide attention. He followed up this success with the novel Memoirs of a Magdalen in 1767. He ultimately became known for his stage plays such as False Delicacy and A Word to the Wise.
Elizabeth Farren was an Irish actress of the late 18th century. Born in Cork in 1759, her father, George Farren was a surgeon. His drinking habits brought on early death and his widow returned to Liverpool. Her mother went on the stage to support herself and her children. Elizabeth first appeared on the London stage in 1777 as Miss Hardcastle in She Stoops to Conquer and the following year appeared at Drury Lane which, along with the Haymarket Theatre became her primary venues for the rest of her acting career. She had over 100 characters in her repertoire including Shakespeare and various contemporary comedies and dramas. She was often compared to Frances Abington, who was her only real rival. Her last appearance was in April 1797, two months before her marriage to Edward Smith-Stanley, 12th Earl of Derby. They had one daughter.
The Good-Natur'd Man is a 1768 comedy play written by the Irish author Oliver Goldsmith. It premiered at the Theatre Royal, Covent Garden on 29 January 1768. The original cast included Mary Bulkley as Miss Richland, Isabella Mattocks as Olivia, Ann Pitt as Mrs Croaker, Jane Green as Garnet, William Powell as Mr Honeywood, Edward Shuter as Croaker, Henry Woodward as Lofty, Matthew Clarke as Sir William Honeywood, Robert Bensley as Leontine, John Dunstall as Jarvis, John Cushing as Butler and John Quick as Potboy. The prologue was written by Samuel Johnson.
The Widowed Wife is a 1767 comedy play by William Kenrick. It premiered at Drury Lane Theatre on 5 December 1767. It closely resembled the plot of Memoirs of a Magdalen a novel by Hugh Kelly. The play enjoyed a fairly successful run.
Memoirs of a Magdalen is a 1767 British novel by the Irish writer Hugh Kelly. Its full title is Memoirs of a Magdalen, or the History of Louisa Mildmay.
A Word to the Wise is a 1770 comedy play by the Irish writer Hugh Kelly. It was his second work after the 1767 hit False Delicacy. Kelly was known as a supporter of the government, and an opponent of the radical John Wilkes. During the second performance of the play a riot broke out amongst Wilkes' supporters at the Drury Lane Theatre and the play was subsequently withdrawn. When it was published instead Kelly wrote a long introduction defending himself and complaining about political prejudice. It was the first play performed at The Theatre, Leeds when it was opened on 24 May 1771. It was later staged by the American Company in North America.
Charlotte Mardyn was an English actress of Irish descent of the early 19th-century who was rumoured to have been the mistress of Lord Byron.
Sir Harry Wildair is a 1701 comic play by the Irish writer George Farquhar. It is a sequel to the 1699 hit The Constant Couple, portraying the further adventures of the most popular character from the earlier play.
Samuel Cautherley (c.1747–1805) was a British stage actor. His surname is sometimes spelt as Cautherly.
Margaret Mills was a British stage actress of the late seventeenth and early eighteenth century.
The English Frier; Or, The Town Sparks, sometimes spelt as The English Friar, is a 1690 comedy play by the English writer John Crowne. It was originally staged by the United Company most likely at the Theatre Royal, Drury Lane, although it may have appeared at the Dorset Garden Theatre, the other venue of the company. Written in context of the recent Glorious Revolution, it attacks Catholic priests who meddle in English politics, undermining the constitution.
Elizabeth Hopkins (1731–1801) was an English stage actress of the eighteenth century. Born as Elizabeth Barton to a publican in York, she married the actor William Hopkins in 1753. and he introduced her to the stage. They acted together in the provinces and then in Edinburgh where she was original Anna in John Home's Douglas in 1756. She then went to Dublin to perform at the Smock Alley Theatre and elsewhere, although she was at one point dismissed by the company by Thomas Sheridan. When her husband was appointed as prompter at the Theatre Royal, Drury Lane in London she joined the company there, making her first appearance there in 1761. For several decades she was an integral part of the Drury Lane company, occasionally appearing elsewhere in the summer including at Richmond and the Theatre Royal, Haymarket. She transitioned in the 1780s from the younger, tragic roles she had played to older character parts such as dowagers Her final appearance was at the Haymarket in 1796. The actress Priscilla Kemble, wife of John Philip Kemble, was her daughter.
