Historia Eustachio Mariana is a 1665 work by the Jesuit scholar Athanasius Kircher. It describes his chance discovery of a ruined shrine of the Virgin Mary at Mentorella, the site where tradition held that the Roman martyr Saint Eustace had experienced conversion to Christianity. [1] [2] The book was dedicated to Giovanni Nicola, abbot of the monastery at Vulturalla, and a member of the family of the counts of Poli. [3] It was intended to help raise funds for the restoration of the chapel, and it was Kircher's first topographical work. [4] : 20
Kircher later reported how the Virgin Mary had spoken to him when he first visited Mentorella in 1661:
See how I am neglected here in this wilderness? Nobody cares about me, nobody cares about my church and this sacred place, where I was worshipped so much by people in earlier times.
Kircher vowed to ensure that her sanctuary was restored.
When I returned home I found a letter enclosed in a letter through which the most well-to-do Duke of Braunschweig-Lueneburg had granted me 400 Roman thalers to promote my studies with unusual generosity worthy of such a prince. I recognized a hidden hint from the Mother of God, put aside all other studies, and was by no means idle, but started the story of this holy place under the title: "Historia Eustachio-Mariana". [5]
Kircher began research to find the origins of the ruins he had discovered, and concluded that the shrine had been built at the time of Constantine the Great and commemorated the conversion of the Roman soldier Placidus, known to posterity as Saint Eustance. He then spent four years studying the site and its history, which culminated in a celebratory fete in 1664, followed by the publication of Historia Eustachio Mariana the following year. [3] These donations were secured partly through Kircher's account of how the shrine had originally been built by the Emperor Constantine and consecrated by Pope Sylvester I, which had no foundation in evidence at all, and relied on Kircher's own idiosyncratic interpretation of an oak panel from the site. Overall, the claim of great age and illustrious founding for the shrine has been described as the "art historian Kircher at his most creative." [6]
After the publication of the Historia Eustachio Mariana donations came in to fund the restoration: 1000 imperials from Emperor Leopold, 400 scudi from Johann Friedrich, Count of Wallenstein and Archbishop of Prague, [2] 400 scudi from Maximilian II Emanuel, Elector of Bavaria [6] and 700 scudi from Pedro Antonio de Aragón, Viceroy of Naples. Other Catholic rulers from all over Germany also contributed. [7]
Having rebuilt and restored the chapel, Kircher added a device of his own design in the form of a set of large speaking trumpets that pointed at various villages in the valley below the shrine. These allowed the broadcast of calls to attend Mass to people several miles away. They were not described in Historia Eustachio Mariana, but were illustrated in his later work Phonurgia Nova (1673). [4] : 168
The work is divided into five sections: (i) the story of Saint Eustace and his martyrdom (ii) the genealogy of the saint (iii) a description of the place where his conversion took place (iv) the shrine and (v) the church of Saint Eustace in Rome. [3]
One of the plates in the book shows the moment of Saint Eustace's conversion. A stag of great size stands at the top of a cliff, where he had leaped after being chased by Placidus, who was hunting. Between the stag's horns is a vision of Christ on the cross, which inspired Placidus to become a Christian. A beam of light shines down from the vision to Placidus below, carrying the words of the stag "Placidus, why are you hunting me?". Beneath him kneels the future saint, gazing up with the words "Lord, what would you have me do?". [3] Under his feet is a plan of the future chapel, and his horse and hunting hounds stand nearby. The scene is probably not original, as it resembles one painted inside the chapel at Mentorella, presumably from the late medieval period, which also served as the model for the fresco by Johann Paul Schor, painted inside the chapel. [2] [4] : 53, 125
The book also included illustrations of the wall-paintings he found in the ruined shrine, as well as some of the treasures that had formerly belonged to it, kept in safekeeping by the Duke of Polana in his library. These included a medieval silver cross, a large bronze candlestick, and an oak tablet carved with the legend of Saint Eustace. Kircher discussed the iconography of this tablet at some length, showing a degree of interest in medieval art which was unusual for his era. [4] : 94–98
Athanasius Kircher was a German Jesuit scholar and polymath who published around 40 major works of comparative religion, geology, and medicine. Kircher has been compared to fellow Jesuit Roger Joseph Boscovich and to Leonardo da Vinci for his vast range of interests, and has been honoured with the title "Master of a Hundred Arts". He taught for more than 40 years at the Roman College, where he set up a wunderkammer. A resurgence of interest in Kircher has occurred within the scholarly community in recent decades.
Saint Eustace is revered as a Christian martyr. According to legend, he was martyred in AD 118, at the command of emperor Hadrian. Eustace was a pagan Roman general, who converted to Christianity after he had a vision of the cross while hunting. He lost all his wealth, was separated from his wife and sons, and went into exile in Egypt. Called back to lead the Roman army by emperor Trajan, Eustace was happily reunited with his family and restored to high social standing, but after the death of Trajan, he and his family were martyred under Hadrian for refusing to sacrifice to pagan Roman gods.
Hubertus or Hubert was a Christian saint who became the first bishop of Liège in 708 A.D. He is the patron saint of hunters, mathematicians, opticians and metalworkers. Known as the "Apostle of the Ardennes", he was called upon, until the early 20th century, to cure rabies through the use of the traditional Saint Hubert's Key.
Deer have significant roles in the mythology of various peoples located all over the world, such as object of worship, the incarnation of deities, the object of heroic quests and deeds, or as magical disguise or enchantment/curse for princesses and princes in many folk and fairy tales.
Macarius I ; was Bishop of Jerusalem from 312 to shortly before 335, according to Sozomen. He is recognized as a saint within the Orthodox and Catholic churches.
Salamanes Hermias Sozomenos, also known as Sozomen, was a Roman lawyer and historian of the Christian Church.
Amphibalus is a venerated early Christian priest said to have converted Saint Alban to Christianity. He occupied a place in British hagiography almost as revered as Alban himself. According to many hagiographical accounts, including those of Gildas, Bede, Geoffrey of Monmouth, and Matthew of Paris, Amphibalus was a Roman Christian fleeing religious persecution under Emperor Diocletian. Amphibalus was offered shelter by Alban in the Roman city of Verulamium, in modern-day England. Alban was so impressed with the priest's faith and teaching that he began to emulate him in worship, and eventually became a Christian himself. When Roman soldiers came to seize Amphibalus, Alban put on Amphibalus' robes and was punished in his place. According to Matthew Paris, after Alban's martyrdom, the Romans eventually caught and martyred Amphibalus as well.
Constantine was a 6th-century king of Dumnonia in sub-Roman Britain, who was remembered in later British tradition as a legendary King of Britain. The only contemporary information about him comes from Gildas, who castigated him for various sins, including the murder of two "royal youths" inside a church. The historical Constantine is also known from the genealogies of the Dumnonian kings, and possibly inspired the tradition of Saint Constantine, a king-turned-monk venerated in Southwest Britain and elsewhere.
During the reign of the Roman Emperor Constantine the Great, Christianity began to transition to the dominant religion of the Roman Empire. Historians remain uncertain about Constantine's reasons for favoring Christianity, and theologians and historians have often argued about which form of early Christianity he subscribed to. There is no consensus among scholars as to whether he adopted his mother Helena's Christianity in his youth, or, as claimed by Eusebius of Caesarea, encouraged her to convert to the faith he had adopted.
The Crucifixion of Saint Peter is a work by Michelangelo Merisi da Caravaggio, painted in 1601 for the Cerasi Chapel of Santa Maria del Popolo in Rome. Across the chapel is a second Caravaggio work depicting the Conversion of Saint Paul on the Road to Damascus (1601). On the altar between the two is the Assumption of the Virgin Mary by Annibale Carracci.
The Basilica of Saint Sylvester the First, also known as, is a Roman Catholic minor basilica and titular church in Rome dedicated to Pope Sylvester I. It is located on the Piazza San Silvestro, at the corner of Via del Gambero and the Via della Mercede, and stands adjacent to the central Post Office.
Sant'Eustachio is a Roman Catholic titular church and minor basilica in Rome, named for the martyr Saint Eustace. It is located on Via di Sant'Eustachio in the rione Sant'Eustachio, a block west of the Pantheon and via della Rotonda, and a block east of Sant'Ivo alla Sapienza and the Via della Dogana Vecchia.
Musurgia Universalis, sive Ars Magna Consoni et Dissoni is a 1650 work by the Jesuit scholar Athanasius Kircher. It was printed in Rome by Ludovico Grignani and dedicated to Archduke Leopold Wilhelm of Austria. It was a compendium of ancient and contemporary thinking about music, its production and its effects. It explored, in particular, the relationship between the mathematical properties of music with health and rhetoric. The work complements two of Kircher's other books: Magnes sive de Arte Magnetica had set out the secret underlying coherence of the universe and Ars Magna Lucis et Umbrae had explored the ways of knowledge and enlightenment. What Musurgia Universalis contained, through its exploration of dissonance within harmony, was an explanation of the presence of evil in the world.
Saint Constantine is the name of one or many British or Pictish saints.
Christianity in the 4th century was dominated in its early stage by Constantine the Great and the First Council of Nicaea of 325, which was the beginning of the period of the First seven Ecumenical Councils (325–787), and in its late stage by the Edict of Thessalonica of 380, which made Nicene Christianity the state church of the Roman Empire.
The Book of the Knight Zifar is the earliest fictional adventure tale in prose in the Spanish language. It was written around 1300, probably by a cleric of Toledo, Ferrand Martínez, who is mentioned in the prologue. The book has much affinity with contemporary works of chivalric romance.
Filippo Martinucci was an Italian architect. He was the son of Vincenzo Martinucci. His son, also Vincenzo, was also an architect who collaborated with his father on several projects.
Phonurgia Nova is a 1673 work by the Jesuit scholar Athanasius Kircher. It is notable for being the first book ever dedicated entirely to the science of acoustics, and for containing the earliest description of an aeolian harp. It was dedicated to the Holy Roman Emperor Leopold I and printed in Kempten by Rudoph Dreherr.
Latium is a 1669 work by the Jesuit scholar Athanasius Kircher. It was dedicated to Pope Clement X and a 1671 edition was published in Amsterdam by Johannes van Waesbergen. The work was the first to discuss the topography, archeology and history of the Lazio region. It was based partly on Kircher's extensive walks in the countryside around Rome, although it included sites that he had probably not visited in person. The work included many illustrations of the contemporary countryside, as well as reconstructions of ancient buildings. It also included an account of his discovery of the ruined sanctuary at Mentorella, which he had already recounted in his 1665 work Historia Eustachio Mariana.
This article lists historical events that occurred between 301–400 in modern-day Lebanon or regarding its people.