1667 in literature

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This article contains information about the literary events and publications of 1667.

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Events

New books

Prose

Drama

Poetry

Births

Deaths

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<span class="mw-page-title-main">William Davenant</span> English poet and playwright (1606–1668)

Sir William Davenant, also spelled D'Avenant, was an English poet and playwright. Along with Thomas Killigrew, Davenant was one of the rare figures in English Renaissance theatre whose career spanned both the Caroline and Restoration eras and who was active both before and after the English Civil War and during the Interregnum.

This article contains information about the literary events and publications of 1674.

This article presents lists of the literary events and publications in 1673.

This article contains information about the literary events and publications of 1669.

This article contains information about the literary events and publications of 1666.

This article presents lists of the literary events and publications in 1664.

This article contains information about the literary events and publications of 1663.

This article contains information about the literary events and publications of 1662.

This article contains information about the literary events and publications of 1660.

<span class="mw-page-title-main">Thomas Killigrew</span> English dramatist and theatre manager (1612–1683)

Thomas Killigrew was an English dramatist and theatre manager. He was a witty, dissolute figure at the court of King Charles II of England.

<span class="mw-page-title-main">Restoration spectacular</span> 17th-century elaborately staged machine play

The Restoration spectacular was a type of theatre production of the late 17th-century Restoration period, defined by the amount of money, time, sets, and performers it required to be produced. Productions attracted audiences with elaborate action, acrobatics, dance, costume, scenery, illusionistic painting, trapdoors, and fireworks. Although they were popular with contemporary audiences, spectaculars have earned a reputation from theatre historians as vulgar in contrast to the witty Restoration drama.

Sir Martin Mar-all, or The Feign'd Innocence is an English Restoration comedy, first performed on 15 August 1667. Written by John Dryden and based on a translation of L'Étourdi by Molière, it was one of Dryden's earliest comedies, and also one of the greatest theatrical successes of his career.

Events from the year 1667 in England. Dates are given in Old Style. As of the start of this year, the Gregorian calendar in use by the Dutch Republic and elsewhere on the continent is 10 days ahead of the Julian calendar in use in England.

<span class="mw-page-title-main">Duke's Company</span>

The Duke's Company was a theatre company chartered by King Charles II at the start of the Restoration era, 1660. Sir William Davenant was manager of the company under the patronage of Prince James, Duke of York. During that period, theatres began to flourish again after they had been closed from the restrictions throughout the English Civil War and the Interregnum. The Duke's Company existed from 1660 to 1682, when it merged with the King's Company to form the United Company.

<span class="mw-page-title-main">John Lacy (playwright)</span> 17th-century English comic actor and playwright

John Lacy was an English comic actor and playwright during the Restoration era. In his own time he gained a reputation as "the greatest comedian of his day" and was the favourite comic of King Charles II.

Secret Love, or The Maiden Queen is a 1667 tragicomedy written by John Dryden. The play, commonly known by its more distinctive subtitle, was acted by the King's Company at the Theatre Royal, Drury Lane. The premiere occurred on 2 March, and was a popular success. King Charles II, his brother the Duke of York and future King James II, and Samuel Pepys were all in the audience on opening night.

Nationality words link to articles with information on the nation's poetry or literature.

Sir James Runcieman Sutherland, FBA was an English literary scholar, Lord Northcliffe Professor of Modern Literature at London University.

John Young was an English stage actor of the seventeenth century. He was active as a member of the Duke's Company during the Restoration Era, appearing at Lincoln's Inn Fields and then at the Dorset Garden Theatre when the company relocated. While not much is known about his background, he was repeatedly in debt during his acting career. In 1667 he stood in for Thomas Betterton after he fell ill during the run of Macbeth appearing as the title role. Samuel Pepys described him as "a bad actor at best".

References

  1. Oates, J. C. T. "The seventeenth century". A brief history of the collection. Cambridge University Library. Archived from the original on April 2, 2015. Retrieved April 1, 2015.
  2. Pepys' diary, 2 March 1666. Project Gutenberg, accessed 2008-09-12.
  3. Saintsbury, George and Scott, Sir Walter (ed.) (1882). The Works of John Dryden2. Edinburgh: William Paterson. pp. 414–416 ff.
  4. Bax, Clifford (1969). Pretty Witty Nell. New York; London: Benjamin Blom. p. 89. ISBN   0-405-08243-6.
  5. Gadd, I (2004). "Simmons, Matthew" . Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/69230 . Retrieved June 5, 2013.(Subscription or UK public library membership required.)
  6. Equivalent to approximately £7,400 income in 2008. "Purchasing Power of British Pounds from 1264 to Present". MeasuringWorth. 2010. Retrieved March 13, 2011.
  7. 1 2 Campbell, Gordon (2004). "Milton, John (1608–1674)" . Oxford Dictionary of National Biography (online ed.). Oxford University Press. doi:10.1093/ref:odnb/18800 . Retrieved July 5, 2013. The sums involved are modest but quite normal.(Subscription or UK public library membership required.)
  8. Lindenbaum, Peter (1995). "Authors and Publishers in the Late Seventeenth Century: New Evidence on their Relations". The Library. Oxford University Press. s6-17 (3): 250–269. doi:10.1093/library/s6-17.3.250. ISSN   0024-2160.
  9. "John Milton's Paradise Lost". The Morgan Library & Museum. Archived from the original on July 21, 2011. Retrieved April 25, 2011.
  10. Pepys' diary.
  11. Tout Molière (French). Accessed 27 February 2013.
  12. Dobson, Michael (1992). The Making of the National Poet: Shakespeare, Adaptation and Authorship, 1660–1769. Oxford University Press. pp. 59–60. ISBN   978-0-19-818323-5.
  13. Peter Sahlins (2017). 1668: The Year of the Animal in France. Zone Books. p. 29.
  14. Boylan, Henry (1998). A dictionary of Irish biography. Dublin: Gill & Macmillan. p. 64. ISBN   9780717125074.
  15. Wall, Cynthia (1998). The literary and cultural spaces of Restoration London. Cambridge New York: Cambridge University Press. p. 137. ISBN   9780521630139.
  16. Burke's Genealogical and Heraldic History of Peerage, Baronetage and Knightage. Burke's Peerage Limited. 1914. p. 1600.
  17. Walter Farquhar Hook (1850). An Ecclesiastical Biography. F. and J. Rivington. p. 503.
  18. Madeleine de Scudery (2004). Selected Letters, Orations, and Rhetorical Dialogues. University of Chicago Press. p. 7.
  19. Askew, Reginald (1997). Muskets and altars: Jeremy Taylor and the last of the Anglicans. London Herndon, VA: Mowbray. p. 165. ISBN   9780264674308.
  20. Young, Carlton (1993). Companion to the United Methodist hymnal. Nashville: Abingdon Press. p. 819. ISBN   9780687092604.
  21. Robert Rau Holzer (1990). Music and Poetry in Seventeenth-century Rome. University of Pennsylvania. p. 422.