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This article contains information about the literary events and publications of 1670.
Il y a plus de quarante ans que je dis de la prose sans que j'en susse rien. (For more than forty years I've been speaking prose without knowing anything about it) – Monsieur Jourdain, Le Bourgeois gentilhomme
Jean-Baptiste Poquelin, known by his stage name Molière, was a French playwright, actor, and poet, widely regarded as one of the great writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière".
Aphra Behn was an English playwright, poet, prose writer and translator from the Restoration era. As one of the first English women to earn her living by her writing, she broke cultural barriers and served as a literary role model for later generations of women authors. Rising from obscurity, she came to the notice of Charles II, who employed her as a spy in Antwerp. Upon her return to London and a probable brief stay in debtors' prison, she began writing for the stage. She belonged to a coterie of poets and famous libertines such as John Wilmot, Lord Rochester. Behn wrote under the pastoral pseudonym Astrea. During the turbulent political times of the Exclusion Crisis, she wrote an epilogue and prologue that brought her legal trouble; she thereafter devoted most of her writing to prose genres and translations. A staunch supporter of the Stuart line, Behn declined an invitation from Bishop Burnet to write a welcoming poem to the new king William III. She died shortly after.
This article contains information about the literary events and publications of 1700.
This article contains information about the literary events and publications of 1696.
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This article contains information about the literary events and publications of 1685.
This article contains information about the literary events and publications of 1684.
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This article contains information about the literary events and publications of 1678.
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This article presents lists of the literary events and publications in 1673.
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This article presents lists of the literary events and publications in 1665.
This article contains information about the literary events and publications of 1640.
Le Bourgeois gentilhomme is a five-act comédie-ballet – a play intermingled with music, dance and singing – written by Molière, first presented on 14 October 1670 before the court of Louis XIV at the Château of Chambord by Molière's troupe of actors. Subsequent public performances were given at the theatre of the Palais-Royal beginning on 23 November 1670. The music was composed by Jean-Baptiste Lully, the choreography was by Pierre Beauchamp, the sets were by Carlo Vigarani and the costumes were done by the chevalier d’Arvieux.
Jean-Baptiste Lully was a French composer, dancer and instrumentalist of Italian birth, who is considered a master of the French Baroque music style. Best known for his operas, he spent most of his life working in the court of Louis XIV of France and became a French subject in 1661. He was a close friend of the playwright Molière, with whom he collaborated on numerous comédie-ballets, including L'Amour médecin, George Dandin ou le Mari confondu, Monsieur de Pourceaugnac, Psyché and his best known work, Le Bourgeois gentilhomme.
Comédie-ballet is a genre of French drama which mixes a spoken play with interludes containing music and dance.
Events from the year 1670 in France
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