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This article contains information about the literary events and publications of 1670.
Il y a plus de quarante ans que je dis de la prose sans que j'en susse rien. (For more than forty years I've been speaking prose without knowing anything about it) – Monsieur Jourdain, Le Bourgeois gentilhomme
1670 (MDCLXX) was a common year starting on Wednesday of the Gregorian calendar and a common year starting on Saturday of the Julian calendar, the 1670th year of the Common Era (CE) and Anno Domini (AD) designations, the 670th year of the 2nd millennium, the 70th year of the 17th century, and the 1st year of the 1670s decade. As of the start of 1670, the Gregorian calendar was 10 days ahead of the Julian calendar, which remained in localized use until 1923.
Jean-Baptiste Poquelin, known by his stage name Molière, was a French playwright, actor, and poet, widely regarded as one of the greatest writers in the French language and world literature. His extant works include comedies, farces, tragicomedies, comédie-ballets, and more. His plays have been translated into every major living language and are performed at the Comédie-Française more often than those of any other playwright today. His influence is such that the French language is often referred to as the "language of Molière".
Aphra Behn was an English playwright, poet, prose writer and translator from the Restoration era. As one of the first English women to earn her living by her writing, she broke cultural barriers and served as a literary role model for later generations of women authors. Rising from obscurity, she came to the notice of Charles II, who employed her as a spy in Antwerp. Upon her return to London and a probable brief stay in debtors' prison, she began writing for the stage. She belonged to a coterie of poets and famous libertines such as John Wilmot, Lord Rochester. Behn wrote under the pastoral pseudonym Astrea. During the turbulent political times of the Exclusion Crisis, she wrote an epilogue and prologue that brought her into legal trouble; she thereafter devoted most of her writing to prose genres and translations. A staunch supporter of the Stuart line, Behn declined an invitation from Bishop Burnet to write a welcoming poem to the new king William III. She died shortly after.
This article contains information about the literary events and publications of 1696.
This article contains information about the literary events and publications of 1694.
This article contains information about the literary events and publications of 1690.
This article contains information about the literary events and publications of 1688.
This article contains information about the literary events and publications of 1686.
This article contains information about the literary events and publications of 1684.
This article contains information about the literary events and publications of 1679.
This article contains information about the literary events and publications of 1678.
This article contains information about the literary events and publications of 1677.
This article presents lists of the literary events and publications in 1673.
This article presents lists of the literary events and publications in 1671.
This article contains information about the literary events and publications of 1666.
This article presents lists of the literary events and publications in 1665.
This article contains information about the literary events and publications of 1617.
Comédie-ballet is a genre of French drama which mixes a spoken play with interludes containing music and dance.
Events from the year 1670 in France
Sir Patient Fancy: A Comedy, is a comedic play written by Aphra Behn, first performed in 1678. It is Behn's first overtly political play. It was staged by the Duke's Company at the Dorset Garden Theatre in London with a cast that included Nell Gwyn as Lady Knowell, Anthony Leigh as Sir Patient Fancy, John Crosby as Leander Fancy, Thomas Betterton as Wittmore, William Smith as Lodwick Knowell, James Nokes as Sir Credulous Easy, John Richards as Curry, Elizabeth Currer as Lady Fancy, Mary Betterton as Isabella, Emily Price as Lucretia and Anne Shadwell as Maundy.
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