1613 in literature

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This article contains information about the literary events and publications of 1613.

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<span class="mw-page-title-main">English Renaissance theatre</span> Theatre of England between 1562 and 1642

English Renaissance theatre, also known as Renaissance English theatre and Elizabethan theatre, refers to the theatre of England between 1558 and 1642.

<span class="mw-page-title-main">Thomas Middleton</span> English playwright and poet (1580–1627)

Thomas Middleton was an English Jacobean playwright and poet. He, with John Fletcher and Ben Jonson, was among the most successful and prolific of playwrights at work in the Jacobean period, and among the few to gain equal success in comedy and tragedy. He was also a prolific writer of masques and pageants.

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This article contains information about the literary events and publications of 1608.

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The History of Cardenio, often referred to as simply Cardenio, is a lost play, known to have been performed by the King's Men, a London theatre company, in 1613. The play is attributed to William Shakespeare and John Fletcher in a Stationers' Register entry of 1653. The content of the play is not known, but it was likely to have been based on an episode in Miguel de Cervantes's Don Quixote involving the character Cardenio, a young man who has been driven mad and lives in the Sierra Morena. Thomas Shelton's translation of the First Part of Don Quixote was published in 1612 and would thus have been available to the presumed authors of the play.

<span class="mw-page-title-main">George Chapman</span> 16th/17th-century English dramatist, poet, and translator

George Chapman was an English dramatist, translator and poet. He was a classical scholar whose work shows the influence of Stoicism. William Minto speculated that Chapman is the unnamed Rival Poet of Shakespeare's sonnets. Chapman is seen as an anticipator of the metaphysical poets of the 17th century. He is best remembered for his translations of Homer's Iliad and Odyssey, and the Homeric Batrachomyomachia.

The King's Men was the acting company to which William Shakespeare (1564–1616) belonged for most of his career. Formerly known as the Lord Chamberlain's Men during the reign of Queen Elizabeth I, they became the King's Men in 1603 when King James I ascended the throne and became the company's patron.

<span class="mw-page-title-main">Francis Beaumont</span> English playwright (1584–1616)

Francis Beaumont was a dramatist in the English Renaissance theatre, most famous for his collaborations with John Fletcher.

<span class="mw-page-title-main">John Fletcher (playwright)</span> English playwright (1579–1625)

John Fletcher was an English playwright. Following William Shakespeare as house playwright for the King's Men, he was among the most prolific and influential dramatists of his day; during his lifetime and in the Stuart Restoration, his fame rivalled Shakespeare's. Fletcher collaborated in writing plays, chiefly with Francis Beaumont or Philip Massinger, but also with Shakespeare and others.

The Masque of the Inner Temple and Gray's Inn, also known as, The Masque of the Olympic Knights, is an English masque created in the Jacobean period. It was written by Francis Beaumont and is known to have been performed on 20 February 1613 in the Banqueting House at Whitehall Palace, as part of the elaborate wedding festivities surrounding the marriage of Princess Elizabeth, the daughter of King James I, to Frederick V, Elector Palatine.

The Beaumont and Fletcher folios are two large folio collections of the stage plays of John Fletcher and his collaborators. The first was issued in 1647, and the second in 1679. The two collections were important in preserving many works of English Renaissance drama.

Richard Hawkins was a London publisher of the Jacobean and Caroline eras. He was a member of the syndicate that published the Second Folio collection of Shakespeare's plays in 1632. His bookshop was in Chancery Lane, near Sergeant's Inn.

George Eld was a London printer of the Jacobean era, who produced important works of English Renaissance drama and literature, including key texts by William Shakespeare, Ben Jonson, Christopher Marlowe, and Thomas Middleton.

Events from the 1610s in England.

References

  1. William Shakespeare; Charles Hamilton; John Fletcher (1994). Cardenio, Or, The Second Maiden's Tragedy. Glenbridge Publishing Ltd. p. 1. ISBN   978-0-944435-24-3.
  2. Collections. Oxford University Press. 1931. p. 324.
  3. 1 2 Martin Wiggins; Catherine Teresa Richardson (2012). British Drama, 1533-1642: 1609-1616. Oxford University Press. p. 280. ISBN   978-0-19-873911-1.
  4. 1 2 Andrew Gurr; Farah Karim-Cooper (6 March 2014). Moving Shakespeare Indoors: Performance and Repertoire in the Jacobean Playhouse. Cambridge University Press. p. 113. ISBN   978-1-107-04063-2.
  5. George Chapman (1975). The Widow's Tears. Manchester University Press. p. 72. ISBN   978-0-416-03020-4.
  6. ¬The academy. 1877. p. 283.
  7. Emma Smith; Garrett A. Sullivan, Jr (12 August 2010). The Cambridge Companion to English Renaissance Tragedy. Cambridge University Press. pp. 211–212. ISBN   978-1-139-82547-4.
  8. Miguel de Cervantes Saavedra (31 August 2010). Novelas ejemplares (in Spanish). Linkgua. ISBN   978-84-9816-980-5.
  9. Hugh Chisholm; James Louis Garvin (1926). The Encyclopædia Britannica: A Dictionary of Arts, Sciences, Literature & General Information. Encyclopædia Britannica Company, Limited. p. 990.
  10. Jean Elizabeth Howard (2007). Theater of a City: The Places of London Comedy, 1598-1642. University of Pennsylvania Press. p. 138. ISBN   0-8122-3978-4.
  11. Charles Intervale Silin (1940). The Johns Hopkins Studies in Romance Literatures and Languages: Extra volume. Johns Hopkins Press. p. 25.